{"id":15629,"date":"2008-11-29T09:41:07","date_gmt":"2008-11-29T09:41:07","guid":{"rendered":"http:\/\/blogs.adobe.com\/jnackdev\/2008\/11\/saturday-photos.html"},"modified":"2008-11-29T09:41:07","modified_gmt":"2008-11-29T09:41:07","slug":"saturday_photos","status":"publish","type":"post","link":"https:\/\/jnack.com\/blog\/2008\/11\/29\/saturday_photos\/","title":{"rendered":"Saturday Photos"},"content":{"rendered":"<ul>\n<li>Mugs:\n<ul>\n<li>Martin Schoeller&#8217;s <em><a href=\"http:\/\/mediastorm.org\/0002.htm\">Close Up<\/a><\/em> is \u201cA magnetic succession of stripped-down faces, straightforward portraits of the very famous and absolutely unknown.\u201d<\/li>\n<li>Helen Marshall\u2019s <a href=\"http:\/\/www.helenmarshall.co.uk\/bigpicture01.html\">Big Picture<\/a> (talk about truth in advertising) is comprised of 112, 896 photos of people&#8217;s faces. [<a href=\"http:\/\/www.woostercollective.com\/2008\/11\/the_big_picture.html\">Via<\/a>]<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>Isolation:\n<ul>\n<li><a href=\"http:\/\/holtermand.dk\/architecture\/18\/\">Kim H\u00f8ltermand<\/a> creates spare, bleak, often dreamlike compositions from sometimes banal subject matter. [<a href=\"http:\/\/feeds.feedburner.com\/~r\/subtraction\/~3\/459869941\/\">Via<\/a>]<\/li>\n<li>In a somewhat similar vein, <a href=\"http:\/\/www.veer.com\/products\/artistgallery.aspx?artist=11313\">Andy Taylor Smith<\/a> captures the sculptural quality of overpasses and other large structures. (The Veer gallery seems to be acting up, but you can also see images on <a href=\"http:\/\/www.andytaylorsmith.com\/\">Andy\u2019s own site<\/a>.) [<a href=\"http:\/\/ideas.veer.com\/post\/2516\">Via<\/a>]<\/li>\n<\/ul>\n<\/li>\n<li>Vanity Fair has posted a collection of the <a href=\"http:\/\/www.vanityfair.com\/culture\/features\/2008\/11\/25best_slideshow200811\">25 Best News Photos<\/a>.  (Fair warning: Some are tough to see.) [<a href=\"http:\/\/www.robgalbraith.com\/bins\/content_page.asp?cid=7-9317-9706\">Via<\/a>]<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Mugs: Martin Schoeller&#8217;s Close Up is \u201cA magnetic succession of stripped-down faces, straightforward portraits of the very famous and absolutely unknown.\u201d Helen Marshall\u2019s Big Picture (talk about truth in advertising) is comprised of 112, 896 photos of people&#8217;s faces. [Via] Isolation: Kim H\u00f8ltermand creates spare, bleak, often dreamlike compositions from sometimes banal subject matter. [Via] [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/15629"}],"collection":[{"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/comments?post=15629"}],"version-history":[{"count":0,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/15629\/revisions"}],"wp:attachment":[{"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/media?parent=15629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/categories?post=15629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/tags?post=15629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}