Heh—before the holidays get past us entirely, check out this novel approach to 3D motion capture from the always entertaining Kevin Parry:
[Via Victoria Nece]
Heh—before the holidays get past us entirely, check out this novel approach to 3D motion capture from the always entertaining Kevin Parry:
[Via Victoria Nece]
Life’s like a mayonnaise soda…
What good is seeing eye chocolate…
— Lou Reed
The marketers at Heinz had a little fun noticing that an AI image-making app (DALL•E, I’m guessing) tended to interpret requests for “ketchup” in the style of Heinz’s iconic bottle. Check it out:
Hah—enjoy this rather excellent mash-up:
For comparison, here are the original White Lotus titles:
The whole community of creators, including toolmakers, continues to feel its way forward in the fast-moving world of AI-enabled image generation. For reference, here are some of the statements I’ve been seeing:
This stuff—creating 3D neural models from simple video captures—continues to blow my mind. First up is Paul Trillo visiting the David:
Then here’s AJ from the NYT doing a neat day-to-night transition:
And lastly, Hugues Bruyère used a 360º camera to capture this scene, then animate it in post (see thread for interesting details):
Numerous apps are promising pure text-to-geometry synthesis, as Luma AI shows here:
On a more immediately applicable front, though, artists are finding ways to create 3D (or at least “two-and-a-half-D”) imagery right from the output of apps like Midjourney. Here’s a quick demo using Blender:
In a semi-related vein, I used CapCut to animate a tongue-in-cheek self portrait from my friend Bilawal:
[Via Shi Yan]
Creative Reality Studio from D-ID (the folks behind the MyHeritage Deep Nostalgia tech that blew up a couple of years ago) can generate faces & scripts, then animate them. I find the results… interesting?

I believe strongly that creative tools must honor the wishes & rights of creative people. Hopefully that sounds thuddingly obvious, but it’s been less obvious how to get to a better state than the one we now inhabit, where a lot of folks are (quite reasonably, IMHO) up in arms about AI models having been trained on their work, without their consent. People broadly agree that we need solutions, but getting to them—especially via big companies—hasn’t been quick.
Thus it’s great to see folks like Mat Dryhurst & Holly Herndon driving things forward, working with Stability.ai and others to define opt-out/-in tools & get buy-in from model trainers. Check out the news:
Here’s a concise explainer vid from Mat:
Artist & musician Ben Morin has been making some impressive pop-culture mashups, turning well-known characters into babies (using, I believe, Midjourney to combine a reference image with a prompt). Check out the results.

Our friend Christian Cantrell (20-year Adobe vet, now VP of Product at Stability.ai) continues his invaluable world to plug the world of generative imaging directly into Photoshop. Check out the latest, available for free here:
It’s insane to me how much these emerging tools democratize storytelling idioms—and then take them far beyond previous limits. Recently Karen X. Cheng & co. created some wild “drone” footage simply by capturing handheld footage with a smartphone:
Now they’re creating an amazing dolly zoom effect, again using just a phone. (Click through to the thread if you’d like details on how the footage was (very simply) captured.)
Meanwhile, here’s a deeper dive on NeRF and how it’s different from “traditional” photogrammetry (e.g. in capturing reflective surfaces):
Check out the latest magic, as described by Gizmodo:
To make an age-altering AI tool that was ready for the demands of Hollywood and flexible enough to work on moving footage or shots where an actor isn’t always looking directly at the camera, Disney’s researchers, as detailed in a recently published paper, first created a database of thousands of randomly generated synthetic faces. Existing machine learning aging tools were then used to age and de-age these thousands of non-existent test subjects, and those results were then used to train a new neural network called FRAN (face re-aging network).
When FRAN is fed an input headshot, instead of generating an altered headshot, it predicts what parts of the face would be altered by age, such as the addition or removal of wrinkles, and those results are then layered over the original face as an extra channel of added visual information. This approach accurately preserves the performer’s appearance and identity, even when their head is moving, when their face is looking around, or when the lighting conditions in a shot change over time. It also allows the AI generated changes to be adjusted and tweaked by an artist, which is an important part of VFX work: making the alterations perfectly blend back into a shot so the changes are invisible to an audience.
As I say, another day, another specialized application of algorithmic fine-tuning. Per Vice:
For $19, a service called PhotoAI will use 12-20 of your mediocre, poorly-lit selfies to generate a batch of fake photos specially tailored to the style or platform of your choosing. The results speak to an AI trend that seems to regularly jump the shark: A “LinkedIn” package will generate photos of you wearing a suit or business attire…

…while the “Tinder” setting promises to make you “the best you’ve ever looked”—which apparently means making you into an algorithmically beefed-up dudebro with sunglasses.
Meanwhile, the quality of generated faces continues to improve at a blistering pace:
✨ Trained my own model for https://t.co/ll0YGEo53Z for more photorealistic renders called
`people-diffusion`
I think by this week I can deploy it!
🤖 These are all 100% AI-generated people
Skin finally has pores now but don’t look at the hands yet please 😂 pic.twitter.com/Y6wbPz3BSS
— @levelsio (@levelsio) November 21, 2022
Hah—check out this #ChatGPT discovery by Howard Pinsky:
Oh my gosh it just got better. I now asked it to write a ‘snarky’ tutorial on the Pen Tool. 😂 pic.twitter.com/PpuXZVscZx
— Howard Pinsky (@Pinsky) December 1, 2022
The Doggfather recently shared a picture of himself (rendered presumably via some Stable Diffusion/DreamBooth personalization instance)…
…thus inducing fans to reply with their own variations (click tweet above to see the thread). Among the many fun Snoop Doggs (or is it Snoops Dogg?), I’m partial to Cyberpunk…
Cyberpunk Snoop Dogg, 1,2,3 or 4? pic.twitter.com/w8BgeJBx86
— Techietree.eth/tez (@techietree_eth) November 29, 2022
…and Yodogg:
Yodogg pic.twitter.com/9qqbluoCyt
— NIDO (@OfficialNID0) November 28, 2022
Great work from Guy Parsons, combining Midjourney with Capcut:
And from the replies, here’s another fun set:
Thanks!!! Turned my bernedoodle puppy into a ‘90s Disney movie promo with this. Hahah pic.twitter.com/ShakTS4E6t
— Spencer Albers (@SpencerAlbers) November 28, 2022
I meant to share this one last month, but there’s just no keeping up with the pace of progress!
My initial results are on the uncanny side, but more skillful practitioners like Paul Trillo have been putting the tech to impressive use:
Among the many, many things for which I can give thanks this year, I want to express my still-gobsmacked appreciation of the academic & developer communities that have brought us this year’s revolution in generative imaging. One of those developers is our friend & Adobe veteran Christian Cantrell, and he continues to integrate new tech from his new company (Stability AI) into Photoshop at a breakneck pace. Here’s the latest:
Here he provides a quick comparison between results from the previous Stable Diffusion inpainting model (top) & the latest one:

In any event, wherever you are & however you celebrate (or don’t), I hope you’re well. Thanks for reading, and I wish all the best for the coming year!
Among the great pleasures of this year’s revolutions in AI imaging has been the chance to discover & connect with myriad amazing artists & technologists. I’ve admired the work of Nathan Shipley, so I was delighted to connect him with my self-described “grand-mentee” Joanne Jang, PM for DALL•E. Nathan & his team collaborated with the Dalí Museum & OpenAI to launch Dream Tapestry, a collaborative realtime art-making experience.
The Dream Tapestry allows visitors to create original, realistic Dream Paintings from a text description. Then, it stitches a visitor’s Dream Painting together with five other visitors’ paintings, filling in the spaces between them to generate one collective Dream Tapestry. The result is an ever-growing series of entirely original Dream Tapestries, exhibited on the walls of the museum.
Check it out:
Another day, another special-purpose variant of AI image generation.
A couple of years ago, MyHeritage struck a chord with the world via Deep Nostalgia, an online app that could animate the faces of one’s long-lost ancestors. In reality it could animate just about any face in a photo, but I give them tons of credit for framing the tech in a really emotionally resonant way. It offered not a random capability, but rather a magical window into one’s roots.
Now the company is licensing tech from Astria, which itself builds on Stable Diffusion & Google Research’s DreamBooth paper. Check it out:

Interestingly (perhaps only to me), it’s been hard for MyHeritage to sustain the kind of buzz generated by Deep Nostalgia. They later introduced the much more ambitious DeepStory, which lets you literally put words in your ancestors’ mouths. That seems not to have bent the overall needle in awareness, at least in the way that the earlier offering did. Let’s see how portrait generation fares.

