Category Archives: Photography

Membit: “Pokémon Go for your Memories”

There’s something happening here/What it is, ain’t exactly clear… But it’s gonna get interesting.

Membit is a geolocative photo sharing app that allows pictures to be placed and viewed in the exact location they were captured.

When you make a membit, you leave an image in place for other Membit users to find and enjoy. With Membit, you can share the past of a place with the present, or share the present of a place with the future.

I’m reminded of various interesting “rephotography” projects that juxtapose the past with the present. Those seem not to have moved beyond novelty—but perhaps this could? (Or maybe it’ll just induce vemödalen.) Check it out:

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[Vimeo]

Stunning star trails over Oregon

I know, I know—you think you’ve seen it all a hundred times, but I’d be surprised if you didn’t enjoy this mesmerizing work by Tyler Hulett:

Starry skies swirl and reel above Oregon. Each frame is an independent star trail photograph, and most of these clips represent an entire night of shooting somewhere across the state of Oregon. In a few clips, motion control panning leads to otherworldly patterns. No artificial effects; just stacking. Only one DSLR shutter was blown to make this film.

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[Via]

The shots that inspired GoT’s “Loot Train Battle”

I love this kind of cinematic Inside Baseball. As Kottke writes,

This is a clever bit of TV/film analysis by Evan Puschak: he reconstructs the Loot Train Battle from the most recent episode of Game of Thrones using clips from other movies and TV shows (like 300, Lord of the Rings, Stagecoach, and Apocalypse Now). In doing so, he reveals the structure that many filmed battle scenes follow, from the surprising enemy attack presaged by the distant sound of horses (as in 300) to the quiet mid-chaos reflection by a shocked commander (as in Saving Private Ryan). 

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[YouTube] [Via]

Google’s DeepMind Is Now Capable of Creating Images from Your Sentences

Another day, another “Whoa”: Futurism writes,

[T]he prompt of “A yellow bird with a black head, orange eyes, and an orange bill” returned a highly detailed image. The algorithm is able to pull from a collection of images and discern concepts like birds and human faces and create images that are significantly different than the images it “learned” from.

Check it out:

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[YouTube] [Via Gabriel Doliner]

New “Computational Zoom” tech creates impossible perspectives.

Whoa. This new technique from researchers at NVIDIA and UCSB can mix wide-angle and telephoto perspective into single frames. As PetaPixel explains,

First, you need to shoot a “stack” of photos with a fixed focal length. Starting from a distance, you move closer to your subject with each new shot. […]

The framework allows you to split up a scene based on depth, and assign a different focal length perspective to each of those depths. You can make the foreground look like it was shot with a telephoto lens and the background look like you used a wide-angle one. 

Watch it in action (and skip ahead ~2 minutes to get to the wow stuff):

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[YouTube]

Google & MIT unveil realtime image retouching on mobile devices

“Teaching Google Photoshop.” That’s the three-word mission statement I chose upon joining Photos. I meant it as shorthand for “getting computers to see & think like artists.” Now researchers are enabling that kind of human-savvy adjustment to run in realtime, even on handheld devices:

Researchers from MIT’s Computer Science and Artificial Intelligence Laboratory and Google are presenting a new system that can automatically retouch images in the style of a professional photographer. It’s so energy-efficient, however, that it can run on a cellphone, and it’s so fast that it can display retouched images in real-time, so that the photographer can see the final version of the image while still framing the shot.

And yes, it’s a small world: “The researchers trained their system on a data set created by Durand’s group and Adobe Systems;” and Jiawen interned at Adobe; and then-Adobe researcher Aseem Agarwala collaborated with Frédo before joining Google.

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[YouTube]

Mesmerizing 4k storm footage

Glorious time lapse work from Mike Olbinski:

The work on this film began on March 28th and ended June 29th. There were 27 total days of actual chasing and many more for traveling. I drove across 10 states and put over 28,000 new miles on the ol’ 4Runner. I snapped over 90,000 time-lapse frames. I saw the most incredible mammatus displays, the best nighttime lightning and structure I’ve ever seen, a tornado birth caught on time-lapse and a display of undulatus asperatus that blew my mind. Wall clouds, massive cores, supercell structures, shelf clouds…it ended up being an amazing season and I’m so incredibly proud of the footage in this film.

