This monster features 17 4k cameras (!) backed by cloud compute:
Footage from those cameras runs through the Jump Assembler, which uses sophisticated computer vision algorithms and the computing power of Google’s data centers to create 3D 360 video. Amazing VR videos have been made with Jump, such as The New York Times’ Great Performers collection, Within’s “The Possible” series, the NFL Immersed series, and Wevr’s “Internet Surfer” video.
Google is looking to sponsor 100 filmmakers (you?) to use it to make epic stuff:
Jump Start gives selected filmmakers both free access to a Jump camera and free unlimited use of the Jump Assembler for their VR film. Over the next year, the program will give over 100 creators these tools and enable them to make their vision a reality. Applications to Jump Start open today, and filmmakers have until May 22nd to apply.
I’ve been expecting this one for years:
Tap and hold the bookmark icon underneath any post to save it directly to a collection. You can create and name a new collection when you save a post, or you can add it to one you’ve already created.
Instagram continues to redefine creativity—away from strictly posting a few best shots, and towards:
- tossed-off ephemera (stories) and
- curation (a la Pinterest—drag the shiny-shiny back to decorate your cave).
This is going to be a license to print money: Let Kylie Jenner (or mouth-breathing celebretroid of one’s choice) create collections of merchandise that hang off the main profile & enable instant purchasing. Hopefully it’ll also benefit individual photographers, by offering a crazy-simple way to buy prints. Stay tuned.
What would happen if you “cut a model rocket engine in half, taped it to a clear piece of plastic, and ignited the engine while a high-speed camera captured the entire thing at 1,500fps and then again at 4,000fps”? Well I’m glad you asked that insanely specific question! Behold:
Just select a video, tap the pencil (edit) icon, and choose Stabilize. These videos (which you can play in sync here) demonstrate before & after results:
More examples can be found in this album.
Around 2am in a long-past life, I terrified some young kids fishing for sharks off the end of their pier in Puget Sound. I was wearing night vision goggles in a RIB alongside a bunch of M16-toting Navy guys, and we’d been quietly paddling around the boys’ pier as we hid from our own ships while we stalked Rangers. But that’s a whole other story.
The X27 seems amazing & makes the goggles I wore look like Frogger by comparison:
The camera was developed for military use, has an effective ISO rating of 5,000,000, and has a comically long name: “X27 Reconnaissance Day/Night high Fidelity true real time low light/low lux color night vision Imaging Security / Multi Purpose camera system”. Pricing information is not available, but I bet you’re paying for every single one of those words.
Back at Adobe, Aseem Agarwala was one of my favorite collaborators. He helped teams invent & implement everything from Photoshop’s layer alignment/blending & Perspective Warp to Warp Stabilizer in After Effects. For the past two years he’s been at Google, now teaming up with researchers to produce Video Frame Synthesis using Deep Voxel Flow. Here, just take a look:
Check out this rather brilliant Kickstarter project from some Stanford scientists on a mission to broaden access to the wonders of exploring our world:
Foldscope is a real microscope, with magnification and resolution sufficient for imaging live individual cells, cellular organelles, embryos, swimming bacteria and much more. Because the Foldscope is so affordable and can be used anywhere, it brings science to your daily life, whether that means looking at what’s growing in your flower pot or watching bacteria from your mouth or analysing the bee stinger that got your thumb. Our goal is to encourage and enable the curious explorer in each of us and make science happen anywhere, anytime.
Wanna actually go to Mars & feel perpetually jetlagged? Hmm—while thinking that over, take a beautifully painterly flight over the planet surface, courtesy of Jan Fröjdman working with real NASA data:
The anaglyph images of Mars taken by the HiRISE camera holds information about the topography of Mars surface. There are hundreds of high-resolution images of this type. This gives the opportunity to create different studies in 3D. In this film I have chosen some locations and processed the images into panning video clips…
It has really been time-consuming making these panning clips. In my 3D-process I have manually hand-picked reference points on the anaglyph image pairs… The colors in this film are false because the anaglyph images are based on grayscale images. I have therefore color graded the clips. But I have tried to be moderate doing this.
The team esta en fuego!. On the heels of recent releases that added sharable looks, curves, and more, comes some new hotness:
Snapseed 2.17 starts rolling out today and it brings you three new awesome tools:
- Double Exposure allows you to blend two photos and choose from blending modes that are inspired by analog film techniques as well as digital image processing.
- Face Pose lets you correct the pose of portraits based on three dimensional models.
- Expand allows you to increase the size of your canvas and fill up the new space in smart ways with content from your image.
Enjoy, and as always, please let us know what you think.
It’s all fun & games until your brave, foolhardy, soon-to-be-very-wet ass gets blown clear into next week: