Monthly Archives: January 2026

Adobe’s “Light Touch” promises powerful, intuitive relighting

AI/ML, Relighting

Almost exactly 19 years ago (!), I blogged about some eye-popping tech that promised interactive control over portrait lighting:

I was of course incredibly eager to get it into Photoshop—but alas, it’d take years to iron out the details. Numerous projects have reached the market (see the whole big category here I’ve devoted to them), and now with “Light Touch,” Adobe is promising even more impressive & intuitive control:

This generative AI tool lets you reshape light sources after capture — turning day to night, adding drama, or adjusting focus and emotion without reshoots. It’s like having total control over the sun and studio lights, all in post.

Check it out:

If nothing else, make sure you see the pumpkin part, which rightfully causes the audience to go nuts. 🙂

“Keep the Robots Out of the Gym”

AI/ML

I keep finding myself thinking of this short essay from Daniel Miessler:

Think very carefully about where you get help from AI.

I think of it as Job vs. Gym.

  • If we’re working a manual labor job, it’s fine to have AI lift heavy things for us because the actual goal is to move the thing, not to lift it.
  • This is the exact opposite of going to the gym, where the goal is to lift the weight, not to move it.

He argues for identifying gym tasks (e.g. critical thinking, problem solving), and for those use just your brain (with minimal AI assistance, if any).

My primary metric for this is whether or not I am getting sharper at the skills that are closest to my identity.

The whole essay (2-min read) is worth checking out.

The Rive founders talk interactive animation

After Effects, Design

Having gotten my start in Flash 2.0 (!), and having joined Adobe in 2000 specifically to make a Flash/SVG authoring tool that didn’t make me want to walk into the ocean, I felt my cold, ancient Grinch-heart grow three sizes listening to Guido and Luigi Rosso—the brother founders behind Rive—on the School of Motion podcast:

[They] dig into what makes this platform different, where it’s headed, and why teams at Spotify, Duolingo, and LinkedIn are building entire interactive experiences with it!

Here’s a NotebookLM-made visualization of the key ideas:

Table of contents:

Reflecting on 2025: A Year of Milestones 00:24
The Challenges of a Three-Sided Marketplace 02:58
Adoption Across Designers, Developers, and Companies 04:11
The Evolution of Design and Development Collaboration 05:46
The Power of Data Binding and Scripting 07:01
Rive’s Impact on Product Teams and Large Enterprises 09:18
The Future of Interactive Experiences with Rive 12:36
Understanding Rive’s Mental Model and Scripting 24:32
Comparing Rive’s Scripting to After Effects and Flash
The Vision for Rive in Game Development 31:30
Real-Time Data Integration and Future Possibilities 40:26
Spotify Wrapped: A Showcase of Rive’s Potential 42:08
Breaking Down Complex Experiences 46:18
Creative Technologists and Their Impact 51:07
The Future of Rive: 3D and Beyond 59:30
Opportunities for Motion Designers with Rive 1:11:38

“There will still be smart people, but only those who choose to be”

AI/ML

As AI continues to infuse itself more deeply into our world, I feel like I’ll often think of Paul Graham’s observation here:

Qwen promises images->layers

AI/ML

I initially mistook this tech as text->layers, but it’s actually image->layers. Having said that, if it works well, it might be functionally similar to direct layer output. I need to take it for a spin!

“We Can Imagine It For You Wholesale”

Miscellaneous

“It’s not that you’re not good enough, it’s just that we can make you better.”

So sang Tears for Fears, and the line came to mind as the recently announced PhotaLabs promised to show “your reality, but made more magical.” That is, they create the shots you just missed, or wish you’d have taken:

Honestly, my first reaction was “ick.” I know that human memory is famously untrustworthy, and photos can manipulate it—not even through editing, but just through selective capture & curation. Even so, this kind of retroactive capture seems potentially deranging. Here’s the date you wish you’d gone on; here’s the college experience you wish you’d had.

I’m reminded of the Nathaniel Hawthorne quote featured on the Sopranos:

No man for any considerable period can wear one face to himself, and another to the multitude, without finally getting bewildered as to which may be the true.

Like, at what point did you take these awkward sibling portraits…? 


And, hey, darn if I can resist the devil’s candy: I wasn’t able to capture a shot of my sons together with their dates, so off I went to a combo of Gemini & Ideogram. I honestly kinda love the results, and so down the cognitive rabbit hole I slide… ¯\_(ツ)_/¯ 

Of course, depending on how far all this goes, the following tweet might prove to be prophetic: