Category Archives: Tablets

Photoshop Touch arrives on Android!

I’m delighted to announced that Adobe Photoshop Touch is available for download from the Android Market. For a quick summary of the app, let’s turn to… me:

PS Touch and the other newly released Adobe touch apps (Proto, Ideas, Kuler, Debut, and Collage) require using an 8.9″ or larger tablet running Android 3.1 or above. As for iPad availability, the plan is to announce more in early 2012.
Check out the user forum to ask questions and provide feedback. And please join us Friday at noon Pacific for a demo/Q&A covering PS Touch and the other newly released Adobe touch apps. I’ll be presenting alongside Ideas PM David Macy.
As I say, we can’t wait to see what you create!

A beautifully simple iPad app for kids

The Micronaxx (ages 3.5 & 2) spent the weekend transfixed by Harold & the Purple Crayon, a narrated version of the classic children’s book. I’ve previously shied away from elaborate, high-concept kids book-apps, figuring they distract instead of encouraging imagination. In this case, though, simplicity is key, and the lovely hidden little treats (e.g. a little crab that pops out of the sand, or–yes–a burping porcupine) are delightful.

[Via]

Introducing Photoshop Touch

Combine, Edit, Share. I’m delighted to introduce Adobe Photoshop Touch, a new tablet app for creative imaging. With PS Touch we’re bringing Photoshop fun & power not only to new platforms, but to a whole new audience.

Here’s my brief overview:

To see the app in action, check out Russell Brown’s 10-minute feature tour:

So, when can you get it, and what does it cost?

We plan to release Photoshop Touch for Android shortly, after which we plan to bring it to iOS. When we talk about reaching new audiences, we’re not kidding: Photoshop Touch is priced at just $9.99.

So (to anticipate an inevitable question), why Android first? Many Adobe apps (Adobe Carousel, Ideas, Photoshop Express, Eazel, Color Lava, Nav) have already been released on iOS first, and it’s good to support customers across platforms. We’re busily coding for iOS as well, so I wouldn’t make too much of this particular detail. No matter what tablet(s) you use, we can’t wait to get Photoshop Touch into your hands.

One last thought for now: We’re still very, very early in the evolution of mobile devices for creative work, and Photoshop Touch–along with the many other Adobe touch apps announced today–is just a beginning. We’re eager to hear what you think, and I’m looking forward to hearing ideas & questions here and on Twitter (@PhotoshopTouch). (Today I’ll be largely offline, showing the app in person at Adobe MAX, so I apologize in advance if I’m slow to respond.)

The Adobe Carousel team answers reader questions

How does it work with Lightroom? Who exactly can see my photos? (And where are they, exactly?)

Check out this post from the Adobe Carousel team for good answers to top questions.  You can post comments here, but you’re more likely to get questions addressed via that post’s comments.
Meanwhile, here’s a cute little video they did to capture the zen of the product:

Introducing Adobe Carousel

“Lightroom for iPad” has been the clearest customer mandate I’ve heard in 10+ years at Adobe. Photographers are clamoring to transfer photos wirelessly to their tablets, review & tweak them there, and then sync the results with their desktops.

Adobe Carousel (press release) embraces that vision–and takes it further.  This new app–announced today for iOS and Mac OS X (with Android & Windows versions in development)–brings a highly tuned version of the Lightroom/Camera Raw engine to mobile devices, combining it with excellent multi-device syncing. Key coolness:

  • You get access to all your images on all your devices.
  • All edits are non-destructive: tweak a setting on one device & you’ll see the edit ripple through your other devices.
  • It’s easy to collaborate with friends & family: people you invite to share a photo catalog can view photos, add new ones, apply adjustments and preset “looks,” and flag favorites.
  • You can easily publish to social networks like Facebook, Twitter, and Tumblr.


What does it cost, and when can you get it?  The iOS and Mac versions should be available shortly. The iPad, iPhone, and Mac apps are free, and the syncing/storage service costs $9.99 a month (or $99/year), with a special introductory price of $5.99 a month (or $59.99 a year). Storage & number of photos are unlimited.

When you pay for an Adobe Carousel subscription, you’e investing in one complete solution, enabling you to import as many photos as you want, adjust and improve those photos, and then share those photos with family & friends.

This first version of the app is ruthlessly focused on simplicity & on meeting the needs of a very large group of photographers. As it evolves there’s plenty of room to grow, including adding support for raw file formats and integrating with Lightroom & other desktop apps.

When we introduced Lightroom, we likewise started small, listened hard to photographers, and rapidly iterated based on their feedback. I’m extremely excited to see what develops.

PS–You may know that I’ve been working on mobile imaging apps at Adobe, so can I take credit for Carousel? I’m afraid not: I was the PM early on, helping get things rolling, after which I moved to another effort. More on that soon enough.

Hints about Adobe's future mobile photography tools

Managing your photos across a range of devices (phones, tablets, computers, cameras) really starts to suck. We’re exploring some interesting solutions that go beyond what others have announced:

No matter which device is in your hand, you see your entire photo library. So those hundreds of photos you took while touring through Italy with your smartphone would also appear in the library on your tablet device and at home on your laptop…just like that.

At Adobe, we’re exploring solutions to get you there. And it should come as no surprise that we will also leverage the power of Photoshop editing technology for quick fixes along the way.

A tad vague, maybe, but stay tuned. Good things are on the way.

New free 3D sculpting app for iPad

Autodesk’s latest offering looks pretty nifty:

CG Channel writes,

The app, which is currently available for free, offers basic sculpting and detailing tools. The geometry can be textured by importing images or capturing them with the iPad 2 camera and ‘stencilling’ them onto its surface.

123D Sculpt offers 17 base models. Five further packs of four are available from the App Store for $0.99 each.

[Via Jerry Harris]

Instagallery enhanced

Our friend Troy Gaul has revised his excellent Instagallery iPad app with a host of improvements. For v1.2:

In short: Grid. AirPlay. AirPrint. Liked photos. Twitter. Facebook. Open in Safari. Open in Instagram. Email, save, and copy yours. Video out. Favorite sets. Recent sets. Better comments. Easy tagging. Entire caption. Filter display. Unnamed locations. Tap to advance. TextExpander. Faster. Bugs fixed.

Check out the App Store page for more details.

Photoshop CS5 iPad companions get new features

The three companion apps have been enhanced, and for a limited time the price of Adobe Eazel has been reduced to $2.99. Details:

  • Adobe Eazel (watercolor painting) – You now have easy access to the paintings you create with the new Eazel image gallery, and you’re able to save and open artwork within the app.
  • Adobe Color Lava (color mixing) – Using the iPad 2’s built-in camera, you can now capture images from within Color Lava, then pick color inspiration from captured images to dab, swirl and mix into custom color themes.
  • Adobe Nav (tool & document control) – You can now transfer images directly from your iPad photo library into Photoshop CS5 for editing, designing and retouching.

 

Please let us know what you think.

A new Photoshop-driving iPad mag ships

Philip Andrews & co. have again created iPad-based training content that not only describes Photoshop techniques, but that actually performs them:

DI Direct ProSharp contains everything you need to know about sharpening your digital images, from the Unsharp Mask and Smart Sharpen filters to a non-filter-based technique the professionals have been keeping a secret for years.

As usual, you’ll be able to tap the step entry on the iPad and see the technqiue performed instantly in Photoshop – it’s all part of our Read It–Tap It–Do It approach.

 

Feedback, please: Photoshop-controlling iPad magazine now available

DI Direct, the publication that can link with Photoshop CS5* and drive it via interactive tutorials, is now available as a free download. In case you missed it previously, here’s a demo:

 

I find the concept very intriguing, but I’d really like your feedback.

  • As a reader, how compelling do you find this sort of interactive training? Would it make you more likely to buy a certain magazine or book? Do you (or would you) use your tablet & your computer together this way?
  • If you’re a writer, trainer, etc., how compelling do you find it? If we made it extremely easy to add such links via InDesign, then publish to a tablet, would you take the time to add them?

Thanks,
J.
* If you’re using CS5, don’t forget to update to 12.0.4 (via Help->Updates). If you’ve installed CS 5.5, you’re all set already.

