The Micronaxx turned me on to this fun (having discovered it via the YouTube Kids app):
The imagination of a kid is immeasurable. Recorded years ago, little Jack tells his incredible story of Iron Man and an out of control Evil Shark eating everything in the ocean. This is apparently what was missing in Iron Man 2.
“…Meanwhile…” shows the world of marine animals like corals and starfish at high magnification and during long time span through the timelapse. The music almost alien and disturbing has been joined to the images that stimulate mental associations to create a contrast, stimulate synesthesia and feelings do not necessarily harmonics and assonant.
Each day I strive to bring you, dear reader, news of the most important, innovative technology developments & most beautiful short-form storytelling possible. And then, some days, I also bring you this.
You know what’s wrong with the sound of all this? Nothing. Can’t wait to see what my old cronies have been cooking up.
Per PetaPixel, the forthcoming update promises to stitch panoramas while keeping the resulting images raw; merge images to HDR; and offer:
[A]dvanced black-and-white conversions, presets, facial recognition for quickly finding and sorting photos by people, a powerful healing brush, a photo straightening tool that can work even without a horizon line, video slideshows, web galleries, online sharing, and photo book creation.
Today, we’re introducing the YouTube Kids app, the first Google product built from the ground up with little ones in mind. The app makes it safer and easier for children to find videos on topics they want to explore […]
Timer: Let the app be the bad guy with a built-in timer that lets you limit kids’ screen time. The app alerts your child when the session is over, so you don’t have to. (You’re welcome. 😉 )
Sound settings: Sometimes you need a little peace and quiet! You have an option to turn off background music and sound effects, so your kids can keep watching while you catch a breather.
Search settings: If you’d rather limit your children to just the pre-selected videos available on the home screen, you can turn off search.
Product feedback: Our goal is to improve YouTube Kids all the time, so we’ve included a space for you to give us your feedback.
Lynda.com has put together 25 PS: Insight & Inspiration. Among many other new & old voices, I got to sit down with filmmaker. Scott Erickson. Some of my thoughts are featured in the retrospective section, a bit in desktop publishing piece, and primarily in the evolution movie.
Photoshop creator Thomas Knoll participated in a Reddit Ask Me Anything last week, talking about how he & his brother John teamed up to create the app. (Like Adobe founder John Warnock & his graphic designer wife Marva, they remain a great right-left brain combo.)
Alex Powell notes “An awesome suggestion from the YT comments: ‘We need to see a Muppet version of Whiplash, with Animal drumming away while JK Simmons screams at him.”… and have Animal screaming back at him the whole time ;-)”
The “lines on my face” bit is a little on the nose—but literally! so maybe that forgives it. 🙂
I’m reminded of the first Adobe video I ever saw, back in 1993 when I’d just started college & attended the Notre Dame Mac Macs user group. I saw it just that once, 20+ years ago, but the memory is vivid: an unfolding hand with an eye in the palm encircled by the words “Imagine what you can create. Create what you can imagine.” I was instantly hooked.
Who knows who this video might inspire. Here’s to the next 25 years of imaging magic.
Farhad Manjoo writes about how PS “has not just survived but thrived through every major technological transition in its lifetime: the rise of the web, the decline of print publishing, the rise and fall of home printing and the supernova of digital photography.”
The current talk of atomizing & democratizing Photoshop technology reminds me of “Photoshop & Punk Rock,” a Computer Arts guest piece I wrote 6 years ago. As they put it, “Adobe’s John Nack would like to blast Photoshop into a million pieces. He tells us why.”
Let’s measure the development team in the thousands, not in the dozens. Instead of relying on just the comparatively small crew at Adobe, let’s tap into the ‘Photoshop Nation’. And, rather than delivering improvements only every 18 to 24 months, let’s allow everyone to deliver them continuously, on the fly and on demand.
If the arc of my career bends towards one thing, it’s towards removing barriers between people & creative expression, on as large a scale as possible. It’s what I continue to do today.