Man, apparently some of the biker scouts from Endor lived on & now thread drones through forrest gaps over crazy mountain biking trails, as seen in this bonkers project from Cinematic Flow:

“We designed and refined FPV drones since 5 years now. When Kilian spoke about his idea of putting a GoPro Fusion on one of our drones, we were intrigued but thrilled about this new challenge. The design and the flying of this set up are so different than what we are used to, there were loads of crashes but the end result is so refreshing and pushes the drone shot to the next level.” Pierre, engineer at Cinematic Flow

Now, how about a look behind the scenes?

We trust the cam, we ensure a light flying and tighten the buttocks to export!

¯\_(ツ)_/¯ 

[YouTube 1 & 2] [Via Luke Wroblewski]

Wow—check out this amazing sneak peek from Adobe’s Long Mai (see paper):

Enables any photograph to be turned into a live photo; animating the image in 3D, simulating the realistic effect of flying through the scene.

This is especially dear to my heart.

As a brand new Photoshop PM (in 2002—gah!), one of my first trips was back to NYC to visit motion graphics artists. Touring one shop I was amazed to glimpse a technique I’d never seen, using Photoshop to break 2D photos into layers, fill in gaps, and then animate the results in After Effects. Later that year the work came to the big screen in The Kid Stays in the Picture, the documentary that now lends its name to this ubiquitous parallax effect.

Here Yorgo Alexopoulos talks about how he developed the technique & how he’s leveraged it in later works:

So, while we wait for Adobe’s new tech to ship, how could one do this by hand? Below, artist Joe Fellows gives a brief, highly watchable demo of how it’s done (although it physically pains me to see him using the Pen tool to make selections & no Content-Aware Fill to at least block in the gaps):

[YouTube 1, 2, and 3]

Man, I used to hate demoing alongside After Effects during internal Adobe events: We had Photoshop, sure—but they were Photoshop on wheels. You could just pencil them in for the Top Gun trophy nearly every time.

Making Content-Aware Fill work at all is hard—but making it effective over multiple frames (“temporally coherent,” in our nerdy parlance)? Well, that requires FM technology—F’ing Magic. Here’s a naive implementation (not from Adobe):

Cool, artsy—but generally not so useful. And here (at 1:50:44) it is as the After Effects team intends to ship it next year (first sneak-peeked last year as Project Cloak):

Special props to Jason Levine for vamping through the calculation phase & then going full “When Harry Met Sally deli scene” at the conclusion. As a friend noted, “I’ll have what he’s having.” 😝

[YouTube]

Very cool:

FB writes,

[Y]ou just take a photo in Portrait mode using your compatible dual-lens smartphone, then share as a 3D photo on Facebook where you can scroll, pan and tilt to see the photo in realistic 3D… Everyone will be able to see 3D photos in News Feed and VR today, while the ability to create and share 3D photos begins to roll out today and will be available to everyone in the coming weeks.

Check out their post for tips on composing a 3D-friendly image (e.g. include lots of foreground/background separation; avoid transparent objects like drinking glasses).

Just a little evening flight over the lovely church & plaza of San Jose del Cabo Viejo during our visit last week:

[YouTube]