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[YouTube] [Via]

Tour the International Space Station via Google Street View

European astronaut Thomas Pesquet returned to Earth last month after spending six months aboard the International Space Station, capturing the first Street View imagery captured beyond our planet:

[T]he Street View team worked with NASA at the Johnson Space Center in Houston, Texas and Marshall Space Flight Center in Huntsville, Alabama to design gravity-free method of collecting the imagery using DSLR cameras and equipment already on the ISS. Then I collected still photos in space, that were then sent down to Earth where they were stitched together to create panoramic 360 degree imagery of the ISS.

You can read about the mission on the Google Blog & check out the behind-the-scenes process here:

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[YouTube]

Amazing slow-mo footage of hummingbirds

Check out some wonderful work from National Geographic photographer Anand Varma. Interesting details:

A 2013 University of Toronto study concluded that if hummingbirds were the size of an average human, they’d need to drink more than one 12-ounce can of soda for every minute they’re hovering, because they burn sugar so fast.

Kottke adds,

some hummingbirds can beat their wings 100 times in a second and can sip nectar 15 times per second. I also like the locals’ name for the Cuban bee hummingbird, the world’s smallest bird: zunzuncito (little buzz buzz).

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Google AI roams Street View to create & polish beautiful panos

“Our virtual photographer ‘travelled’ ~40,000 panoramas in areas like the Alps, Banff and Jasper National Parks in Canada, Big Sur in California and Yellowstone National Park,” hunting for the best compositions, writes Hui Fang of the Google Research team.

Per PetaPixel, “Once it finds a nice-looking photo, it uses post-processing techniques to improve the look of the shot like photographers do in Photoshop or Lightroom. Edits include cropping, tweaking saturation, applying HDR effects, adding dramatic lighting with ‘content-aware brightness adjustments.’”

Potentially interesting sidenote: In 2013, before Google Photos became a standalone product, Google+ was backing up & applying semantic Auto Enhance to more than half a billion photos per day. The process mimicked the edits a skilled human would apply (e.g. treating skin differently from skies, sharpening & brightening). This all happened automatically, so almost no one noticed, and when we turned it off, almost no one cared (cf. bad wine). ¯\_(ツ)_/¯

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“Muscle-Up”: An “impossible” drone-shot tour de force

Robert McIntosh masterfully pilots his tiny homebrew drone over—and through—the landscape of Muscle Beach, resulting in this eye-popping video: 

Before you join me in saying, “Damn it, why does my drone footage always look like comparatively shite,” notice that he heavily stabilized his images using ReelSteady for Adobe After Effects, and that he was willing to endure quite a few crashes along the way. You can see the unstabilized footage & some mishaps here:

According to Cinema 5D,

Mcintosh claims to have used the “world’s smallest HD drone” which he describes as follows: The drone weighs in at an astonishing 94.7 grams WITH the stripped down Gopro! (120 grams takeoff weight with lipo flight battery and foam roll cage)For reference, a stock Gopro Hero 5 black weighs 118 grams!It’s less that 5″ wide and 3″ tall, Sporting 2″ propellers.

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As Jim might say, “This is the strangest life I’ve ever known…”

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Automatically share photos of specific people via Google Photos

Computer vision FTW!

Bad old world: Even though I’m standing next to my wife while she snaps pics of our kids, it’s only if Facebook buzzes my phone that I see what she took & shared. The rest remain a mystery.

Good new world: Every photo I take of the kids can be automatically shared with her, and vice versa. 

With shared libraries, sending and receiving photos with one person is effortless—you can automatically share your full photo library or customize just what you want to share. Suggested sharing uses machine learning to automatically identify photos and suggest recipients, making sharing as simple as a single tap. 

I’ve been waiting for this for years. Setup is super simple: pick your partner, select people to share (or whole library), send invite; goodness ensues. You can check out the details here, and you can use the feature now on iOS, Android, and Web. Enjoy!

