Hah—serifs are “little top hats & booties.” Enjoy a bit of inspired typographical silliness:
Hah—serifs are “little top hats & booties.” Enjoy a bit of inspired typographical silliness:
Man, not a day goes by without the arrival of some new & mind-blowing magic—not a day!
We introduce Lumiere — a text-to-video diffusion model designed for synthesizing videos that portray realistic, diverse and coherent motion — a pivotal challenge in video synthesis. To this end, we introduce a Space-Time U-Net architecture that generates the entire temporal duration of the video at once, through a single pass in the model. This is in contrast to existing video models which synthesize distant keyframes followed by temporal super-resolution — an approach that inherently makes global temporal consistency difficult to achieve. […]
We demonstrate state-of-the-art text-to-video generation results, and show that our design easily facilitates a wide range of content creation tasks and video editing applications, including image-to-video, video inpainting, and stylized generation.
From its first launch, Adobe Firefly has included support for content credentials, providing more transparency around the origin of generated images, and I’m very pleased to see Open AI moving in the same direction:
Early this year, we will implement the Coalition for Content Provenance and Authenticity’s digital credentials—an approach that encodes details about the content’s provenance using cryptography—for images generated by DALL·E 3.
We are also experimenting with a provenance classifier, a new tool for detecting images generated by DALL·E. Our internal testing has shown promising early results, even where images have been subject to common types of modifications. We plan to soon make it available to our first group of testers—including journalists, platforms, and researchers—for feedback.
In her 12+ years in Adobe’s video group, my wife Margot worked to bring more women into the world of editing & filmmaking, participating in efforts supporting all kinds of filmmakers across a diverse range of ages, genders, types of subject matter, experience levels, and backgrounds. I’m delighted to see such efforts continuing & growing:
Adobe and the Adobe Foundation will partner with a cohort of global organizations that are committed to empowering underrepresented communities, including Easterseals, Gold House, Latinx House, Sundance Institute and Yuvaa, funding fellowships and apprenticeships that offer direct, hands-on industry access. The grants will also enable organizations to directly support filmmakers in their communities with funding for short and feature films.
The first fellowship is a collaboration with the NAACP, designed to increase representation in post-production. The NAACP Editing Fellowship is a 14-week program focused on education and training, career growth and workplace experience and will include access to Adobe Creative Cloud to further set up emerging creators with the necessary tools. Applications open on Jan. 18, with four fellows selected to participate in the program starting in May.
“If you want to make a movie look good, make it sound good.” That’s the spirit in which Adobe is introducing a wide range of enhancements to audio handling in Premiere Pro:
According to the team, the audio workflow changes now available in the beta include:
Helping discover Dave Werner & bring him into Adobe remains one of my favorite accomplishments at the company. He continues to do great work in designing characters as well as the tools that can bring them to life. Watch how he combines Firefly with Adobe Character Animator to create & animate a stylish tiger:
Adobe Firefly’s text to image feature lets you generate imaginative characters and assets with AI. But what if you want to turn them into animated characters with performance capture and control over elements like arm movements, pupils, talking, and more? In this tutorial, we’ll walk through the process of taking a static Adobe Firefly character and turning it into an animated puppet using Adobe Photoshop or Illustrator plus Character Animator.
Adding glows & fog, making bokeh balls, and more—lots of nice, bite-sized demos, conveniently navigable by chapter (hover over the progress bar):
Honestly, if you asked, “Hey, wanna spend an hour+ listening to current and former intellectual property attorneys talking about EU antitrust regulation, ethical data sourcing, and digital provenance,” I might say, “Ehmm, I’m good!”—but Nilay Patel & Dana Rao make it work.
I found the conversation surprisingly engrossing & fast-moving, and I was really happy to hear Dana (with whom I’ve gotten to work some regarding AI ethics) share thoughtful insights into how the company forms its perspectives & works to put its values into practice. I think you’ll enjoy it—perhaps more than you’d expect!
Insta360 takes us down & not so dirty around Hamburg’s Miniatur Wunderland in this fun 2-minute tour:
(Cue Metallica’s Trapped Under Ice!)
Russell Brown & some of my old Photoshop teammates recently ventured into -40º (!!) weather in Canada, pushing themselves & their gear to the limits to witness & capture the Northern Lights:
Perhaps on future trips they can team up with these folks:
To film an ice hockey match from this new angle of action, Axis Communications used a discrete modular camera — commonly seen in ATM machines, onboard vehicles, and other small spaces where a tiny camera needs to fit — and froze it inside the ice.
Check out the results:
Behind—and under—the scenes:
We’re only just beginning to discover the experiential possibilities around generative creation, so I’m excited to see this rare gig open up:
You will build new and innovative user interactions and interfaces geared towards our customers unique needs, test and refine those interfaces in collaboration with academic research, user researchers, designers, artists and product teams.
Check out the listing for the full details.
Stunning work from Legosteeze. Make sure to click the arrows on the post to see all the clips (amazingly based on real-world footage!):
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View this post on Instagram
[Via Cristobal Garcia]
My friend Kevin had the honor of designing the designing the art & animation for this interactive wearable demo. Stick around (or jump) to the end to see the moving images:
@el_hormiguero Marron nos trae el proyecto Primrose desarrollado por @Adobe: el vestido interactivo capaz de cambiar su apariencia #vestidointeractivo #adobe #elhormiguero #SofíaVergaraEH ♬ sonido original – El Hormiguero
One, I swear I think of this observation from author Sebastian Junger at least once a day:

