{"id":5182,"date":"2017-03-10T10:51:37","date_gmt":"2017-03-10T18:51:37","guid":{"rendered":"http:\/\/jnack.com\/blog\/?p=5182"},"modified":"2017-03-10T10:51:37","modified_gmt":"2017-03-10T18:51:37","slug":"photography-how-the-bbc-filmed-animals-in-total-darkness-for-planet-earth-ii","status":"publish","type":"post","link":"http:\/\/jnack.com\/blog\/2017\/03\/10\/photography-how-the-bbc-filmed-animals-in-total-darkness-for-planet-earth-ii\/","title":{"rendered":"Photography: How the BBC filmed animals in total darkness for &#8220;Planet Earth II&#8221;"},"content":{"rendered":"<p>&#8220;Days of Miracles &amp; Wonder,&#8221; part 9,287:<\/p>\n<p><iframe loading=\"lazy\" width=\"604\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/7t5l7sjcjHU?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>PetaPixel <a href=\"https:\/\/petapixel.com\/2017\/03\/07\/camera-tech-used-film-animals-pitch-dark-planet-earth-ii\/\">writes<\/a>,<\/p>\n<blockquote>\n<p>There\u2019s no longer any need to disrupt the animals\u2019 habits and habitat using artificial light; thanks to advances in camera sensors and non-visible spectrum capture, the BBC is shooting the kind of wildlife footage that was simply unimaginable in the 80s and 90s. [\u2026]<\/p>\n<p>The Vox video dives into the challenges nature documentaries like Planet Earth used to have back in the days of film, and then advances rapidly through the decades until we reach the jaw-dropping footage shot for Planet Earth II using infrared technology, thermal imaging, and incredible low-light cameras like Sony\u2019s famed A7s.<\/p>\n<\/blockquote>\n<p><img decoding=\"async\" loading=\"lazy\" title=\"NewImage.png\" src=\"http:\/\/jnack.com\/blog\/wp-content\/uploads\/2017\/03\/NewImage-8.png\" alt=\"NewImage\" width=\"598\" height=\"307\" border=\"0\" \/><\/p>\n<p>[<a href=\"https:\/\/youtu.be\/7t5l7sjcjHU\">YouTube<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Days of Miracles &amp; Wonder,&#8221; part 9,287: PetaPixel writes, There\u2019s no longer any need to disrupt the animals\u2019 habits and habitat using artificial light; thanks to advances in camera sensors and non-visible spectrum capture, the BBC is shooting the kind of wildlife footage that was simply unimaginable in the 80s and 90s. [\u2026] The Vox [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/5182"}],"collection":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/comments?post=5182"}],"version-history":[{"count":1,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/5182\/revisions"}],"predecessor-version":[{"id":5183,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/5182\/revisions\/5183"}],"wp:attachment":[{"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/media?parent=5182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/categories?post=5182"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/tags?post=5182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}