Photography: “Swirling rays, knot holes, termites and rot” inside wood

Take a hypnotic tour through the inside of wood (really!) courtesy of engineer/animator Brett Foxwell and musician/animator Conor Grebel. As Colossal notes, “Watching this full-screen in HD with sound makes all the difference.”

“Fascinated with the shapes and textures found in both newly-cut and long-dead pieces of wood, I envisioned a world composed entirely of these forms,” Foxwell told Colossal. “As I began to engage with the material, I conceived a method using a milling machine and an animation camera setup to scan through a wood sample photographically and capture its entire structure. Although a difficult and tedious technique to refine, it yielded gorgeous imagery at once abstract and very real. Between the twisting growth rings, swirling rays, knot holes, termites and rot, I found there is a lot going on inside of wood.”

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[YouTube] [Via]

Arsenal promises to add AI to your DSLR

Check out this brainy strap-on:

Arsenal is the world’s first intelligent assistant for DSLR and mirrorless cameras. Ultralight hardware lets you wirelessly control your camera with an intuitive iOS or Android app. And advanced machine learning algorithms help you get the perfect shot every time.

Here, you enjoy that while I return to the world where 99% of people just DGAF about our notions of quality.

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[Via John Stevenson]

Gatorade’s amazing ad uses water & strobes to print on air

You know what wasn’t 1/10th as elegant or impressive as this? Me sweating through box jumps today. So behold something prettier:

PetaPixel writes,

The water printer itself comprises over 20,000 parts, and took over 5,000 man hours to construct. The printer they built had 2,048 individual nozzles, which turned on and off within 2 milliseconds. The strobes were then set to freeze the droplets mid-air. James Medcraft, the project’s director of photography explains: “We’re using the flash to freeze the water droplets at a very precise moment in space, and we’re having to do that with millimeter and microsecond accuracy.”

Here’s a look behind the scenes:

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[YouTube]

Photography: Beautiful thunderstorm timelapses in 4k

Mesmerizing work from Chad Cowan:

Supercell thunderstorms are a manifestation of nature’s attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or viscosity, is what drives all of our weather, and the force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.

[Vimeo] [Via]

Drone choreography: MIT’s programmable flying cameramen

Researchers are working to “develop a drone system that can do a camera operator’s job”:

The group calls the system “real-time motion planning for aerial videography,” and it lets a director define basic parameters of a shot, like how tight or how wide the frame should be, or the position of the subject within that frame. They can also change those settings on the fly and the drone will adjust how it’s filming accordingly. And, of course, the drone can dynamically avoid obstacles.

Check it out in action:

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[YouTube]

The NYC hyperlapse features some eye-popping details

I know, I know: as technically impressive as they may be, all these hyperlapse videos can get a little played out. But this piece from FilmSpektakel offers some fun details:

In particular:

Over the 10 days we took photos of yellow cabs whenever we had time to from as many different angles as possible. So we gathered 2000 (!) photos in total we had to sort afterwards and compile to a hyperlapse around a cab in post production. It took us 5 whole days in post production to get this one shot.

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[YouTube]

Apple’s charming new “Barbershop” ad

The seamless camera splices rock, and good luck getting William Onyearbor’s “Fantastic Man” out of your head:

https://youtu.be/hcMSrKi8hZA

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The Verge reports, “Twenty-four people got a haircut while shooting this ad and Apple donated the hair to Locks of Love, the non-profit charity that focuses on wigs for children.”

Update: Terri Stone pointed out this fun animation for the song:

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[YouTube 1 & 2]

Quality, quantity, and how Instagram is evolving

Take a human desire,” says Twitter co-founder Evan Williams, “preferably one that has been around for a really long time…Identify that desire and use modern technology to take out steps.”

It’s interesting to think about this as Instagram’s identity has evolved in a “lol nothing matters” Snapchat world. (I initially typed “Snapshat”; Freudian?). Founder Kevin Systrom used to like to describe the product as “a visual walkie talkie,” but plainly that wasn’t true. As their head of product Kevin Weil said, “It became a place where people kept raising the bar on themselves in terms of the quality of what they had to achieve to post. We didn’t want that.” If you haven’t yet, listen to the This American Life episode about teenage girls’ Instagram anxiety referenced in “The Instagram lobster trap.”

