{"id":11207,"date":"2006-09-13T18:33:42","date_gmt":"2006-09-13T18:33:42","guid":{"rendered":"http:\/\/blogs.adobe.com\/jnackdev\/2006\/09\/tilt-shifting-tragedy.html"},"modified":"2006-09-13T18:33:42","modified_gmt":"2006-09-13T18:33:42","slug":"tilt_shifting_tragedy","status":"publish","type":"post","link":"http:\/\/jnack.com\/blog\/2006\/09\/13\/tilt_shifting_tragedy\/","title":{"rendered":"Tilt-Shifting Tragedy"},"content":{"rendered":"<p>Earlier this year, tilt-shift photography &amp; its Photoshop-simulated cousin <a href=\"http:\/\/blogs.adobe.com\/jnack\/2006\/03\/faking_tiltshift.html\">drew considerable attention<\/a>.  Both approaches can be used to provide a narrow depth of field, making large subjects (e.g. <a href=\"http:\/\/www.metropolismag.com\/cda\/popup_image.php?image_id=5476&amp;slideshow_speed=10\">Vegas<\/a>) seem small and toylike.<br \/>\nNow a pair of photographers have brought that technique to bear in portraits of tragedy.  Fred R. Conrad&#8217;s image provides a different perspective on <a href=\"http:\/\/www.nytimes.com\/slideshow\/2006\/09\/10\/us\/20060911_SITE_PHOTOGRAPHS_5.html\">the pit at Ground Zero<\/a>.  I find the sense of miniature Fisher-Price innocence unsettling.  Meanwhile David Burnett renders <a href=\"http:\/\/www7.nationalgeographic.com\/ngm\/0608\/feature1\/gallery4.html\">the aftermath of Hurricane Katrina.<\/a>  (The latter shots are much more impactful viewed larger, in case you have a copy of the print edition handy.)<br \/>\nOn a related note, illustrator John Mavroudis provides an rare glimpse behind the scenes of creating a New Yorker cover&#8211;in this case <a href=\"http:\/\/www.zenpop.com\/\" \/>the 9\/11\/06 cover<\/a>. [<a href=\"http:\/\/drawn.ca\/2006\/09\/11\/the-anatomy-of-the-september-11-new-yorker-cover\/\" \/>Via<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Earlier this year, tilt-shift photography &amp; its Photoshop-simulated cousin drew considerable attention. Both approaches can be used to provide a narrow depth of field, making large subjects (e.g. Vegas) seem small and toylike. Now a pair of photographers have brought that technique to bear in portraits of tragedy. Fred R. Conrad&#8217;s image provides a different [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/11207"}],"collection":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/comments?post=11207"}],"version-history":[{"count":0,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/11207\/revisions"}],"wp:attachment":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/media?parent=11207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/categories?post=11207"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/tags?post=11207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}