{"id":3251,"date":"2015-12-06T22:35:37","date_gmt":"2015-12-07T06:35:37","guid":{"rendered":"http:\/\/jnack.com\/blog\/?p=3251"},"modified":"2015-12-06T23:54:31","modified_gmt":"2015-12-07T07:54:31","slug":"a-motion-graphics-demo-reel-from-1978","status":"publish","type":"post","link":"https:\/\/jnack.com\/blog\/2015\/12\/06\/a-motion-graphics-demo-reel-from-1978\/","title":{"rendered":"A motion graphics demo reel from 1978"},"content":{"rendered":"<p>I suddenly feel like my head is being slowly compressed inside a giant Trapper Keeper\u2014but I can kinda dig it.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/45315312\" width=\"604\" height=\"453\" frameborder=\"0\" title=\"Sullivan &amp; Marks graphics demo reel 1978\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p>Jeff Doud from the\u00a0Sullivan &amp; Marks team writes,<\/p>\n<blockquote>\n<p>All this work was shot on motion control backlit cameras. Much of the production was done on an Oxberry at R&amp;B Efx. Later we were shooting primarily on custom moco setups with Gehring Aviation. These setups worked by configuring stepping motors that were C-clamped together to control a flying lightbox. Multiple passes were required for each color or effect. Many times bi-pack mattes would be created in advance of shooting the final animation and bi-packed into the camera with the original negative. All effects were wedge tested for exposure, and the final animation would typically require 4-12 hours to complete.<\/p>\n<\/blockquote>\n<p>Bonus from a couple of years back: Wang!<\/p>\n<p><iframe loading=\"lazy\" width=\"604\" height=\"453\" src=\"https:\/\/www.youtube.com\/embed\/BvcdhrZl_l4?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>\u2028 [<a href=\"https:\/\/vimeo.com\/45315312\">Vimeo<\/a>] \t[<a href=\"https:\/\/youtu.be\/BvcdhrZl_l4\">YouTube<\/a>]  [Via Benedict Evans]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I suddenly feel like my head is being slowly compressed inside a giant Trapper Keeper\u2014but I can kinda dig it. Jeff Doud from the\u00a0Sullivan &amp; Marks team writes, All this work was shot on motion control backlit cameras. Much of the production was done on an Oxberry at R&amp;B Efx. Later we were shooting primarily [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/3251"}],"collection":[{"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/comments?post=3251"}],"version-history":[{"count":2,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/3251\/revisions"}],"predecessor-version":[{"id":3255,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/posts\/3251\/revisions\/3255"}],"wp:attachment":[{"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/media?parent=3251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/categories?post=3251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jnack.com\/blog\/wp-json\/wp\/v2\/tags?post=3251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}