Wow—check out what comes from Ben Ouaniche’s camera shooting at 950fps while spinning around a table at 150rpm:
Here’s the custom beast in action:
The impact on the camera reminds me of how my DSLR looked on Holi in Nepal!
…or at least getting the grade, courtesy of Stewart Carroll of the oft-linked Drone Film Guide. A few weeks back he solicited viewer contributions of content we’d like to see expertly adjusted. And voila, check out the clip below! (My wife didn’t even complain that he’s using FCP. 😌)
Maybe this will finally, six+ months later, get my motivated to finally grade & post footage from that awesome beach in Cabo. ¯\_(ツ)_/¯
Living in often bone-dry California, I can’t say that I’d thought of trying to capture waterfalls from a drone, but it’s a neat idea that Stewart Carroll covers nicely in this short overview. Meanwhile I’d like to learn more about paring a slow shutter with device motion to freeze a subject (e.g. a moving train) while blurring the background.
I’m intrigued by the Glambot:
The Glambot itself is well-known Bolt high-speed cinebot by Camera Control holding up a Phantom 4K Flex camera with a Leica Summilux lens mounted on it. […]
“The pressure is on because you only ever have ONE take, and this is a dangerous rig that can knock you out,” Walliser writes. “I get good at explaining things, but sometimes the environment is so frenetic you can’t really hear me or focus.”
Check it out in action:
Looks pretty nifty, though it’s interesting that it doesn’t (at least currently) work for capturing video or macro shots:
The Verge explains,
The key component to Oppo’s system is a periscope setup inside the phone: light comes in through one lens, gets reflected by a mirror into an array of additional lenses, and then arrives at the image sensor, which sits perpendicular to the body of the phone. That’s responsible for the telephoto lens in Oppo’s array, which has a 35mm equivalence of 160mm. Between that lens, a regular wide-angle lens, and a superwide-angle that’s 16mm-equivalent, you get the full 10x range that Oppo promises.
Bruce Berry (not Neil Young’s late roadie) created some beautiful time lapse imagery from images captured aboard the International Space Station:
On Vimeo he writes,
All footage has been edited, color graded, denoised, deflickered, stabilized by myself. Some of the 4K video clips were shot at 24frames/sec reflecting the actual speed of the space station over the earth. Shots taken at wider angels were speed up a bit to match the flow of the video.
Some interesting facts about the ISS: The ISS maintains an orbit above the earth with an altitude of between 330 and 435 km (205 and 270 miles). The ISS completes 15.54 orbits per day around the earth and travels at a speed of 27,600 km/h; 17,100 mph).
The yellow line that you see over the earth is Airgolw/Nightglow. Airglow/Nightglow is a layer of nighttime light emissions caused by chemical reactions high in Earth’s atmosphere. A variety of reactions involving oxygen, sodium, ozone, and nitrogen result in the production of a very faint amount of light (Keck A and Miller S et al. 2013).
I love the choice of music & wondered whether it comes from Dunkirk. Close: that somewhat anxious tock-tock undertone is indeed a Hans Zimmer jam, but from 20 years earlier (The Thin Red Line).
Holy crap! Now my stuff looks positively lethargic ¯\_(ツ)_/¯, but what the heck, strap in & enjoy:
DIY Photography writes,
Johnny Schaer (Johnny FPV) is a pro drone racer. His drones are designed to be light, quick, nimble, fly upside down and through all kinds of crazy flightpaths that DJI’s drones could never achieve. And when somebody with the skill of Johnny turns on the camera, that’s when you get results like the video above.
To shoot the footage, Johnny used a drone built around the AstroX X5 Freestyle Frame (JohnnyFPV edition, obviously) frame with a GoPro Hero 7. It has no GPS, no gimbal, no stabilisation, no collision avoidance, none of those safety features that make more commercial drones predictable and easy to fly.
The composite red, green, and blue value of every pixel in a digital photo is created through a process is called demosaicing.
Enhance Details uses an extensively trained convolutional neural net (CNN) to optimize for maximum image quality. We trained a neural network to demosaic raw images using problematic examples […] As a result, Enhance Details will deliver stunning results including higher resolution and more accurate rendering of edges and details, with fewer artifacts like false colors and moiré patterns. […]
We calculate that Enhance Details can give you up to 30% higher resolution on both Bayer and X-Trans raw files using Siemens Star resolution charts.
Hmm—I’m having a hard time wrapping my head around the resolution claim, at least based on the results shown (which depict an appreciable but not earth-shattering change). Having said that, I haven’t put the tech to the test, but I look forward to doing so.
Almost looks deceivingly pleasant & prosperous in these lovely aerials:
Pyongyang is by far the weirdest and strangest place I have ever been to. At the same time it’s also one of the the most interesting and intriguing places and unlike anywere else I have ever been to. You go there with 100 questions and you return with 1000!