I will never not be here for this kind of nuttiness:
“Not a single keyframe of animation was set in the making of the title, created by tweaking and bending the alignment knobs of a vintage TV,” writes Anthony Vitagliano. “Instead, I shot it using a vintage Montgomery Ward ‘Airline’ Portable Television, an iPhone, and a patchwork of cables and converters in my basement.”
Check out the results:
See Anthony’s site for high-res captures of the frames.
Hmm—dunno whether I’d prefer carrying this little dude over just pocketing a battery pack or two—but I dig the idea & message:
Once set up on its tripod, the 3-pound, 40-watt device automatically rotates towards the wind and starts charging its 5V, 12,000 mAh battery. (Alternatively it can charge your device directly via USB.) The company says that in peak conditions, the Shine Turbine can generate enough juice to charge a smartphone in just 20 minutes.
I have just four words for this: Guaranteed To End Well. 😅🚁💀
I have no idea whether this is brilliant, terrible, or somewhere in between, but it’s interesting as a piece of design. Come on, let’s get yoked:
This kind of loving madness reminds me fondly of the papercraft animations that Adobe’s Russell Brown used to do for things like the Star Wars intro crawl.
I’ve admired Theo Jansen’s weird & wonderful Strandbeest creations since discovering them some 15 years ago, even getting to meet some in person in SF with the kids in 2016:
The San Francisco Soapbox Derby—going on tomorrow in McLaren Park—looks like a blast:
Here’s hoping that this year’s participants can capture some of past years’ old-school hippie charm. 😌
Did you think there is a world in which I don’t post this, my friend?
Happily, there is no such world. 😝
Per Digital Trends,
The coaster was constructed from just under 90,000 individual Legos, and Chairudo estimates that it took him about 800 hours to build. The mammoth replica is more than 21 feet long, four feet wide, and almost five feet tall, with a total track length of 85 feet. It’s so big, Chairudo had to rent a separate room just to construct it.
Could this thing actually work? That’s hard to imagine, but the basic promise is amazing:
I know only what I’ve seen here, but this combination wireless charger & DSLR-style camera grip seems very thoughtfully designed. Its ability to function as a phone stand (e.g. for use while videoconferencing) while charging puts it over the top.
Clouds & clouds of drones, specifically. It was fun to watch the Verge Aero team wow the audiences & judges alike with their choreographed aerial light show:
Happy Sunday. 🪨😌
I’ve long envied friends like Adobe design director Matthew Richmond & principal scientist Marc Levoy who have the time, equipment, and energy to rig up high-end cameras for videoconferencing. Now Opal promises similar quality for the low (?) price of $299. Check out The Verge’s review, available in robo-spoken form here if you’d prefer:
I’m surrounded by more than a few Xenomorph-obsessed folks, and this work should be right up their alleys—and potentially mine:
I know that we’re on a pretty dark timeline sometimes, but these little bits of silly (?) human ingenuity keep me going:
I am excited to share a new study led by Shachar Givon & @MatanSamina w/ Ohad Ben Shahar: Goldfish can learn to navigate a small robotic vehicle on land. We trained goldfish to drive a wheeled platform that reacts to the fish’s movement (https://t.co/ZR59Hu9sib). pic.twitter.com/J5BkuGlZ34
— Ronen Segev (@ronen_segev) January 3, 2022
Stephen Colbert & crew had some good fun with the news:
Let’s all ease into 2022 with a sensible breakfast of pure, brick-flavored weirdness:
I love hearing creators—especially obsessive ones like Denis Villenueve—discussing the details of their craft. Here the director takes us inside the making of one of Dune’s most memorable scenes:
We use the lockdown for projects that we have always wanted to implement when there are no visitors. This week we broke the world record. A locomotive drives 220 meters of track through the entire Wunderland and strikes several thousand glasses, while playing a medley of well-known classical songs.
Speaking of spinning things right ’round, this demonstration of the Ames Window is a quick head trip:
For the last few years I’ve been curiously watching what I affectionately call “nerd terrariums” being erected on Google’s main campus. Now the team behind their unique roof designs is providing some insight into how they work:
These panels coupled with the pavilion-like rooflines let us capture the power of the sun from multiple angles. Unlike a flat roof, which generates peak power at the same time of the day, our dragonscale solar skin will generate power during an extended amount of daylight hours… When up-and-running, Charleston East and Bay View will have about 7 megawatts of installed renewable power—generating roughly 40% of their energy needs.
Check out a quick overview—literally:
For about two and a half minutes you’re gonna say, “Dude, this is the most boring content you’ve ever posted; thanks for wasting my time!” And then you’ll see why I posted it. 🙃
My little brother is a trucker, and although I can’t imagine a solution like this working for the rural routes he drives, it’ll be interesting to see how it might work for long-haul highways. Check out the idea (not cheap, but potentially highly impactful):
I plan to highlight several of the individual technologies & try to add whatever interesting context I can. In the meantime, if you want the whole shebang, have at it!
