"The late cinematographer Jamie Livingston, who died at age 41 in 1997," writes Mike Johnston, "left an archive of almost 6,000 Polaroid SX-70 shots, taken one per day (with only minor lapses) for 18 years." You can browse the archive here.
David Friedman would like to see a Polaroid-style digital picture frame, complete with dry-erase area for jotting notes. [Via]
Photographer Gregory Heisler is one of the most interesting guys I’ve had the pleasure of meeting in my job. He’s shot numerous covers for Time Magazine, and his work really shines in large-format printing. Now Gregory has sat down with Adobe photography evangelist George Jardine to record a podcast. George writes:
“Maybe you want to do a Brett Weston, and you don’t want anyone to open your files. Maybe you want your files to just die a peaceful death, and you want to pull the plug on them, and send them on to eternity. And what you want are these finished prints; they are the realization of your vision. And everything else was just a way to get there. Like you don’t actually want somebody, in a sense, reprinting from your negatives. You’re done. It’s fine. Even though with photography the temptation is that it’s always an open door, it’s fine to lock the door and throw away the key. That’s OK.” – Gregory Heisler
This podcast was recorded on Wednesday February 6th, 2008 at the National Arts Club in New York City. Gregory sits down with George to have a conversation about working with Arnold Newman, his love of portraiture, and some of his thinking on a wide range of subjects including the value of the print, and the difficulties of developing a personal style.
Is today, February 19th, "The Most Important Date In Digital Imaging History"? That’s the case Jeff Schewe makes on Photoshop News. On this date in 1990, the first version of Photoshop shipped to the world; exactly five years ago we saw the debut of Photoshop’s Camera Raw plug-in; and one year ago today, Adobe Photoshop Lightroom 1.0 made its official bow. Jeff posts all kinds of good info on the site, and in a sidebar he asks "Where were you on 2-19-1990?" (I thank goodness that no digital cams were on hand there to capture my hairdo.) For a bit more info and color, see Lightroom PM Tom Hogarty’s post on the occasion.
As promised a couple of weeks ago, I’ve uploaded a copy of the VHS tape that shipped in the box with Illustrator 1.0, hosted by company co-founder/president/Illustrator developer John Warnock:
Many thanks to Andrew Keith Strauss for digitizing the tape. Of the video Dr. Warnock writes, “That video demo tape was shot live, with no editing. We didn’t have video production tools at that time, and we didn’t want to pay for a professional to do it, so I did the demonstration.” It’s fun to contrast this tape with the Illustrator 88 video made just a year later.
The Hubble recently captured a double Einstein ring. An Einstein ring occurs when light from one body is deflected into a ring by another body, such as a black hole. In this case, the effect required three galaxies to be perfectly aligned. [Via]
Compose an engaging 15-second or less animation or motion graphic video of the Photoshop brand logo that illustrates the theme of “See What’s Possible.” The winning work must incorporate and close with the Adobe Photoshop logo and will be used by Adobe as part of an upcoming Photoshop marketing campaigns.
The grand prize is $20,000 (USD) and Adobe Creative Suite 3 Master Collection (BYO forklift & Brinks truck). "But this challenge isn’t just about winning," says John Fiorelli, executive director of Cut&Paste. "All submissions will be publicly showcased on CutandPaste.com where contestants can share their skills with not only fellow designers, but fans, recruiters, and potential clients."
You’ve got until the Ides of March (specifically, 11:59 p.m. Pacific Daylight Time on March 15, 2008) to submit your work, and it needs to be created predominantly with Photoshop, Flash, and/or After Effects. Full details are on the site. Rock out! [Via]
…at least, not with a ridiculously persistent head cold. Then, however, the Interwebs kick up some crazy little gem that makes it all good. I got this piece of spam today and was unreasonably amused (names omitted to protect the guilty):
Dear John, I am a recruiter for the xxxx Casket Company and I am interested in networking with you. I am currently seeking a 2 Product Managers (Wood Product Line, Accessories Product Line). Our headquarters is located in [BFE], Indiana, which is commutable from both [cold places where you no longer live]. xxxx Casket Company is more than the world’s leading producer of premium caskets and cremation products, we set the standard for success and productivity. […] I am hoping that you might know of other Product Managers that I could network with that might be interested in exploring these exciting job opportunities! If you are interested in this position, I also welcome that conversation. Here are a couple of websites that might be helpful when passing along my contact information: [xxxx]. I appreciate your help in advance and look forward to hearing from you! Sincerely, [xxxx]
Man, what am I still doing here typing? Who in his right mind wouldn’t give up Photoshop for Wood Casket Accessories Product Line Manager? It’s the job of a lifetime–specifically, the end of many other people’s lifetimes. My ship has finally come in–woo hoo! Adios, suckkaz!! 😉