Man, I used to hate demoing alongside After Effects during internal Adobe events: We had Photoshop, sure—but they were Photoshop on wheels. You could just pencil them in for the Top Gun trophy nearly every time.
Making Content-Aware Fill work at all is hard—but making it effective over multiple frames (“temporally coherent,” in our nerdy parlance)? Well, that requires FM technology—F’ing Magic. Here’s a naive implementation (not from Adobe):
Special props to Jason Levine for vamping through the calculation phase & then going full “When Harry Met Sally deli scene” at the conclusion. As a friend noted, “I’ll have what he’s having.” 😝