Anyway, Instagram has found that lowering the bar—creating an impermanent, low-stress complement to one’s highlight reel—is key. They need bottom-up activity to make things work:

“Your connections with your friends and your family are the thing that make Instagram work. All the data supports that if you follow more friends and engage with your friends, your activity goes through the roof. If you just follow more celebrity content or more interest-based content, that doesn’t move the needle at all.” – Kevin Systrom, Instagram co-founder

You should read Benedict Evans’s observations (starts dry, but solid) about all this. Among them:

There are millions of people who will post beautiful pictures of coffee or 1960s office blocks, or like a photo by a celebrity, but there are billions who’ll share a snapshot of their lunch, beer, dog or child. Instagram is moving to capture that in the same way Messenger and WhatsApp captured chat.

Seriously, it’s worth the read.

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Come make a Mother’s Day movie with Google Photos

PM Tim Novikoff writes,

Starting today, people can go to photos.google.com/mothersday, pick a mom and kids, and then Google Photos does the rest. It automatically chooses the best photos of the mother and children, and sets it all to music to make a personalized movie. If you want to remove any of the photos or add others, you can make adjustments on Android or iOS.

Here’s the one I made for my mom featuring her grandsons:

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[YouTube]

Timelapse: A pilot’s-eye view of the Milky Way

This is rather glorious. Kottke writes,

Sales Wick is a pilot for SWISS and while working an overnight flight from Zurich to Sao Paulo, he filmed the first segment of the flight from basically the dashboard of the plane and made a timelapse video out of it. At that altitude, without a lot of light and atmospheric interference, the Milky Way is super vivid.

Make sure to stick around at least til the ~1:25 mark when other aircraft begin zooming past.

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New DJI goggles offer head-controlled drone flight

Yes, these things are a $499 (!) behemoth, but damn if they don’t seem kinda wonderful:

https://www.youtube.com/watch?v=L0oQnKKt6Po

PetaPixel writes,

[T[he goggles aren’t just about showing you a FPV from your drone cam, they also turn your head into a motion control unit, adjusting the drone’s yaw and camera tilt as you look around. The combined experience is incredibly immersive…

In addition to letting you ride along “in the cockpit” as it were, the goggles also allow you to control the camera—set focus, take pictures, or start and stop recording. And if you use DJI’s newest intelligent Fixed-Wing Mode—”the aircraft doesn’t turn left or right but instead flies forward with enough rotational movement for realistic flight simulation”—you can let the drone do the flying while you look around, enjoy the view, and take pictures.

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[YouTube]

Google’s new Jump camera debuts; apply now to use it for free

This monster features 17 4k cameras (!) backed by cloud compute:

Footage from those cameras runs through the Jump Assembler, which uses sophisticated computer vision algorithms and the computing power of Google’s data centers to create 3D 360 video. Amazing VR videos have been made with Jump, such as The New York Times’ Great Performers collection, Within’s “The Possible” series, the NFL Immersed series, and Wevr’s “Internet Surfer” video.

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 Google is looking to sponsor 100 filmmakers (you?) to use it to make epic stuff:

Jump Start gives selected filmmakers both free access to a Jump camera and free unlimited use of the Jump Assembler for their VR film. Over the next year, the program will give over 100 creators these tools and enable them to make their vision a reality. Applications to Jump Start open today, and filmmakers have until May 22nd to apply.

[YouTube]

Instagram finally adds collections

I’ve been expecting this one for years:

Tap and hold the bookmark icon underneath any post to save it directly to a collection. You can create and name a new collection when you save a post, or you can add it to one you’ve already created. 

Instagram continues to redefine creativity—away from strictly posting a few best shots, and towards:

  1. tossed-off ephemera (stories) and
  2. curation (a la Pinterest—drag the shiny-shiny back to decorate your cave).

This is going to be a license to print money: Let Kylie Jenner (or mouth-breathing celebretroid of one’s choice) create collections of merchandise that hang off the main profile & enable instant purchasing. Hopefully it’ll also benefit individual photographers, by offering a crazy-simple way to buy prints. Stay tuned.

