“What if you could hear color?” asks with Play a Kandinsky, an interactive machine learning experiment created by Google Arts & Culture and Centre Pompidou. “Explore Vassily Kandinsky’s synesthesia and ‘play’ his pioneering masterpiece, Yellow-Red-Blue, with the help of machine learning.”
Visitors are guided to click on different colors in an animated canvas. There, they’ll learn what each hue represented to the artist—yellow sounded like trumpets to him, red was the color of violins playing, and looking at blue would elicit a melody of organs in his head.
One of my very earliest interactions with Adobe—in 1999, I believe, before I worked there—a PM called me with questions about how my design team collaborated across offices. Now 20+ years later I find myself married to an Adobe PM charged with enhancing just that. 😌
Check out some of the latest progress they’re making with PS, AI, and the mobile drawing app Fresco:
Invite to Edit in Photoshop, Illustrator and Fresco
The Invite to Edit feature in Photoshop, Illustrator, and Fresco allows asynchronous editing on all surfaces across the desktop, iPad, and iPhone (Fresco). Now collaborators can edit a shared cloud document, one at a time. Just save your .PSD or .AI files as cloud documents and send invitations for others to edit them. You can also edit files that have been shared with you. In addition, you can access your shared cloud documents on assets.adobe.com and the Creative Cloud Desktop app.
Collaborators will not be able to work on the file live alongside you, but they will be able to open up your work, make changes of their own, save it, and have those changes sync back to your machine. If someone is already editing the file, the new user be given the choice to either make a copy or wait until the current editor is finished. It’s not quite Google Docs-style editing for Photoshop, but it should be easier than emailing a file back and forth.
During the course of 400 hours, Mitsui snapped together 50,000 cobalt and white LEGO into an undulating wave that mimics the original woodblock print.
To recreate this iconic work in three-dimensions, Mitsui studied videos of waves crashing and pored over academic papers on the topic. He then sketched a detailed model before assembling the textured water, three boats, and Mount Fuji that span more than five feet.
I’ll admit that for some reason I didn’t pay much attention to this new set (the largest-ever by sheer number of bricks) when it emerged a few weeks ago. My history-loving wife took a shine to it, however, and the short vid below shows off an incredible level of detail (those columns tho) and thoughtfulness:
Hey gang—I hope you had a great Thanksgiving. I really enjoyed getting away from the computer & spending time shivering with the fam out in gold country. 😌
Anyway, to ease back into posting, here’s a beautiful piece of work from creator Phil Letorneau:
Of the piece he writes, “100 stainless steel mirror-finish spheres suspended by nigh-invisible filament. Each sphere can be positioned independently to 0.05mm precision.” For more details check out this interesting Twitter thread: