“VOGUE: Try-On by StyleGAN,” from my former Google colleague Ira Kemelmacher-Shlizerman & her team, promises to synthesize photorealistic clothing & automatically apply it to a range of body shapes (leveraging the same StyleGAN foundation that my new teammates are using to build images via text):
I remain fascinated by what Snap & Facebook are doing with their respective AR platforms, putting highly programmable camera stacks into the hands of hundreds of millions of consumers & hundreds of thousands of creators. If you have thoughts on the subject & want to nerd out some time, drop me a note.
A few months back I wanted to dive into the engine that’s inside Instagram, and I came across the Spark AR masterclass put together & presented by filter creator Eddy Adams. I found it engaging & informative, if even a bit fast for my aging brain 🙃. If you’re tempted to get your feet wet in this emerging space, I recommend giving it a shot.
“‘Augmented Reality: A Land Of Contrasts.’ In this essay, I will…”
Okay, no, not really, but let me highlight some interesting mixed signals. (It’s worth noting that these are strictly my opinions, not those of any current or past employer.)
Pokémon Go debuted almost exactly 5 years ago, and last year, even amidst a global pandemic that largely immobilized people, it generated its best revenue ever—more than a billion dollars in just the first 10 months of the year, bringing its then-total to more than $4 billion.
Having said that…
In the five years since its launch, what other location-based AR games (or AR games, period) have you seen really take off? Even with triple-A characters & brands, Niantic’s own Harry Potter title made a far smaller splash, and Minecraft Earth (hyped extensively at an Apple keynote event) is being shut down.
When I launched Pokémon Go last year (for the first time in years), I noticed that the only apparent change since launch was that AR now defaults to off. That is, Niantic apparently decided that monster-catching was easier, more fun, and/or less resource-intensive when done in isolation, with no camera overlay.
The gameplay remains extremely rudimentary—no use (at least that I could see) of fancy SLAM tracking, depth processing, etc., despite Niantic having acquired startups to enable just this sort of thing, showing demos three years ago.
Network providers & handset makers really, really want you to want 5G—but I’ve yet to see it prove to be transformative (even for the cloud-rendered streaming AR that my Google team delivered last year). Even when “real” 5G is available beyond a couple of urban areas, it’s hard to imagine a popular title being 5G-exclusive.
So does this mean I think location-based AR games are doomed? Well, no, as I claim zero prognostication-fu here. I didn’t see Pokémon Go coming, despite my roommate in Nepal (who casually mentioned that he’d helped found Google Earth—as one does) describing it ahead of launch; and given the way public interest in the app dropped after launch (see above), I’d never have guessed that it would be generating record revenue now—much less during a pandemic!
So, who knows: maybe Niantic & its numerous partners will figure out how to recapture lighting in a bottle. Here’s a taste of how they expect that to look:
If I had to bet on someone, though, it’d be Snap: they’ve been doing amazing site-specific AR for the last couple of years, and they’ve prototyped collaborative experiences built on the AR engine that hundreds of millions of people use every day; see below. Game on!
I spent my last couple of years at Google working on a 3D & AR engine that could power experiences across Maps, YouTube, Search, and other surfaces. Meanwhile my colleagues have been working on data-gathering that’ll use this system to help people navigate via augmented reality. As TechCrunch writes:
Indoor Live View is the flashiest of these. Google’s existing AR Live View walking directions currently only work outdoors, but thanks to some advances in its technology to recognize where exactly you are (even without a good GPS signal), the company is now able to bring this indoors.
This feature is already live in some malls in the U.S. in Chicago, Long Island, Los Angeles, Newark, San Francisco, San Jose and Seattle, but in the coming months, it’ll come to select airports, malls and transit stations in Tokyo and Zurich as well (just in time for vaccines to arrive and travel to — maybe — rebound). Because Google is able to locate you by comparing the images around you to its database, it can also tell which floor you are on and hence guide you to your gate at the Zurich airport, for example.
I really enjoyed listening to the podcast version of this funny, accessible talk from AI Weirdness writer Janelle Shane, and think you’d get a kick out of it, too.
On her blog, Janelle writes about AI and the weird, funny results it can produce. She has trained AIs to produce things like cat names, paint colors, and candy heart messages. In this talk she explains how AIs learn, fail, adapt, and reflect the best and worst of humanity.
The high-key nutty (am I saying that right, kids?) thing is that they’ve devised a whole musical persona to go with it, complete with music videos:
L.L.A.M.A. is the first ever Lego mini-figure to be signed to a major label and the building toy group’s debut attempt at creating its own star DJ/ producer.
A cross between a helmet headed artist like Marshmello and a corporate synergy-prone artificial entity like Lil Miquela, L.L.A.M.A., which stands for “Love, Laughter and Music Always” (not kidding), is introducing himself to the world today with a debut single, “Shake.”
It appears that this guy & pals fly around on giant luckdragon-style copies of our goldendoodle Seamus, and I am here for that.
No markers, no mocap cameras, no suit, no keyframing. This take uses 3 DSLR cameras, though, and pretty far from being real-time. […]
Under the hood, it uses #OpenPose ML-network for 2d tracking of joints on each camera, and then custom Houdini setup for triangulating the results into 3d, stabilizing it and driving the rig (volumes, CHOPs, #kinefx, FEM – you name it 🙂
This is one of the many Google projects to which I’ve been lucky enough to contribute just a bit (focusing on object tracking & graphical adornments). It’s built into Google Photos, among other surfaces, and I’m really pleased that people are seeking it out:
Imagine loading multi-gigabyte 3D models nearly instantaneously into your mobile device, then placing them into your driveway and stepping inside. That’s what we’ve now enabled via Google Search on Android:
Take it for a spin via the models listed below, and please let us know what you think!