Although it’s just one piece of a large puzzle, the Content Authenticity Initiative is working to help toolmakers add content credentials that help establish the original of digital media & disclose what edits have been done to it.
If you make imaging-related tools, check out this in-depth workshop exploring Adobe’s three open-source products for adding CAI support:
With reporting from 250 locations around the world, AP is a key addition to the CAI’s mission to help consumers everywhere better understand the provenance and attribution of images and video.
“We are pleased to join the CAI in its efforts to combat misinformation and disinformation around photojournalism,” said AP Director of Photography David Ake. “AP has worked to advance factual reporting for over 175 years. Teaming up to help ensure the authenticity of images aligns with that mission.”
We are building some rad stuff (seriously, I wish I could show you already) and would love to have you join us:
Some key responsibilities:
Architect efficient and reusable full-stack systems that can support several different deep learned models
Building simple, robust, and scalable platforms used by many external users
Work closely with UX designers, Product managers, Machine Learning engineers to develop compelling experiences
Take a project from scoping requirements through the actual launch
I generally really enjoyed HBO’s Peacemaker series—albeit, as I told the kids, if even I found the profanity excessive, insofar as “too much salt spoils the soup.” I really enjoyed the whacked-out intro music & choreography:
Here the creators give a peek into how it was made:
And here a dance troupe in Bangladesh puts their spin on it:
We are excited to announce that Photoshop now has full support for the WebP file format! WebP files can now be opened, created, edited, and saved in Photoshop without the need for a plug-in or preference setting.
To open a WebP file, simply select and open the file in the same manner as you would any other supported file or document. In addition to open capabilities, you can now create, edit, and save WebP files. Once you are done editing your document, open Save As or Save a Copy and select WebP from the options provided in the file format drop-down menu to save your WebP file.
There are 686 light painting photographs that make up the 11-scene project. Each of these long exposure light painting photographs are straight out of the camera and arranged side by side to create motion.
If you’re passionate about making artificial intelligence work fairly & responsibly for everyone, and if you’re considering taking a new role, check out this job listing in case it’s a good fit:
The Office of Ethical Innovation (AI Ethics) drives organization-wide ethics related activities and develops processes, tools, training, and other resources to ensure that our AI solutions consistently reflect Adobe’s AI ethics principles: accountability, responsibility, and transparency. AI is critical to our Adobe products, and we continue to see AI leveraged in more innovative ways. AI Ethics needs to be top of mind from research to product release.
What You’ll Do
Develop technical solutions to support AI ethics mandates by collaborating with our data scientists and machine learning engineers across the organization.
Translate fairness, explanability, or robustness mandates into technical guidelines and engineering requirements that will operate at scale.
Mentor teams on negative bias issues in the areas of Big Data, Natural Language Processing, Knowledge Mining, Deep Learning, Classification, GANS and Computer Vision.
Partner closely with product teams, research, diversity and inclusion, quality assurance, legal, and other partners to define and implement responsible AI practices throughout the global organization.
Work in tandem with the AI Ethics Review Board to ensure AI-powered features are designed for inclusivity; are guided by our ethics principles; and embody outcomes that respect our customers.
Distill recommendations and findings from AI Ethics reviews to proactively improve our products.
Develop and deliver internal ethical AI training programs to enhance awareness and adoption of ethical practices.
Conduct practitioner research on the trends, advancements and standard methodologies in AI, machine learning, software development specific to ethics and social responsibility across industry and academia.
We have a great opportunity for a current MBA student who’s interested in focusing on product management. Here’s what I wrote for the job description:
Creative self-expression is at a generational crossroads: as AI gives apps superhuman perception of the world, creative tools can offer expressive superpowers to anyone. This is your opportunity to join a world-class team of researchers, engineers, and software developers who are inventing the next generation of creative tools powered by machine learning. In this role you will help Adobe Research define and launch new products and experiences that bring AI to a wide range of photographers, illustrators, and hobbyists.
We’re seeking a high-energy Product Manager MBA Intern who combines a deep curiosity about creative imaging with solid experience conducting research, collaborating with cross-functional teams, and delivering solutions to ambiguous challenges.
What you’ll do:
Partner with design & engineering colleagues to define product concepts that address a range of user needs around creative imaging.
Test, validate, and iterate on these concepts via user research and engagement.
Help define and deliver on opportunities to acquire users and drive revenue across products.
Identify and quantify market fit and opportunities across user segments and platforms.
If this sounds like a good fit for your skills & availability, please drop us a line, or if you know someone who might be a good fit, please share the link. Thanks!
Spoiler: the trick here is a pair of simulations stitched together, like a physics Texas Switch: “Each sequence is obtained by joining two simulations, both starting from the time in which the balls are arranged regularly. One simulates forward in time, one backwards.”
“With the power of Facebook’s massive database, your personal Mark Zuckerberg knows absolutely everything. Zuck on a Truck can tell if you’ve been naughty or nice. He knows every website you’ve ever visited, every place you’ve ever lived, every friend you’ve ever made, every love you’ve ever lost, every schoolmate you’ve stalked — Zuck on a Truck even knows when you’ll die!”
The whole thing rapidly darkens as FB connects all the naughty children to take down democracy—while all the while taking no responsibility:
Check out this chance to work with some of my favorite engineering collaborators:
We believe AI will revolutionize the next generation of creative tools, automating repetitive tasks while leaving creative agency with the user. This is your opportunity to join a world-class team of researchers, engineers, and software developers who are inventing the next generation of creative tools powered by machine learning. In this role you will help Adobe Research launch new products and experiences that bring AI to video creative tools.
— Launch products enhanced by machine learning.
— Interact with customers as often as possible—through user interviews, user testing, social media, and wherever else you can find them—to understand unspoken, unmet needs. Advocate for the customer.
— Identify and quantify market fit and opportunities across user segments and platforms.
— Guide our scientists and engineers with your deep understanding of market and technology trends, and the competitive landscape.
— Define a comprehensive product roadmap and strategy.
— Communicate our product strategy to executives.
— Form and test data-driven hypotheses about which choices will increase market impact.
— Prioritize what needs to get done versus what could be done.
If you might be a good fit, please throw your hat in the ring, or tell a friend who might want to jump in!
I was such a happy dad recently when my 12yo Henry (who, being an ADD guy like me, often finds long texts to be a slog) got completely engrossed in the graphic novel version of Slaughterhouse-Five and read it in an evening. Meanwhile his older brother was working his way through Cat’s Cradle—one of my all-time faves.
Now I’m pleased to see the arrival of Unstuck In Time, a new documentary covering Vonnegut’s life & work:
Tangentially (natch), this brought to mind the Vonnegut scenes in Back To School—where I first heard the phrase “F me?!“
Oh, and then there’s one of my favorite encapsulations of life wisdom—a commencement address wrongly attributed to Vonnegut, and tonally right in his wheelhouse”
By using machine learning to understand the scene, Project Make it Pop makes it easy to create and customize an illustration by distinguishing between the background and the foreground as well as recognizing connected shapes and structures.
And you’ve gotta stick around for the whole thing, or just jump to around 2:52 where I literally started saying “WTF…?”
Adobe is looking for a product manager to help build a world-class mobile camera app for Adobe—powered by machine learning, computer vision, and computational photography, and available on all platforms. This effort, led by Adobe VP and Fellow Marc Levoy, who is a pioneer in computational photography, will begin as part of our Photoshop Camera app. It will expand its core photographic capture capabilities, adding new computational features, with broad appeal to consumers, hobbyists, influencers, and pros. If you are passionate about mobile photography, this is your opportunity to work with a great team that will be changing the camera industry.
Adobe is looking for a product manager to help build a world-class community and education experience within the Lightroom ecosystem of applications! We’re looking for someone to help create an engaging, rewarding, and inspiring community to help photographers connect with each other and increase customer satisfaction and retention, as well as create a fulfilling in-app learning experience. If you are passionate about photography, building community, and driving customer success, this is your opportunity to work with a great team that is driving the future of photography!
Adobe is looking to hire a QA Technical Artist (contract role) to work with the Product Management team for Adobe Stager, our 3D staging and rendering application. The QA Technical Artist will analyze and contribute to the quality of the application through daily art production and involvement with product feedback processes. We are looking for a candidate interested in working on state-of-the-art 3D software while revolutionizing how it can be approachable for new generations of creators.
The song lyrics are in neither Italian or English, though at first they sound like the latter. It turns out that Celentano’s words are in no language—they are gibberish, except for the phrase “all right!” In a television clip filmed several years later, Celentano explains (in Italian) to a “student” why he wrote a song that “means nothing.” He says that the song is about “our inability to communicate in the modern world,” and that the word “prisencolinensinainciusol” means “universal love.” […]
“Prisencolinensinainciusol” is such a loving presentation of silliness. Would any grown performer allow themselves this level of playfulness now? Wouldn’t a contemporary artist feel obliged add a tinge of irony or innuendo to make it clear that they were “knowing” and “sophisticated”? It’s not clear what would be gained by darkening this piece of cotton candy, or what more you could know about it: it is perfect as is.