Adobe's enriching CSS, WebKit

HTML is great, but its text-layout limitations have always been a drag for print designers–particularly those now wanting to create tablet-based magazines. That’s why Adobe has been proposing to enhance the CSS spec & contributing to the WebKit browser project.
Now you can download a build & learn more about CSS Regions. According to the project page, key highlights of CSS Regions include:

  • Story threading — allows content to flow in multiple disjointed boxes expressed in CSS and HTML, making it possible to express more complex, magazine-style threaded layouts, including pull quotes and sidebars.
  • Region styling — allows content to be styled based on the region it flows into. For example, the first few lines that fit into the first region of an article may be displayed with a different color or font, or headers flowing in a particular region may have a different background color or size. Region styling is not currently implemented in the CSS Regions prototype.
  • Arbitrary content shapes and exclusions — allows content to fit into arbitrary shapes (not just rectangular boxes) or to flow around complex shapes.

Cool. (And do wake me when the Adobe-scourging Apple fansites pick up this news, won’t you?)
Update: To answer some questions I’ve seen, here’s some clarification I pulled from CNET’s coverage of the news:

“We’ve talked to everyone,” Gourdol said, noting that all the browser makers, though; all of the major ones are active in the CSS working group. They’re all very excited about it.
Next stop is getting the software accepted. Adobe has a team of 12 programmers [emphasis added] in the United States and Romania who work on WebKit, Arno said. Adobe hopes to build its CSS software into the browser engine, making it easy for Google, Apple, and others “downstream” of the central project to incorporate it into their actual browsers.
“Webkit is the most interesting area to focus right now because of its mobile presence,” said Paul Gubbay, vice president of engineering for Adobe’s design and Web group. “We’ll see if the [WebKit] community takes it.”

Photoshop CS5 apps for iPad now available

I’m happy to report that the three recently announced Photoshop companion apps are now available for download:

Please note that to use them together with Photoshop, you’ll need to apply the Photoshop 12.0.4 update. We encourage developers to make their own Photoshop-savvy apps by downloading the Photoshop Touch SDK and optionally ActionScript source code.

Photosmith, the Lightroom iPad companion, is now available

I’m very pleased to see that after much anticipation, Photosmith for iPad has been released. I haven’t yet had a chance to try it, but initial reactions seem enthusiastic. Rob Galbraith writes,

We’ve had the pleasure of using Photosmith during its beta period and it has already joined our list of must-have photography apps for Apple’s tablet. If you use Lightroom and own an iPad, we strongly recommend checking out Photosmith.

Tangent: I’ll kick the tires once I find my tablet’s Camera Connection Kit, which is… somewhere.  Apple must surely recognize the frailty of such a solution, and I’m waiting for them to do to it what the iPad 2’s Smart Cover did to the original’s recycled-mousepad of a cover: enable incredibly easy pairing & transfer between devices (e.g. cameras, phones, and tablets).  Hints about AirDrop in Lion make me hopeful.

Brief thoughts on the Photoshop CS5 Touch apps

Thanks for all the feedback regarding the just-announced Adobe Nav, Eazel, and Color Lava. A few quick thoughts:

  • Please remember that these efforts are just part of a bigger picture that has yet to be revealed. I’ve seen comments along the lines of “Nice, but I want Lightroom for tablets”; “Why are you doing these apps instead of making improvement X to Photoshop?”; “I’d like to see more support for Android”; etc. The feedback is welcome, and none of these things are mutually exclusive.
  • “Nav is one of the most exciting of our three new applications IF you think beyond Nav itself,” writes Photoshop PM Bryan O’Neil Hughes. “We’re showcasing one of the most powerful pieces of the new Photoshop SDK – the ability to drive Photoshop from a device.” See the rest of his comment for more perspective.
  • You can indeed watch these videos via HTML5 on an iPad. Here’s a link to all of them plus a few I haven’t yet gotten to blog. For some reason embedded Adobe TV vids don’t work on iOS devices, but I’m told a fix is in progress.

Demo: Adobe Nav for iPad for Photoshop CS5

Having devised Adobe Configurator, I’m clearly a fan of tailoring large, complex apps to be more “everything you want, nothing you don’t.” The newly announced Adobe Nav fits in that vein, enabling use of a customizable toolbar on a tablet. Designer Geoff Dowd offers a quick tour:

I’m expecting apps like this to work best for people who have a hardware dock (e.g. the little keyboard one can get for an iPad) at their main work areas. A dock lets you can plug in the tablet, then forget about battery drain or propping it up yourself.

A look at Color Lava for Photoshop CS5

Last year engineer (and DJ) Christoph Moskalonek & I were talking about what viscerally pleasing creation experiences one could bring to tablets. Having just shipped some great paint-mixing technology in Photoshop CS5, we hit on the idea of mixing colors with multitouch input, then sending the results to Photoshop. In this video clip, Christoph shows the outcome of that investigation:

Eye-Fi enables direct-to-tablet transfer

As I noted last year, photographers have been incredibly clear in wanting wireless tethering between their cameras & tablets. Forget about using tablets for storage: the big win is using a tablet’s big screen for “chimping” (reviewing & flagging one’s shots).

Thus I’m happy to see that a new 8GB Eye-Fi card enables a direct connection between cameras & tablets.  I’d love to put my iPad in my backpack & transfer to it while hiking around.  Two snags, though:

  • The card is SD format, and my SLR uses Compact Flash. Something tells me a solution isn’t imminent.
  • Wireless transfer requires one’s tablet to be switched on. Long battery life or no, I’m not going to leave the iPad on constantly while hiking, driving, etc. Solving this problem very likely requires support from Apple, Google, and hardware makers.

Still, the development is very encouraging.

Photoshop CS5 gets tablet-savvy

I’m pleased to say that the Photoshop team has announced three new iPad apps that work closely with Photoshop CS5:

  • Adobe Color Lava allows you to mix colors on the iPad, creating custom color swatches and themes to transfer back into Photoshop.
  • Adobe Eazel lets digital artists create rich realistic paintings with their fingertips. These paintings can then be sent directly to Photoshop CS5 for compositing or for taking the artwork further.
  • Adobe Nav allows you to select and control Photoshop tools using the iPad as the input surface, customize the toolbar, browse and zoom in on up to 200 open Photoshop files or easily create new files.

Here are some glimpses of the apps in action, plus perspective on what it means:

For more info, check out this post from Maria Yap, director of PS product management, plus details on the new Photoshop Touch SDK.

What's this about "Photoshop for iPad"?

No fooling: A couple of days ago, Adobe exec John Loiacono briefly demonstrated some tablet-based imaging technology from our labs. Here’s an audience member’s recording:

[Update: Video was pulled from YouTube, but it’s still live here]

Tons of media outlets have picked up & sometimes embellished the news, calling it “a fully-fledged Photoshop Image Editing software,” even saying (rather breathlessly) that it heralds “the End of the Desktop Computing Era.”

The director of our group, Maria Yap, has posted some clarification on the Photoshop.com blog:

While this likely won’t make it into a product for a while, it served to give Photoshop fans a glimpse of what we’re exploring… It’s equally exciting for us, as we’ve enjoyed playing with these devices and dreaming up new possibilities. What we showed at Photoshop World was an experiment with a visual representation of compositing that allows any user to understand Layers.

Maria goes on to give a peek at the kind of Photoshop companion apps we’ve discussed here.

For my part, I don’t subscribe to the hype about tablets eliminating desktop OSes & tools, any more than I think that TV will replace radio. The technologies & experiences are complementary. As John Gruber notes, “It’s the heaviness of the Mac that allows iOS to remain light.” Neven Mrgan writes, “The iPad attempts to simplify computing not by some stroke of magic, but by doing less.” As I put it earlier this year,

Tablet apps have to be about something else–about a different spirit, a different ethos–to be worth doing. Otherwise it’s just the same stuff dumped onto more feeble hardware.

I feel incredibly fortunate to get a chance to bring Adobe imaging technology to tablets, all while rethinking what an interface can be. Thanks for all the feedback, and stay tuned.

