{"id":18749,"date":"2021-11-17T07:07:00","date_gmt":"2021-11-17T15:07:00","guid":{"rendered":"http:\/\/jnack.com\/blog\/?p=18749"},"modified":"2021-11-15T14:12:48","modified_gmt":"2021-11-15T22:12:48","slug":"color-in-skyfall","status":"publish","type":"post","link":"http:\/\/jnack.com\/blog\/2021\/11\/17\/color-in-skyfall\/","title":{"rendered":"Color in Skyfall"},"content":{"rendered":"\n<p>Per <a href=\"https:\/\/daringfireball.net\/linked\/2021\/11\/13\/devan-scott-skyfall-spectre\">Daring Fireball<\/a>:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>Devan Scott put together a wonderful, richly illustrated thread on Twitter contrasting the use of color grading in\u00a0<em>Skyfall<\/em>\u00a0and\u00a0<em>Spectre<\/em>. Both of those films were directed by Sam Mendes, but they had different cinematographers\u2009\u2014\u2009<a href=\"https:\/\/www.imdb.com\/name\/nm0005683\/\">Roger Deakins<\/a>\u00a0for\u00a0<em>Skyfall<\/em>, and\u00a0<a href=\"https:\/\/www.imdb.com\/name\/nm0887227\/\">Hoyte van Hoytema<\/a>\u00a0for\u00a0<em>Spectre<\/em>. Scott graciously and politely makes the case that\u00a0<em>Skyfall<\/em>\u00a0is more interesting and fully-realized because each new location gets a color palette of its own, whereas the entirety of\u00a0<em>Spectre<\/em>\u00a0is in a consistent color space.<\/p><\/blockquote>\n\n\n\n<p>Click or tap on through to the thread; I think you&#8217;ll enjoy it.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\"><p lang=\"en\" dir=\"ltr\">SKYFALL and SPECTRE sure are an interesting contrast in colour direction techniques! <a href=\"https:\/\/t.co\/AqGGKX81Nz\">pic.twitter.com\/AqGGKX81Nz<\/a><\/p>&mdash; Devan Scott (@SadHillDevan) <a href=\"https:\/\/twitter.com\/SadHillDevan\/status\/1458863501015851008?ref_src=twsrc%5Etfw\">November 11, 2021<\/a><\/blockquote><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Per Daring Fireball: Devan Scott put together a wonderful, richly illustrated thread on Twitter contrasting the use of color grading in\u00a0Skyfall\u00a0and\u00a0Spectre. Both of those films were directed by Sam Mendes, but they had different cinematographers\u2009\u2014\u2009Roger Deakins\u00a0for\u00a0Skyfall, and\u00a0Hoyte van Hoytema\u00a0for\u00a0Spectre. Scott graciously and politely makes the case that\u00a0Skyfall\u00a0is more interesting and fully-realized because each new location [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/18749"}],"collection":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/comments?post=18749"}],"version-history":[{"count":2,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/18749\/revisions"}],"predecessor-version":[{"id":18751,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/18749\/revisions\/18751"}],"wp:attachment":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/media?parent=18749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/categories?post=18749"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/tags?post=18749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}