Seeking an experienced software engineer with expertise in 3D graphics research and engineering, a passion for interdisciplinary collaboration, and a deep sense of software craftsmanship to participate in the design and implementation of our next-generation 3D graphics software.
Seeking an experienced Senior Software Engineer with a deep understanding of 3D graphics application engineering, familiarity with CPU and GPU architectures, and a deep sense of software craftsmanship to participate in the design and implementation of our next-generation collaborative 3D graphics software
We’re hiring a Senior 3D Artist to work closely with an important strategic partner. You will act as the conduit between the partner, and our internal product development teams. You have a deep desire to experiment with new technologies and design new and efficient workflows. The role is full-time and based in Portland or San Francisco. Also open to other west coast cities such as Seattle and Los Angeles.
Click on the above links to see full job descriptions and apply online. Don’t see what you’re looking for? Send us your profile, or portfolio. We are always looking for talented engineers, and other experts in the 3D field. We may have a future need for contractors or special projects.
This fruit of collaborative creation process, all keyed off of a single scene file, is something to be hold, especially when viewed on a phone (where it approximates scrolling through a magical world):
For Dynamic Machines, I challenged 3D artists to guide a chrome ball from point A to point B in the most creative way possible. Nearly 2,000 artists entered, and in this video, the Top 100 renders are featured from an incredible community of 3D artists!
Back in 1999, before I worked at Adobe, a PM there called me to inquire about my design agency’s needs as we worked across teams and offices spread over multiple time zones. In the intervening years the company has tried many approaches, some more successful than others (what up, Version Cue! yeah, now who feels old…), but now they’re making the biggest bet I’ve seen:
With over a million users across media and entertainment companies, agencies, and global brands, Frame.io streamlines the video production process by enabling video editors and key project stakeholders to seamlessly collaborate using cloud-first workflows.
Creative Cloud customers, from video editors, to producers, to marketers, will benefit from seamless collaboration on video projects with Frame.io workflow functionality built natively in Adobe Creative Cloud applications like Adobe Premiere Pro, Adobe After Effects, and Adobe Photoshop.
I can’t wait to see how all this plays out—and if you’re looking for the ear of a PM on point who’d like to hear your thoughts, well, there’s one who lives in my house. 🙂
“Be bold, and mighty forces will come to your aid.” – Goethe
So I said nearly 15 (!) years ago (cripes…) when we launched the first Photoshop public beta. Back then the effort required moving heaven and earth, whereas now it’s a matter of “oh hai, click that little icon that you probably neglect in your toolbar; here be goodies.” Such is progress, as the extraordinary becomes the ordinary. Anyhoo:
Photoshop Beta is debuting this month. It is a new way Creative Cloud members can give feedback to the Photoshop team. Photoshop Beta is an exciting opportunity to test and provide feedback about stability, performance, and occasionally new features by using a version of Photoshop before it is released.
To get Photoshop Beta, Creative Cloud members can install it from the Beta section of the Creative Cloud desktop app. Look for Photoshop Beta and simply click Install.
To provide feedback, head over to the Photoshop Ecosystem Adobe Community and create a new post using the “Beta” topic. Stay tuned for a brand-new forum experience for the Photoshop Beta coming soon.
I quite enjoyed this Talk at Google by mathematician & concert pianist (what a slouch!) Eugenia Cheng. Wait, wait, don’t go—I swear it’s infinitely more down-to-earth & charming than one would think. Among other things she uses (extremely accessible math (er, “maths” 🙄) to illuminate touchy subjects like societal privilege, diet, and exercise. It’s also available in podcast form.
Emotions are powerful. In newspaper headlines and on social media, they have become the primary way of understanding the world. With her new book “The Art of Logic: How to Make Sense in a World that Doesn’t”, Eugenia has set out to show how mathematical logic can help us see things more clearly – and know when politicians and companies are trying to mislead us. This talk, like the book, is filled with useful real-life examples of logic and illogic at work and an essential guide to decoding modern life.
“I will give you Del’s body, and it’s a great body, because you can study the effects of smoking, alcohol, cocaine, and heroin on the brain. All I need is the skull.”