For anyone who’s ever flown a drone but felt insufficiently self-conscious & at risk, let the good times fly!
The Jetson ONE measures 2,845 mm long, 2,400 mm wide, 1,030 mm high, and weighs 86 kg, and is capable of flying a pilot weighing up to 95 kg. It is also collapsible to 900 mm wide when not in use.
Includes LIDAR & a parachute for a cool $92k.
Finding my grandmother’s home in Ireland was one of the weirder adventures I’ve experienced. Directions were literally “Go to the post office and ask for directions.” This worked in 1984, but we visited again in 2007, the P.O. was defunct, so we literally had to ask some random neighbor on the road—who of course knew the way!
Much of the world similarly operates without the kind of street names & addresses most of us take for granted, and Google and others are working to enable Plus Code addresses to help people get around. Check out how it works:
Previously, creating addresses for an entire town or village could take years. Address Maker shortens this time to as little as a few weeks — helping under-addressed communities get on the map quickly, while also reducing costs. Address Maker allows organizations to easily assign addresses and add missing roads, all while making sure they work seamlessly in Google Maps and Maps APIs. Governments and NGOs in The Gambia, Kenya, India, South Africa and the U.S. are already using Address Maker, with more partners on the way. If you’re part of a local government or NGO and think Address Maker could help your community, reach out to us here g.co/maps/addressmaker.
Many, many years ago, en route home from Legoland, we spied a crazy-looking photography rig atop a car on the freeway, so naturally the boys had to recreate it in Lego when we got home:
I know it’s a little OT for this blog, but as I’m always fascinated with clever little design solutions, I really enjoyed this detailed look at the iconic SR-71 Blackbird. I had no idea about things like it having a little periscope, or that its turn radius is so great that pivoting 180º at speed would necessitate covering the distance between Dayton, Ohio & and Chicago (!). Enjoy:
I’m incredibly excited to say that my team has just opened a really rare role to design AI-first experiences. From the job listing:
Together, we are working to inspire and empower the next generation of creatives. You will play an integral part, designing and prototyping exciting new product experiences that take full advantage of the latest AI technology from Adobe research. We’ll work iteratively to design, prototype, and test novel creative experiences, develop a deep understanding of user needs and craft new AI-first creative tools that empower users in entirely new and unimagined ways.
Your challenge is to help us pioneer AI-first creation experiences by creating novel experiences that are intuitive, empowering and first of kind.
By necessity that’s a little vague, but trust me, this stuff is wild (check out some of what I’ve been posting in the AI/ML category here), and I need a badass fellow explorer. I really want a partner who’s excited to have a full seat at the table alongside product & eng (i.e. you’re in the opposite of a service relationship where we just chuck things over the wall and say “make this pretty!”), and who’s excited to rapidly visualize a lot of ideas that we’ll test together.
We are at a fascinating inflection point, where computers learn to see more like people & can thus deliver new expressive superpowers. There will be many dead ends & many challenging ethical questions that need your careful consideration—but as Larry Page might say, it’s all “uncomfortably exciting.” 🔥
If you might be the partner we need, please get in touch via the form above, and feel free to share this opportunity with anyone who might be a great fit. Thanks!
It’s always cool to see people using tech to help make the world more accessible to everyone:
This research inspired us to use Jacquard technology to create a soft, interactive patch or sleeve that allows people to access digital, health and security services with simple gestures. This woven technology can be worn or positioned on a variety of surfaces and locations, adjusting to the needs of each individual.
We teamed up with Garrison Redd, a Para powerlifter and advocate in the disability community, to test this new idea.
As I obviously have synthetic faces on my mind, here’s a rather cool tool for finding diverse images of people and adding them to design layouts:
UI Faces aggregates thousands of avatars which you can carefully filter to create your perfect personas or just generate random avatars.
Each avatar is tagged with age, gender, emotion and hair color using the Microsoft’s Face API, providing easier filtration and sorting.
Here’s how it integrates into Adobe XD:
These 3D-printable pieces are pretty great to see, as is Lego’s introduction of a kid who uses a wheelchair.
[Via Khoi Vinh]
Let’s kick off the week right with a smile courtesy of this one-minute absolute banger:
Honestly, this work from Tokyo-based designer Tomohiro Okazaki comes so fast & furious that I can barely process it—but it’s too impressive not to share:
I was such a die-hard Apple dead-ender in the 90’s that I’d often fruitlessly pitch Macs anyone who’d listen (any many who wouldn’t). My roommate would listen to my rants about the vile inelegance of Windows, then gently shake his head and say, “Look, I get it. But the Mac is like a monorail: it’s sleek, it’s beautiful, and it’s just stuck on some little loop.” Then off he went to buy a new gaming PC.
