Trevor, who both offers a set of free scripts & does scripting for hire, is right that scripting is a very powerful yet underused part of the Photoshop story. It’s a key part of the moduarlity & customizability I always mention as a key area for us to develop in the future, and we’ll keep working to make it easier & more powerful.
Photoshop team script wrangler Jeff Tranberry reports that he’s posted the class materials from the "Photoshop for Geeks" session he & Tom Ruark presented at Photoshop World. He also reports that the very useful Dr. Brown’s Services set of scripts have been updated to v1.9.4 and are available for download. [Via]
Aiming to help drive standards & interoperability in video workflows, Adobe has announced CinemaDNG, a cousin of the DNG (Digital Negative) standard for raw image capture. According to the press release,
Adobe is working with a broad coalition of leading camera manufacturers
including RED, Panavision, Dalsa, Weisscam, and ARRI along with software vendors including Iridas and The
Foundry to define the requirements for an open, publicly documented CinemaDNG file format that will lend
predictability and consistency to digital production workflows.
As with the established still-image form of DNG, Cinema DNG helps minimize the risk that
proprietary or camera-specific file formats will be unsupported in the future, because CinemaDNG will provide an
open, durable, standard format.
CNET covers the news while noting some of Adobe’s other video-related announcements this week, including a demo of automatic text-to-metadata speech transcription & support for Sony’s XDCAM EX tapeless video format in CS3 tools.
Time for an update to The Greatest Technology You Don’t Care About… Yet. 🙂
Engineering manager Kevin Goldsmith has announced that a new version of the Adobe Image Foundation (AIF) Toolkit Preview Release is available for download from Adobe Labs.
Think of AIF as similar to Apple’s Core Image technology (running really fast filters on your graphics card), but with added goodness. For one thing, in addition to working in desktop tools like After Effects and (maybe, someday, I’m not sayin’) Photoshop and others, AIF will work in the next version of the incredibly ubiquitous Flash Player. So…
AIF = Fast-as-hell filters on every desktop, everywhere
In addition to opening tons of doors for Flash animators, it’ll give the Flash Platform a huge bump in its ability to support apps like Photoshop Express. And it’ll encourage lots of cool cross-pollination, as developers can leverage the imaging code they write for Flash in order to create filters for Adobe desktop apps, and vice versa.
Back to the news at hand: the Toolkit helps developers write and test their imaging code in a scripting language codenamed “Hydra” (real name TBA). If that sounds like your bag, head over to Labs, grab the build, and try out & share examples in the gallery.
Back when vinyl was giving way to tapes & CDs, I heard purists bemoan the loss of a large-format way to distribute album artwork. Now with the prevalance of downloads, do you know offhand what artwork is attached to most of your music? iTunes tries to help, but it’s an uphill battle. Anyway…
- Nikolay Saveliev’s rad Pop Matters project consists of “Vinyl record sleeves with 2-sided insert featuring
faux-academic material on pop music and the state of the
Snuck onto used& new record store shelves.” Personal fave: “Nickelback: The Recursiveness of Professional Mediocrity.”
- Pitchfork picks The Worst Album Covers of 2007.
- Listropolis has translated the artwork for Rolling Stone’s Top 20 Albums into color palettes. [Via]
- Should classic album covers be redesigned every few years? Ben Wardle makes that case, with examples. [Via]
Congratulations to TJ Sochor of 3 Wagons Deep on winning the grand prize in Adobe’s "See What’s Possible" motion graphics contest:
The entire animation was done completely with Photoshop and After Effects (with a touch of Illustrator for logo preparation). No 3rd party plug-ins, programs, animation, videos were used; just the tools that ship standard with Adobe software. All photos are original – taken with my Nikon D80 (organized in Adobe Photoshop Lightroom). The music is also original. No 3rd party stuff, well, except for my cheap Yamaha guitar.
- More than 348 Submissions from over 31 countries with over 1/3 in the last day before the deadline
- More than half the submissions came from outside the U.S.
- More than 5,800 registered users who contributed submissions, comments, and votes
- More than 120,000 unique visitors from over 156 countries around the world
Then, of course, there were a few that remind you that "When the going gets weird, the weird turn pro"
Thanks to everyone for the great entries! If you see any that strike you as particularly cool, funny, bizarre, etc., please pass ’em along via the comments.
Lightroom & Camera Raw PM Tom Hogarty reports that revised versions of the two tools have been posted:
The Lightroom 1.4.1 and Camera Raw 4.4.1 updates have been posted to the following locations: Lightroom (Mac, Win), Camera Raw (Mac, Win). The updates provide all of the changes included in the original Lightroom 1.4 and Camera Raw 4.4 releases but also include corrections for issues described below and in previous blog posts. The Camera Raw plug-in will also be available later this evening via the Adobe Update Manager and the Lightroom update can be located by choosing ‘Check for Updates…’ under the Help menu. The Lightroom and Camera Raw team apologize for any inconveniences caused by the issues presented in the initial updates
Check out Tom’s post for full details.