Here’s a cool contest to celebrate the 25th (25th!!) anniversary of Adobe Premiere Pro:
Download exclusive, uncut music video footage and work with Adobe Premiere Pro CC to create your own edit of the video for their new hit song “Believer.” Deadline is April 8th.
A panel of luminary judges… will select the ultimate winner of the $25,000 Grand Prize and bragging rights.
We’re also awarding bonus prizes of $1,000 each and a year-long subscription to Creative Cloud for four special categories: Fan Favorite, Most Unexpected, Best Young Creator, and Best Short Form. And one special bonus prize of $2,500, a year-long subscription to Creative Cloud and 25 Adobe Stock credits for the cut with the best use of supplied Adobe Stock clips.
Hmm—I’m not entirely sure what to make of Opera Neon, but props to them for looking to shake up some largely staid interaction patterns. For example:
Opera Neon’s newly developed physics engine is set to breathe life back into the internet. Tabs and other objects respond to you like real objects; they have weight and move in a natural way when dragged, pushed, or even popped.
Cream floats to the top, and so do your favorite tabs; Opera Neon’s gravity system pulls your most used tabs to a prominent position on your Speed Dial.
Check out the quick tour:
I’m so pleased to see my Adobe friends redefining what’s possible in terms of mobile photo capture on Android & iOS, now enabling you to capture bracketed raw (DNG format) images and merge them into a high dynamic range master. Filmmaker Stu Maschwitz dives into the details via his blog, and Russell Brown provides a tour below:
Who’s a good drone?? Is it you?? Is it?? Yes, Yukimaru Skywalker, it’s you:
The Art of the Title Sequence shows off the titles for I Expect You To Die & interviews the team behind them.
Borrowing a title track and colour palette that could have been ripped from the early 1960s, the sequence pulls the player through a trap-laden evil lair, putting them face to face — virtually — with the many, many things that can and will kill them in the game that follows. Not only is it a tongue-in-cheek sendup of a certain British super spy, it’s an ideal way to introduce players to the dangerous and immersive world of the game.
Fresh off hosting the most-viewed political live streams of all time – the 2016 U.S. presidential debates – and launching the world’s first 360-degree live streaming, YouTube is enabling live streaming from from the YT app (with which I was tangentially involved):
So what’s next? The roll out of our new mobile live streaming feature to every creator with more than 10,000 subscribers (the rest of you will have it soon!). It’s a launch that’ll put the power of live streaming in the hands of hundreds of thousands of talented creators, giving them a more intimate and spontaneous way to share their thoughts, lives, and creativity.
Groovy. Meanwhile I see that my DJI Mavic enables live streaming directly to YouTube. Stay tuned…
reMarkable is an e-ink tablet that promises serious sketching chops:
The Marker is a super precise tool – down to the smallest details. It puts digital ink on the reMarkable with incredibly low lag. It’s designed to let you focus on the task at hand. No battery charging or Bluetooth set-up. The tip is carefully designed with just the right friction to deliver a paper-like experience.
Meanwhile Astropad, which lets you use an iPad & Apple Pencil to draw in Mac apps, has been around for a couple of years, but the new Astropad Studio ups its game:
Astropad Studio connects to a client on your Mac (which you download separately) and lets you select a portion of your existing display or displays to define as the interaction surface for use on your iPad Pro. A small disc icon on the iPad screen allows you to tweak the shortcut settings and check for additional commands. The commands available are terrific…
Astropad Studio requires a $7.99 monthly or $64.99 yearly subscription, but with math you get settings sync, additional support and a promise from Astropad that it’ll be updated monthly with new features and improvements.
[YouTube 1 and 2]
Somehow I missed this news back in December, but if you’re a Creative Cloud member, you can download Adobe’s new 2D/3D compositing tool, Project Felix.
If your specs measure up…
On Windows 10, you’ll need at least 8 GB of RAM and a Geforce GTX 770 or better graphics card. On macOS, the minimum is also 8 GB of RAM and either an Intel Iris Graphics 540 or GeForce GT 750M card, though here, too, Adobe recommends 16 GB of RAM or more.
…maybe you, too, can make a weird Velvet Underground homage (?).
I’m really eager to see what my Adobe friends can devise, but boy is this a tough nut to crack (or giant banana to peel, if you prefer). I think there’s real hotness to be had by rethinking creation & compositing in a 3D context, but making people wrestle with & care about traditional 3D concepts isn’t what I have in mind. We’ll see.
Monastic brainiac Chris McKinlay put his Ph.D & supercomputer access to work figuring out how to make himself the single most attractive man for thousands of women on OKCupid, as he recounts in this great 15-minute piece for The Moth. I got a kick out of hearing about so many tools of our trade (optimization, retention analysis, etc.) applied to such squishy human problems. I think you’d dig it. [Via Maria Brenny]
I’ve hit the road with the fam to recharge the spiritual batteries before heading into the new year, throttling back the blogging just a bit. As we reflect on what’s happened & what’s to come, here’s a traditional Irish blessing I’ve always loved:
May the road rise up to meet you.
May the wind be always at your back.
May the sun shine warm upon your face;
the rains fall soft upon your fields; and until we meet again,
may God hold you in the palm of His hand.
My alma mater used it quite nicely in an ad a couple of years back.
Of course, the mordant Irish wit is best expressed in a different toast:
May those that love us, love us.
For those that don’t love us,
May God turn their hearts.
And if He doesn’t turn their hearts,
May He turn their ankles,
So we’ll know them by their limping.