We’d do well to reflect on it in how we treat our colleagues, and especially—in this time of disruptive AI—how we treat the sensitive, hardworking creators who’ve traditionally supported toolmarkers like Adobe. Our “empowering” tech can all too easily make people feel devalued, thrown away like an old piece of fruit. And when that happens, we’re next.
Two, this observation hits me where I live:

I’ve joked for years about my “Irish Alzheimer’s,” in which one forgets everything but the grudges. It’s funny ’cause it’s true—but taken any real distance (focusing on failures & futility), it becomes corrosive, “like taking poison and hoping the other guy gets sick.”
Earlier today an old friend observed, “I’ve always had a justice hang-up.” So have I, and that’s part of what made us friends for so long.
But as I told him, “It’s such a double-edged sword: my over-inflamed sense of justice is a lot of what causes me to speak up too sharply and then light my way by all the burning bridges.” Finding the balance—between apathetic acquiescence on one end & alienating militancy on the other—can be hard.
So, for 2024 I’m trying to lead with gratitude. It’s the best antidote, I’m finding, to bitterness & bile. Let’s be glad for our fleeting opportunities to do, as Mother Teresa put it, “small things with great love.”
Here’s to courage, empathy, and wisdom for our year ahead.
Nice props from The Futurum Group:
Here is why: Adobe Firefly is the most commercially successful generative AI product ever launched. Since it was introduced in March in beta and made generally available in June, at last count in October, Firefly users have generated more than 3 billion images. Adobe says Firefly has attracted a significant number of new Adobe users, making it hard to imagine that Firefly is not aiding Adobe’s bottom line.
Hey gang—here’s to having a great 2024 of making the world more beautiful & fun. Here’s a little 3D creation (with processing courtesy of Luma Labs) made from some New Year’s Eve drone footage I captured at Gaviota State Beach. (If it’s not loading for some reason, you can see a video version in this tweet).
Dig in, friends. 🙂

It’s a little nerdy even for my blood, but some of my teammates swear by these techniques that enable connecting Photoshop to a hosted instance of Stable Diffusion, enabling one to guide the process via a Photoshop doc and/or custom-trained styles:
Hah—I can dig this finger-rich pin from Pictoplasma.

What if your tiny planet—a visual genre I’ve enjoyed beating halfway into the ground—were our actual planet? Insta360, on whom I’ve spent crazy amounts of money buying brilliant-if-maddening gear, has now sent their devices to the edge of space:

Let’s talk vector generation, 3D mockup support, image-to-type, and more. Take ‘er away, Deke!
I mean, seriously, what even is all this?? I can’t explain; just please watch.
I’ve had way too much fun creating custom Lego sets based on friends’ & family’s rides, so to help others do it, I’ve made my first custom GPT, “Baby You Can Drive My Bricks.” Take it for a spin & let me know what you create!

It’s ludicrous to think that these folks formed the company just six months ago, and even more ludicrous to see what the model can already do—from video synthesis, to image animation, to inpainting/outpainting:
Our vision for Pika is to enable everyone to be the director of their own stories and to bring out the creator in each of us. Today, we reached a milestone that brings us closer to our vision. We are thrilled to unveil Pika 1.0, a major product upgrade that includes a new AI model capable of generating and editing videos in diverse styles such as 3D animation, anime, cartoon and cinematic, and a new web experience that makes it easier to use. You can join the waitlist for Pika 1.0 at https://pika.art.
This tech—or something much like it—is going to be a very BFD. Imagine simply describing the change you’d like to see in your image—and then seeing it.
[Generative models] still face limitations when it comes to offering precise control. That’s why we’re introducing Emu Edit, a novel approach that aims to streamline various image manipulation tasks and bring enhanced capabilities and precision to image editing.
Emu Edit is capable of free-form editing through instructions, encompassing tasks such as local and global editing, removing and adding a background, color and geometry transformations, detection and segmentation, and more. […]
Emu Edit precisely follows instructions, ensuring that pixels in the input image unrelated to the instructions remain untouched. For instance, when adding the text “Aloha!” to a baseball cap, the cap itself should remain unchanged.
And for some conceptually related (but technically distinct) ideas, see previous: Iterative creation with ChatGPT.
On the off chance you missed me over the last week or so, it’s due to my being off in Illinois with the fam, having fun making silliness like this:
Here’s a great look at how the scrappy team behind Luma.ai has helped enable beautiful volumetric captures of Phoenix Suns players soaring through the air:
Go behind the scenes of the innovative collaboration between Profectum Media and the Phoenix Suns to discover how we overcame technological and creative challenges to produce the first 3D bullet time neural radiance field NeRF effect in a major sports NBA arena video. This involved not just custom-building a 48 GoPro multi-cam volumetric rig but also integrating advanced AI tools from Luma AI to capture athletes in stunning, frozen-in-time 3D visual sequences. This venture is more than just a glimpse behind the scenes – it’s a peek into the evolving world of sports entertainment and the future of spatial capture.
If you keep hearing about “Gaussian Splatting” & wondering “WTAF,” check out this nice primer from my buddy Bilawal:
There’s also Two-Minute Papers, offering a characteristically charming & accessible overview:
It’s always great to learn from the master—especially when he’s making “spaghetti western” literal!