Speaking of Bilawal, and in the vein of the PetPortrait.ai service I mentioned last week, here’s a fun little video in which he’s trained an AI model to create images of his mom’s dog. “Oreo lookin’ FESTIVE in that sweater, yo!” 🥰 I can only imagine that this kind of thing will become mainstream quickly.
Last year my friend Bilawal Singh Sidhu, a PM driving 3D experiences for Google Maps/Earth, created an amazing 3D render (also available in galactic core form) of me sitting atop the Trona Pinnacles. At that time he used “traditional” photogrammetry techniques (kind of a funny thing to say about an emerging field that remains new to the world), and this year he tried processing the same footage (comprised of a couple simple orbits from my drone) using new Neural Radiance Field (“NeRF”) tech:
For comparison, here’s the 3D model generated via the photogrammetry approach:
The file is big enough that I’ve had some trouble loading it on my iPhone. If that affects you as well, check out this quick screen recording:
A new (to me, at least) group called Kive has just introduced AI Canvas.

Here’s a quick demo:
To my eye it’s similar to Prompt.ist, introduced a couple of weeks ago by Facet:
I’m curious: Have you checked out these tools, and do you intend to put them to use in your creative processes? I have some thoughts that I can share soon, but in the meantime it’d be great to hear yours.
I’m not sure whom to credit with this impressive work (found here), nor how exactly they made it, but—like the bespoke pet portraits site I shared yesterday—I expect to see an explosion in such purpose-oriented applications of AI imaging:

We’re at just the start of what I expect to be an explosion of hyper-specific offerings powered by AI.
For $24, PetPortrait.ai offers “40 high resolution, beautiful, one-of-a-kind portraits of your pets in a variety of styles.” They say it takes 4-6 hours and requires the following input:

It’ll be interesting to see what kind of traction this gets. The service Turn Me Royal offers more human-made offerings in a similar vein, and we delighted our son by commissioning this doge-as-Venetian-doge portrait (via an artist on Etsy) a couple of years ago:

A few weeks ago I shared info on Google’s “Infinite Nature” tech for generating eye-popping fly-throughs from still images. Now that team has shared various interesting tech details on how it all works. And if reading all that isn’t your bag, hey, at least enjoy some beautiful results:

At Adobe MAX a couple of weeks ago, the company offered a sneak peek of editable type in Adobe Express being rendered via a generative model:
That sort of approach could pair amazingly with this sort of Midjourney output:
I’m not working on such efforts & am not making an explicit link between the two—but broadly speaking, I find the intersection of such primitives/techniques to be really promising.
Christian Cantrell’s back & killing it as usual with the new version of his free Photoshop plugin:
He notes, “Custom, fine-tuned models are absolutely game-changing, and in the future will almost certainly represent the majority of diffusion-based creativity.” 👀 Seems like a non-trivial statement coming from the new VP of product at Stability.ai.
I haven’t yet gotten to try this integration, but I’m excited to see it arrive.
Check out this cool little workflow from Sergei Galkin:
It uses Mixamo specifically for auto-rigging:

I’ve tried it & it’s pretty slick. These guys are cooking with gas! (Also, how utterly insane would this have been to see even six months ago?! What a year, what a world.)
Man, I can’t keep up with this stuff—and that’s a great problem to have. Here are some interesting finds from just the last few days:
OMG—interactive 3D shadow casting in 2D photos FTW! 🔥
In this sneak, we re-imagine what image editing would look like if we used Adobe Sensei-powered technologies to understand the 3D space of a scene – the geometry of a road and the car on the road, and the trees surrounding, the lighting coming from the sun and the sky, the interactions between all these objects leading to occlusions and shadows – from a single 2D photograph.
One of the sleeper features that debuted at Adobe MAX is the new Create Background, found under Neural Filters. (Note that you need to be running the current public beta release of Photoshop, available via the Creative Cloud app—y’know, that little “Cc” icon dealio you ignore in your menu bar. 🙃)
As this quick vid demonstrates, the filter can not only generate backgrounds based on text, it links to a Behance gallery containing images and popular prompts. You can use these visuals as inspiration, then use the prompts to produce artwork within the plugin:
Here’s the Behance browser:

