I had a long & interesting talk this week with Erik Natzke, whose multi-disciplinary art (ranging from code to textiles) has inspired me for years. As we were talking through the paths by which one can find a creative solution, he shared this quote from painter Chuck Close:
Chuck Close: I thought that using a palette was like shooting an arrow directly at a bull’s-eye. You hope that you make the right decision out of context. But when you shoot it at the bull’s eye, you hit what you were aiming at. And I thought, as a sports metaphor, golf was a much more interesting way to think about it.
If you think about golf, it’s the only sport—and it’s a little iffy if it’s a sport, although Tiger made it into a sport—in which you move from general to specific in an ideal number of correcting moves. The first stroke is just a leap of faith, you hit it out there; you hope you’re on the fairway. Second one corrects that, the third one corrects that. By the third or fourth you hope that you’re on the green. And at one or two putts, you place that ball in a very specific three-and-a-half inch diameter circle, which you couldn’t even see from the tee. How did you do it? You found it moving through the landscape, making mid-course corrections.
I thought, “This is exactly how I paint.” I tee off in the wrong direction to make it more interesting, now I’ve got to correct like crazy, then I’ve got to correct again. What’s it need? I need some of that. And then four or five or six strokes, I hopefully have found the color world that I want. Then I can sort of celebrate, you know, put that in the scorecard, and move on to the next one.
Bonus: “Is that a face made of meat??” — my 11yo Henry, walking by just now & seeing this image from afar 😛