A tour of Photosmith for iPad

Photosmith, the “travel-sized companion” for Lightroom, sounds quite interesting, and now the developers (who are independent of Adobe) have posted a detailed preview featuring numerous screenshots.  Regarding Lightroom integration, they say:

Tag, rate, star, keyword, organize, etc, your pictures in the field. When you’re back at your main computer with Lightroom, simply start the Photosmith Plugin for Lightroom. (See this page for download and install instructions. The plugin will remain free after the app launches.)

The plugin will search for Photosmith running on your iPad, contact it for the latest statistics, and then let you choose whether you want to sync everything, or just a particular collection. Everything includes… well, everything. Even your collections and keywords are sent over to the iPad so you don’t have to recreate them if you’re out in the field.

I look forward to checking out the app when it goes on sale (hopefully quite soon).

LetterMPress: Virtual letterpress for iPad

I dig the old-school-lovin’ idea of LetterMpress “a virtual letterpress environment—released first on the iPad—that will allow anyone to create authentic-looking letterpress designs and prints.” According to the project site,

The design process is the same as the letterpress process—you place and arrange type and cuts on a press bed, lock the type, ink the type, and print. You will be able to create unlimited designs, with multiple colors, using authentic vintage wood type and art cuts. And you can print your design directly from LetterMpress or save it as an image for import it into other applications.


[Via]

Other interesting stylus & screen news

Speaking of styluses & touch screens, I’ve seen a few other developments worth passing along:

 

Photosmith promises iPad/Lightroom integration

Earlier today Christopher Phin pointed out the interesting-looking Photosmith, “the iPad to Lightroom bridge.” I haven’t tried the app, but it sounds promising for lightweight, on-the-go triage & sync (y’know, the thing that photographers have been clamoring for):

It’s not a replacement for Lightroom–it’s a travel-sized companion.

The Lightroom integration will work simply as a plugin… By using a File > menu option, you can open the [Photosmith] Sync screen directly from within Lightroom.

No additional software is needed. No tinkering with settings is needed. No iTunes or special configuration. It works on a PC or a Mac… The iPad is detected automatically as long as you’re connected to the same WiFi network and [Photosmith] is running on it – as soon as the Sync screen opens, it automatically looks for your iPad and then shows you the stats (last sync date, number of new images/collections/keywords), and then lets you choose the collection you want to sync (or all of them).

 

Awesome app o' the day: Toontastic

The other day I said that creation on tablets would be more about fun, about speed, and about the unbridled pleasure of creation than what we know today. Toontastic is the sort of thing I have in mind:

I just spent half an hour creating cartoons with our 2- and 1-year-old sons, quitting only when I had to go to work. We had a pirate-loaded ball.
I’m reminded of my own childhood, when I tried animation with flipbooks and even an Etch-a-Sketch Animator. Apple IIgs apps were similarly promising but frustrating. It wasn’t ’til college that I found Director & Flash, but of course those are complex pro tools. I love seeing the creation experience taken to the next level.
Thanks to reader Hendrik for pointing out the app.

Why would you *want* to create on a tablet?

You need to take a picture, and I put in front of you a smartphone containing a camera. Next to it I put an excellent dedicated camera–say, a 5D Mark II.  Which will you use?

At one time that question would have been absurd: of course you’d use the high-end camera. In many cases that remains true, but increasingly I find myself choosing to use my iPhone instead of my SLR–and not just because it’s handy & the SLR isn’t. I choose the phone because of the slickness, the immediacy of creating (including post-processing), sharing, and getting feedback.

I mention this because I remain deeply interested in building creative tools for tablets, and I see a parallel. Today if you put my iPad next to my MacBook Pro & ask me to create something visual, I’m always going to choose to use the laptop. The precision, the horsepower, the screen size–everything makes it a faster, more satisfying option for me. I rarely use the iPad for creative work, instead doing standard consumer stuff (browsing, email, Netflix, etc.).

But can & should that change? All else being equal (i.e. factoring out size & availability), what would make me want to choose the tablet over the laptop?

I’m frankly uninterested in making a “poor-man’s Photoshop” for tablets. Good thing, too, as customers seem uninterested. We already have Photoshop, and the rationale for putting apps on tablets can’t simply be, “The device is smaller than a laptop.” If you just want a small computer, get a MacBook Air or similarly lightweight device & be happy.

Tablet apps have to be about something else–about a different spirit, a different ethos–to be worth doing. Otherwise it’s just the same stuff dumped onto more feeble hardware. I suspect that transformative apps be more about fun, about speed, and about the unbridled pleasure of creation than what we know today. They’ll certainly take advantage of a tablet’s differentiating hardware (accelerometer, location awareness, and of course multitouch).

I haven’t yet seen the app(s) that’ll make me favor a tablet for creative work–but I know they’re coming. And I’m going to try to be part of flipping that proverbial bit.

Your thoughts are, as always, most welcome.

Gimme Pleasure

John Gruber made an interesting remark the other day:

“In hindsight, I think the use cases for the original iPad are simplicity and delight.”

This suggests that delight itself (the beautiful execution) is the feature, rather than merely a characteristic of a feature.  That is, I buy and use the iPad not to do things I couldn’t otherwise do, but for the pleasure involved in doing those things.

I find this point of view intriguing.  It gets at some of what I’ve had in mind for new Adobe mobile apps: that they should be about JOY, about pleasure–more like games, maybe, than very sober, precise desktop tools one associates with Adobe.

In a similar vein, Prerna Gupta, CEO of music startup Khush, writes that Not all Products Need To Be Painkillers:

It’s easy to say today that Twitter solves the problem of dispersed information, or Facebook the problem of dispersed friends. But who thought of these as “pain points” back in 2004? I don’t believe Twitter and Facebook are painkillers. Just ask yourself, Is “acetaminophen” really the drug you feel like you’re on when you’re using Twitter? Or does “methamphetamine” sound more appropriate? […]

If you focus only on painkillers, you’ll likely miss out on a completely different, and potentially much larger, set of opportunities: those that target pleasure. Pornography, sports and coffee are, for example, three insanely lucrative industries, and each of them sells the promise of pleasure.

Your desktop/laptop already offers pain & pain killers. So, in building new mobile apps, can we focus more on aphrodisiacs? What would you like to see?

Wi-Fi Direct promises wireless tethering

Not really newsworthy, but encouraging: A few months ago I wrote about the need for wireless tethering, whereby your camera could discover transfer photos right into a tablet or laptop. (Today’s setups–e.g. setting up a portable hotspot while on the go–are too neckbeard-a-riffic to get mass adoption.)  The customer demand is so strong that I’ve assumed that a bunch of hardware manufacturers have been working on solutions. Now I see that the Wi-Fi Direct spec is apparently inching its way towards shipping products.  I’m eager to see what results. [Via Sean Parent]

A cool, free Photoshop book comes to iPad

Photographer Dan Marcolina has used InDesign’s new tablet-publishing tools to create the very cool The World Without Photoshop, “A unique interactive iPad book featuring a dozen Photoshop Masters.”

See for yourself what some of the best digital artists’ work looks like without the software. Then with the touch of your finger The World Without Photoshop is transformed and you can see and hear the imaginations of these artists come to life in their work. Pinch and zoom into over 48 works by artists, illustrators, designers, and photographers and get their insights into how twenty years of Photoshop innovation have changed their world.

 

Bonus content includes an interactive timeline of 20 years of Photoshop features, Russell Preston Brown’s Photoshop ODDyssey presentation, more.

Adobe Ideas adds iOS4 support, layers, more

I’m really pleased to say that the Adobe Ideas team has released version 1.1, offering a range of free enhancements plus the app’s first optional paid feature.

Free features:

  • Support for iPhone 4 retina display
  • Support for iOS4 Multi-tasking
  • Support for Redo
  • Available in French, German and Japanese
  • Sketches save much faster, avoiding loss of data when you close the app or you need to answer a phone call.
  • Save drawing to “saved photos” album on iPad and iPhone (no longer a need to create a screenshot)

In-app purchase (optional):

  • Layers: Available for in-app purchase. Create up to 10 drawing layers plus a photo layer for each sketch; control order and opacity for each layer.

Here’s a quick (sub-2-minute) demo:

You might also be interested in the Ideas Facebook pageFlickr Gallery, and team blog.  Congrats, guys!