I’m really digging the experience of (optionally) taking a photo, feeding it into ChatGPT, and then riffing my way towards an interesting visual outcome. Here’s a gallery in which you can see some of the journeys I’ve undertaken recently.


Hah! This is my kind of ridiculous Adobe social content. 🙂 Happy Friday.
Man, I’m inspired—and TBH a little jealous—seeing 14yo creator Preston Mutanga creating amazing 3D animations, as he’s apparently been doing for fully half his life. I think you’ll enjoy the short talk he gave covering his passions:
The presentation will take the audience on a journey, a journey across the Spider-Verse where a self-taught, young, talented 14-year-old kid used Blender, to create high-quality LEGO animations of movie trailers. Through the use of social media, this young artist’s passion and skill caught the attention of Hollywood producers, leading to a life-changing invitation to animate in a new Hollywood movie.
Speaking of increasing resolution, check out this sneak peek from Adobe MAX:
It’s a video upscaling tool that uses diffusion-based technology and artificial intelligence to convert low-resolution videos to high-resolution videos for applications. Users can directly upscale low-resolution videos to high resolution. They can also zoom-in and crop videos and upscale them to full resolution with high-fidelity visual details and temporal consistency. This is great for those looking to bring new life into older videos or to prevent blurry videos when playing scaled versions on HD screens.
Interesting recent finds:
If you’ve been sleeping on Text to Vector, check out this handful of quick how-to vids that’ll get you up to speed:
Check out this quick demo of Illustrator’s new text-to-vector & mockup tools working together:
AI generated Logos onto any surface. pic.twitter.com/qY4tEkVK0Q
— Riley Brown (@rileybrown_ai) October 29, 2023
Directly sketch inside a 360º canvas, then generate results:
And see also the styles these folks are working to bring online:
Easy as ABC, 123?
Project Glyph Ease uses generative AI to create stylized and customized letters in vector format, which can later be used and edited. All a designer needs to do is create three reference letters in a chosen style from existing vector shapes or ones they hand draw on paper, and this technology automatically create the remaining letters in a consistent style. Once created, designers have flexibility to edit the new font since the letters will appear as live text that can be scaled, rotated or moved in the project.
Can you imagine something like this running in Photoshop, making it possible to re-pose objects and then merge them back into one’s scene?
The week before MAX, my teammate Christine had a bit of a cough, and folks were suddenly concerned about the Project Primrose sneak: it’d be awfully hard to swap out presenters when the demo surface is a bespoke dress made by & for exactly one person. Thankfully good health prevailed, and she was able to showcase Project Primrose:
Here’s a bit more info about the tech:
We propose reflective light-diffuser modules for non-emissive flexible display systems. Our system leverages reflective-backed polymer-dispersed liquid crystal (PDLC), an electroactive material commonly used in smart window applications. This low-power non-emissive material can be cut to any shape, and dynamically diffuses light. We present the design & fabrication of two exemplar artifacts, a canvas and a handbag, that use the reflective light-diffuser modules.
We’re looking to meet great PMs, engineers, data scientists, and more; come check out open roles!

Marc Levoy (professor emeritus at Stanford) was instrumental in delivering the revolutionary Night Sight mode on Pixel 3 phones—and by extension on all the phones that quickly copied their published techniques. After leaving Google for Adobe, he’s been leading a research team that’s just shown off the reflection-zapping Project See Through:
Today, it’s difficult or impossible to manually remove reflections. Project See Through simplifies the process of cleaning up reflections by using artificial intelligence. Reflections are automatically removed, and optionally saved as separate images for editing purposes. This gives users more control over when and how reflections appear in their photos.
Matthew Vandeputte used a mix of Generative Fill and Content-Aware Fill (or both) to make these rad little animations in After Effects:
[Via Tom Hightower]
Lens Blur, HDR, Point Color, and more: Katrin Eismann breaks down the update in this overview, and Matt Kloskowski shows the features in action here: