Search for Halloween, Jack-o-lantern, human skeleton, cat, dog, or German Shepherd in the Google App or on your mobile browser (Android or iOS) and you’ll find these de-fright-ful AR characters on Google. Tap “View in 3D” to see it up close and then bring it into your space with AR. Don’t forget to take pictures or videos!
As a kid, I spent hours fantasizing about the epic films I could make, if only I could borrow my friend’s giant camcorder & some dry ice. Apple 💯 has their finger on the pulse of such aspirational souls in this new ad:
It’s pretty insane to see what talented filmmakers can do with just a phone (or rather, a high-end camera/computer/monitor that happens to make phone calls) and practical effects:
Apple has posted an illuminating behind-the-scenes video for this piece. PetaPixel writes,
In one clip they show how they dropped the phone directly into rocks that they had fired upwards using a piston, and in another, they use magnets and iron filings with the camera very close to the surface. One step further, they use ferrofluid to create rapidly flowing ripples that flow wildly on camera.
I’ve long, long been a fan of using brush strokes on paths to create interesting glyphs & lettering. I used to contort all kinds of vectors into Illustrator brushes, and as it happens, 11 years ago today I was sharing an interesting tutorial on creating smokey text:
Now Adobe engineers are looking to raise the game—a lot.
Combining users drawn stroke inputs, the choice of brush, and the typographic properties of the text object, Project Typographic Brushes brings paint style brushes and new-type families to life in seconds.
My longstanding dream (dating back to the Bush Administration!) to have face relighting in Photoshop has finally come true—and then some. In case you missed it last week, check out Conan O’Brien meeting machine learning via Photoshop:
On PetaPixel, Allen Murabayashi from PhotoShelter shows what it can do on a portrait of Joe Biden—presenting this power as a potential cautionary tale:
Here’s a more in-depth look (starting around 1:46) at controlling the feature, courtesy of NVIDIA, whose StyleGAN tech powers the feature:
I love the fact that the Neural Filters plug-in provides a playground within Photoshop for integrating experimental new tech. Who knows what else might spring from Adobe-NVIDIA collaboration—maybe scribbling to create a realistic landscape, or even swapping expressions among pets (!?):