With a camera peering out over the landscape of Tivoli, Namibia, Bartosz Wojczyński focused on the sky. The Polish photographer created a hypnotic timelapse spanning 24 hours that has a focal point in the atmosphere rather than on the land. Each minute, he snapped a frame that subsequently was looped 60 times to create the final 24-minute version that’s a mesmerizing look at Earth’s cycles.
Honestly I have no appetite to post my usual stream of banal distractions. With the ever-present sound of helicopters circling in the near distance, it all seems so small. I know that’ll change, but not right now.
Right now I found a lot to ponder & admire in this speech from Atlanta rapper Killer Mike. I think it’d be well worth your time to consider as well.
I love seeing the continued evolution of the Web platform & democratization of machine learning, enabling the kind of “permissionless innovation” I’ve long sought to facilitate.
It’s as much about testing/showcasing emerging standards as anything. Per The Verge:
If you’ve got an Android device, just open up the Chrome browser and go to goo.gle/sodar to launch the tool, named SODAR. There’s no app required, though it won’t work on iOS or older Android devices. Your phone will use augmented reality to map the space around you, superimposing a two-meter radius circle on the view from your camera.
Sodar – use WebXR to help visualise social distancing guidelines in your environment. Using Sodar on supported mobile devices, create an augmented reality two meter radius ring around you. #hacktohelphttps://t.co/Bu78QrEN9fpic.twitter.com/kufatNFDQk
— Experiments with Google (@ExpWithGoogle) May 28, 2020
Spanning 180 hours in total, the underwater adventure led to the discovery of more than 30 new aquatic species, in addition to the longest animal ever recorded. A member of the Apolemia genus, the record-breaking organism reaches an unprecedented 154 feet.
No models, no problem: Congolese designer Anifa Mvuemba used software to show off her designs swaying in virtual space:
This but in real-time is just the obvious next step, imagine the show tailoring to a custom size or theme unique to each viewer 💁🏽♀️ https://t.co/2LhNerxjLJ
Inspired by her hometown in Congo, Anifa was intentional about shedding light on issues facing the Central African country with a short documentary at the start of the show. From mineral site conditions to the women and children who suffer as a result of these issues, Anifa’s mission was to educate before debuting any clothes. “Serving was a big part of who I am, and what I want to do,” she said in the short documentary.
Last year I mentioned the story of how my colleague Sasha Blair-Goldensohn has used his experience of using a wheelchair to make Maps help make the world easier to navigate. Now Sasha is sharing some good news:
People can now turn on an “Accessible Places” feature to have wheelchair accessibility information more prominently displayed in Google Maps. When Accessible Places is switched on, a wheelchair icon will indicate an accessible entrance and you’ll be able to see if a place has accessible seating, restrooms or parking. If it’s confirmed that a place does not have an accessible entrance, we’ll show that information on Maps as well.
It’s cool to see what a community-powered effort this is:
Today, Google Maps has wheelchair accessibility information for more than 15 million places around the world. That number has more than doubled since 2017 thanks to the dedication of more than 120 million Local Guides and others who’ve responded to our call to share accessibility information. In total, this community has contributed more than 500 million wheelchair accessibility updates to Google Maps. Store owners have also helped, using Google My Business to add accessibility information for their business profiles to help users needing stair-free access find them on Google Maps and Search.
With the exception of a single yellow chair, it appears as though every visual shown during the performance was generated in post. What really sells the performance, however, is the choreography. Throughout the entirety of the performance, Perry reacts and responds to every visual element shown “on-stage”.