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[Via]

Night vision: Color 5,000,000 ISO that looks good?!

Around 2am in a long-past life, I terrified some young kids fishing for sharks off the end of their pier in Puget Sound. I was wearing night vision goggles in a RIB alongside a bunch of M16-toting Navy guys, and we’d been quietly paddling around the boys’ pier as we hid from our own ships while we stalked Rangers. But that’s a whole other story.

The X27 seems amazing & makes the goggles I wore look like Frogger by comparison:

Kottke writes:

The camera was developed for military use, has an effective ISO rating of 5,000,000, and has a comically long name: “X27 Reconnaissance Day/Night high Fidelity true real time low light/low lux color night vision Imaging Security / Multi Purpose camera system”. Pricing information is not available, but I bet you’re paying for every single one of those words. 

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[YouTube]

The $1 origami Foldscope: Democratizing access to microscopy

Check out this rather brilliant Kickstarter project from some Stanford scientists on a mission to broaden access to the wonders of exploring our world:

Foldscope is a real microscope, with magnification and resolution sufficient for imaging live individual cells, cellular organelles, embryos, swimming bacteria and much more.   Because the Foldscope is so affordable and can be used anywhere, it brings science to your daily life, whether that means looking at what’s growing in your flower pot or watching bacteria from your mouth or analysing the bee stinger that got your thumb. Our goal is to encourage and enable the curious explorer in each of us and make science happen anywhere, anytime.

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[YouTube]

A flight over Mars

Wanna actually go to Mars & feel perpetually jetlagged? Hmm—while thinking that over, take a beautifully painterly flight over the planet surface, courtesy of Jan Fröjdman working with real NASA data:

The anaglyph images of Mars taken by the HiRISE camera holds information about the topography of Mars surface. There are hundreds of high-resolution images of this type. This gives the opportunity to create different studies in 3D. In this film I have chosen some locations and processed the images into panning video clips…

It has really been time-consuming making these panning clips. In my 3D-process I have manually hand-picked reference points on the anaglyph image pairs… The colors in this film are false because the anaglyph images are based on grayscale images. I have therefore color graded the clips. But I have tried to be moderate doing this.

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[Vimeo] [Via]

Snapseed gains Double Exposure, Face Pose, and more

The team esta en fuego!. On the heels of recent releases that added sharable looks, curves, and more, comes some new hotness:

Snapseed 2.17 starts rolling out today and it brings you three new awesome tools:

  • Double Exposure allows you to blend two photos and choose from blending modes that are inspired by analog film techniques as well as digital image processing.
  • Face Pose lets you correct the pose of portraits based on three dimensional models.
  • Expand allows you to increase the size of your canvas and fill up the new space in smart ways with content from your image. 

Enjoy, and as always, please let us know what you think.

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Sony enables in-camera ND filters

Hmm, interesting—I honestly had no idea that Sony cameras could install apps, but in retrospect the idea seems blindingly obvious: Why not be able to modify your light-capturing computer like this? PetaPixel writes,

Actually, it’s more than a grad. When you open up the app, you get several options: Graduated ND, Reverse Graduated ND, Color Stripe, Blue Sky, Sunset, and two Custom options for setting up your own presets. The presets will capture preset exposure and white balance values, and if you pick Custom, you can adjust the location and feathering of each boundary, the effect above and below that boundary, and more!

[YouTube]

Photography: How the BBC filmed animals in total darkness for “Planet Earth II”

“Days of Miracles & Wonder,” part 9,287:

PetaPixel writes,

There’s no longer any need to disrupt the animals’ habits and habitat using artificial light; thanks to advances in camera sensors and non-visible spectrum capture, the BBC is shooting the kind of wildlife footage that was simply unimaginable in the 80s and 90s. […]

The Vox video dives into the challenges nature documentaries like Planet Earth used to have back in the days of film, and then advances rapidly through the decades until we reach the jaw-dropping footage shot for Planet Earth II using infrared technology, thermal imaging, and incredible low-light cameras like Sony’s famed A7s.

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[YouTube]