So said Charna Halpern, the longtime creative partner of improve legend Del Close, who insisted that his skull be donated for use on stage (e.g. in Hamlet). To say that he sounds like a character would be an incredible understatement, and this new documentary about his life & work looks rather amazing:
It’s been cool to watch my Adobe & Google colleagues (who sometimes hop back & forth over that fence) collaborating on the imaging-savvy Halide language, and now one of the contributors is getting recognized by ACM SIGGRAPH:
ACM SIGGRAPH is pleased to present the 2021 Significant New Researcher Award to Jonathan Ragan-Kelley for his outstanding contributions to systems and compilers in rendering and computational photography.
Jonathan is best known for his work on the language and compiler Halide, which has become the industry standard for computational photography and image processing. Performance has always been at the heart of computer graphics. At a time when we can’t rely on Moore’s law alone, efficiently leveraging modern hardware such as CPUs and GPUs is extremely challenging because of different levels of parallelism and differing memory hierarchies. By cleanly separating an algorithm from how it is optimized, Halide provides a new set of abstractions that make it much easier to achieve high performance. Code written in Halide tends to be much more concise than C code (2x-10x shorter) and runs much more efficiently (2x-20x faster) across a range of different processors. The compiler is open source and has had significant impact in industry, including powering much of the Google Android Camera app and playing a critical role in making the Adobe Photoshop iPad app possible.
Adobe has just announced Premiere Pro runs natively on the new chip architecture, joining a stable of the company’s other apps in making the switch.
Premiere Pro has actually been available on M1-enabled Macs since December 2020, but ever since then, it has only been offered as a beta. Now, though, the full version has been launched to the public. […]
It is not the first app Adobe has migrated to Apple’s new platform, though. Lightroom made the leap in December 2020, Photoshop followed in March 2021, then Lightroom Classic, Illustrator, and InDesign arrived in June.
My wife’s teammates have been busy cooking up what looks like some great functionality, going beyond the basics to do things like differentiate among speakers & generate stylized on-screen text, across thirteen languages.
Greetings from Leadville, Colorado, which on weekends is transformed to an open-air rolling showroom for Sprinter vans. (Aside: I generally feel like I’m doing fine financially, but then I think, “Who are these armies of people dropping 200g’s on tarted-up delivery vans?!”) They’re super cool, but we’re kicking it old-/small-school in our VW Westy. Thus you know I’m thrilled to see this little beauty rolling out of Lego factories soon:
When I saw what Adobe was doing to harness machine learning to deliver new creative superpowers, I knew I had to be part of it. If you’re a seasoned product manager & if this missions sounds up your alley, consider joining me via this new Principal PM role:
Neural Filters is a new ML/GAN based set of creative features that recently launched in Photoshop and will eventually expand to the entire suite of Creative Cloud apps, helping to establish the foundations of AI-powered creative tools. The applications of these ML-backed technologies range from imaginative portrait edits, like adjusting the age of a subject, to colorizing B/W images to restoring old photos. As the technology evolves so too will its applicability to other medium like illustrations, video, 3D, and more.
The Principal PM will contribute to the strategy definition in terms of investments in new editing paradigms, training models and broaden the applicability of Neural Filters in apps like Photoshop, Fresco, After Effects and Aero!
Tell me more, you say? But of course! The mission, per the listing:
In this hands-on role, you will help define a comprehensive product roadmap for Neural filters.
Work with PMs on app teams to prioritize filters and models that will have the largest impact to targeted user bases and, ultimately, create the most business value.
Collaborate with PMM counterparts to build and execute GTM strategies, establish Neural Filters as an industry-leading ML tool and drive awareness and adoption
Develop an understanding of business impact and define and be accountable for OKRs and measures of success for the Neural Filters platform and ecosystem.
Develop a prioritization framework that considers user feedback and research along with business objectives. Use this framework to guide the backlogs and work done by partner teams.
Guide the efforts for new explorations keeping abreast of latest developments in the pixel generation AI.
Partner with product innovators to spec out POC implementations of new features.
Develop the strategy to expand Neural Filters to other surfaces like web, mobile, headless and more CC apps focusing on core business metrics of conversion, retention and monetization.
Guide the team’s efforts in bias testing frameworks and integration with authenticity and ethical AI initiatives. This technology can be incredibly powerful, but can also introduce tremendous ethical and legal implications. It’s imperative that this person is cognizant of the risks and consistently operates with high integrity.