Kubrick's use of one-point perspective

The editing & soundtrack verge on the assaultive, but it’s still cool to see so many examples of this technique overlaid in quick succession:


3 thoughts on “Kubrick's use of one-point perspective

  1. When I spoke to one of the focus pullers on Full Metal Jacket, he related how Kubrick would insist on the camera being positioned where he wanted it down to an inch. I guess, when you have talent to spare, you can afford to obsess. Having said that, his films are sometimes too “clinical” because of his control and lack “life.”

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