This funny, informative video explains the actual mechanics & economics that explain why such “futuristic” designs have rarely made sense in the real world. Check it out.
“A strange mixture between Futurama & Evil Los Angeles… The worst of urban planning and capitalism, plus some slavery for good measure. Welcome to Dubai, everyone.”
This darkly funny piece presents some eye-opening info on a petrodollar playground literally sinking into the sea. Along the way it draws comparisons to past misallocations of every sort of capital (e.g. as in Communist Romania, “Smooth-brained dictator + construction = dumb shit.”
I should hasten to say that I have never visited Dubai & don’t know of any connection with anyone connected with it.
Amazing. It does everything but actually print the letters. Check it out:
A few years ago I found myself wasting my life in the bowels of Google’s enterprise apps group. (How & why that happened is a long, salty story—but like everything good & bad, the chapter passed.) In the course of that we found ourselves talking with IT folks at Ocado, a company that’s transformed from grocery shopping into the provider of really interesting robotics. Check out this rather eye-popping demonstration of how their bots fulfill orders at crazy speed:
[Via Dave Musgrave]
It’s a little OT for this blog, but I really enjoyed this article as a discussion of design—of using art to solve problems.
I told Jerry, “It sounds more like a sound design issue than a music assignment. So, how about this? We treat the Seinfeld theme song as if your voice telling jokes is the melody, the jokes you tell are the lyrics and my job is to accompany you in a musical way that does not interfere with the audio of you telling jokes.
Warren Littlefield had the unfortunate job of telling Larry, “I don’t like the music. It’s distracting, it’s weird, it’s annoying!” And as soon as he said the word annoying, Larry David just lit up. Like, “Really? Annoying? Cool!” Because if you know Larry, if you watch Curb Your Enthusiasm, that’s what he loves most, to annoy you! That’s his brand of comedy.
Now, enjoy (?) Seinfeld meeting Kendrick Lamar:
I’ve admired the motion graphics of Bradley Munkowitz since my design days in the 90’s (!), and I enjoyed this insight into one of his most recent creations:
What I didn’t know until now is that he collaborated with the folks at Bot & Dolly—who created the brilliant work below before getting acquired by Google and, as best I can tell, having their talent completely wasted there 😭.
OMG—I’m away from our brick piles & thus can’t yet try this myself, but I can’t wait to take it for a spin. As PetaPixel explains:
If you have a giant pile of LEGO bricks and are in need of ideas on what to build, Brickit is an amazing app that was made just for you. It uses a powerful AI camera to rapidly scan your LEGO bricks and then suggest fun little projects you can build with what you have.
Here’s a short 30-second demo showing how the app works — prepare to have your mind blown:
Even if I weren’t, to my surprise, watching the Netflix series The Punisher and liking it way more than I expected, I’d be a sucker for this kind of beautiful title sequence:
I have the show to thank for introducing me to this brutal Tom Waits banger, which comes equipped with its own surrealist nightmare of a video:
Netflix and Adobe are partnering to introduce The Great Untold; a short film competition meets a road trip across America. The next generation of creators are invited to submit their story idea in the form of a movie trailer via TikTok, for a chance to win a cash prize and have their work produced in their hometown with the help of Hollywood experts. Submit now: WhatsYourGreatUntold.com
“Write it in the sky in gossamer teardrops!” as Patton Oswalt might say: Firefly Drone Shows form incredible, ephemeral images via flying freakin’ robots:
Oh my God.
LEGO has officially announced the new LEGO adidas Originals Superstar (10282) which will be available starting on July 1. The shoe has 731 pieces and will retail for $79.99. In the ongoing collaboration with adidas, LEGO has recreated the iconic Superstar sneaker in brick form. Instead of the regular LEGO packaging, the set will actually come in a shoebox for authenticity and even the laces on it are real.
I’ve always said that when—not if—I die in a fiery crash alongside Moffett Field, it’ll be because I was rubbernecking at some cool plane or other (e.g. the immense Antonov An-124), and you’ll remember this and say, “Well, he did at least call his shot.”
Suffice it to say I’m a huge plane nerd with a special soft spot for exotic (to me) ex-Soviet aircraft. I therefore especially enjoyed this revealing look into the Tu-22, whose alcohol-based air conditioning system made it a huge hit with aircrews (that is, when it wasn’t killing them via things like its downward-firing ejection seats!). Even if planes aren’t your jam, I think you’ll find the segment on how the alcohol became currency really interesting.