I’m really excited to learn more about this development, which I’ve been eagerly awaiting. More control + more speed will make generative imaging truly, broadly useful. I’d like to understand how it compares to techniques like prompt editing.
Here’s a nice three-minute overview:
Check out my teammates’ new explorations, demoed here on Adobe Express:
Can’t wait for generative AI + editable text in Adobe tools! 🤖🔥 pic.twitter.com/2kZi4rYM21
— John Nack (@jnack) October 19, 2022
Per the blog post:
Generative AI incorporated into Adobe Express will help less experienced creators achieve their unique goals. Rather than having to find a pre-made template to start a project with, Express users could generate a template through a prompt, and use Generative AI to add an object to the scene, or create a unique font based on their description. But they still will have full control — they can use all of the Adobe Express tools for editing images, changing colors, and adding fonts to create the flyer, poster, or social media post they imagine.
LatentSpace.dev promises to turn your images into text prompts that can be used in Stable Diffusion to create new artwork. Watch it work:
It interpreted a pic of my old whip as being, among other things, a “5. 1975 pontiac firebird shooting brake wagon estate.” Not entirely bad! 😌

It seems almost too good to be true, but Google Researchers & their university collaborators have unveiled a way to edit images using just text:

In this paper we demonstrate, for the very first time, the ability to apply complex (e.g., non-rigid) text-guided semantic edits to a single real image. For example, we can change the posture and composition of one or multiple objects inside an image, while preserving its original characteristics. Our method can make a standing dog sit down or jump, cause a bird to spread its wings, etc. — each within its single high-resolution natural image provided by the user.

Contrary to previous work, our proposed method requires only a single input image and a target text (the desired edit). It operates on real images, and does not require any additional inputs (such as image masks or additional views of the object).

I can’t wait to see it in action!
Back at the start of my DALL•E journey, I wished aloud for a diffusion-powered mobile app:
Now, thanks to the openness of Stable Diffusion & WebAR, creators are bringing that vision closer to reality:
I can’t wait to see what’s next!
Easy placement/movement of 3D primitives -> realistic/illustrative rendering has long struck me as extremely promising. Using tech like StyleGAN to render from 3D can produce interesting results, but it’s been difficult to bring the level of quality & consistency up to what Adobe users demand.
Now with Stable Diffusion (and, one hopes, other diffusion models in the future) attached to Blender (and, one hopes, other object manipulation tools), the vision is getting closer to reality:
The power & immersiveness of rendering 3D from images is growing at an extraordinary rate. NeRF Studio promises to make creation much more approachable:
The kind of results one can generate from just a series of photos or video frames is truly bonkers:
Here’s a tutorial on how to use it:
Check out Christian Cantrell’s latest work (still free!):
Check out Palette:
Here’s another beautiful, DALL•E-infused collaboration between VFX whiz Paul Trillo & Shyama Golden:
Easily my favorite thing at Google was getting to work with stone-cold geniuses like Noah Snavely (one of the minds behind Microsoft’s PhotoSynth) and Richard Tucker. Now they & their teammates have produced some jaw-dropping image synthesis tech:
And “hold onto your papers,” as here’s a look into how it all works:
Interior AI enables you to upload an image of your room, then restyle it in various idioms (Modern, Cyberpunk, Art Nouveau, and more).

Amazingly, it was whipped up in very short order:
Impressive stuff, though know that your results—like mine—may vary. 😅

Photographer Greg Benz has posted a detailed tutorial showing how to use Christian Cantrell’s Stable Diffusion-Photoshop plugin (now available for free via the Adobe Marketplace). Check it out:
OMG, what is even happening?!
Every. Single. Week. There’s. A. Breakthrough.
Text to video by Meta: https://t.co/S8AZXdNeov pic.twitter.com/vzGXrR7WEp
— Suhail (@Suhail) September 29, 2022
Per the site,
The system uses images with descriptions to learn what the world looks like and how it is often described. It also uses unlabeled videos to learn how the world moves. With this data, Make-A-Video lets you bring your imagination to life by generating whimsical, one-of-a-kind videos with just a few words or lines of text.
Completely insane. DesireToKnowMoreIntensifies.gif!
Whew—no more wheedling my “grand-mentee” Joanne on behalf of colleagues wanting access. 😅
Starting today, we are removing the waitlist for the DALL·E beta so users can sign up and start using it immediately. More than 1.5M users are now actively creating over 2M images a day with DALL·E—from artists and creative directors to authors and architects—with over 100K users sharing their creations and feedback in our Discord community.
You can sign up here. Also exciting:
We are currently testing a DALL·E API with several customers and are excited to soon offer it more broadly to developers and businesses so they can build apps on this powerful system.
It’s hard to overstate just how much this groundbreaking technology has rocked our whole industry—all since publicly debuting less than 6 months ago! Congrats to the whole team. I can’t wait to see what they’re cooking up next.