Monthly Archives: January 2011

Photosmith promises iPad/Lightroom integration

Earlier today Christopher Phin pointed out the interesting-looking Photosmith, “the iPad to Lightroom bridge.” I haven’t tried the app, but it sounds promising for lightweight, on-the-go triage & sync (y’know, the thing that photographers have been clamoring for):

It’s not a replacement for Lightroom–it’s a travel-sized companion.

The Lightroom integration will work simply as a plugin… By using a File > menu option, you can open the [Photosmith] Sync screen directly from within Lightroom.

No additional software is needed. No tinkering with settings is needed. No iTunes or special configuration. It works on a PC or a Mac… The iPad is detected automatically as long as you’re connected to the same WiFi network and [Photosmith] is running on it – as soon as the Sync screen opens, it automatically looks for your iPad and then shows you the stats (last sync date, number of new images/collections/keywords), and then lets you choose the collection you want to sync (or all of them).

 

An epic 750,000-layer PSD is done

Bert Monroy eats your wimpy little 50-layer files for breakfast!
After four years and more than three quarters of a million Photoshop layers (spread across several docs), his monster Times Square file is online & zoomable. According to his site,

  • The image size is 60 inches by 300 inches.
  • The flattened file weighs in at 6.52 Gigabytes.
  • It took four years to create.
  • The painting is comprised of almost three thousand individual Photoshop and Illustrator files.

Faces in the crowd include the Knoll brothers, numerous Photoshop experts & authors, and even, somewhere in the lower-rigth quadrant, me. Amazing work, Bert; congrats!

Awesome app o' the day: Toontastic

The other day I said that creation on tablets would be more about fun, about speed, and about the unbridled pleasure of creation than what we know today. Toontastic is the sort of thing I have in mind:

I just spent half an hour creating cartoons with our 2- and 1-year-old sons, quitting only when I had to go to work. We had a pirate-loaded ball.
I’m reminded of my own childhood, when I tried animation with flipbooks and even an Etch-a-Sketch Animator. Apple IIgs apps were similarly promising but frustrating. It wasn’t ’til college that I found Director & Flash, but of course those are complex pro tools. I love seeing the creation experience taken to the next level.
Thanks to reader Hendrik for pointing out the app.

Ask a Pro: Setting up a killer video system

If you’re doing video editing and/or effects and want to set up the optimal workstation, check out this Friday’s live presentation/Q&A session (12-1pm Pacific time):

This session will show you how to configure After Effects, Premiere Pro, your computer, and your projects so that working and rendering take as little time as possible. Topics covered include memory and multiprocessing settings in After Effects, CUDA processing in Adobe Premiere Pro, OpenGL processing in After Effects, background rendering, and dozens of little tips to make things faster.

Presenters:

  • Al Mooney – product manager for Adobe Premiere Pro
  • Paul Young – software engineering manager for Adobe Premiere Pro
  • Chris Prosser – software engineering manager for After Effects
  • Todd Kopriva – technical support lead for Adobe professional video products

 

A note about Photoshop Express & location services

The newly released Photoshop Express 1.5 for iOS includes a dialog that’s too strongly worded, and it’s causing some confusion and consternation among App Store reviewers.  If you’ve turned off location services, the app says the following:

Location service denied. PS Express will now run with reduced functionality. Photo metadata cannot be added or preserved and browsing through photos in the library will be disabled.

Why does Express need location services enabled in order to support the new photo review mode? Wouldn’t you expect that this switch would simply govern whether location data is added to your photos?

The issue is related to security. iOS 4 gives third-party apps access to the photo library, including the ability to read location data from photos. Apple wanted to ensure that users could control the process, so they required that location services be enabled before apps could read the library. That way apps can (and must) ask permission to use location services. (In case my explanation doesn’t make sense, you can see this one from the makers of Camera Genius.)

The subtleties are of course hard to communicate in a few words, but we should have tried harder to find less threatening wording. I apologize for not having done so, and we’re now talking about ways to rephrase the warning. Thanks for your patience.

Photoshop Express 1.5 arrives for iOS

I’m delighted to report that Photoshop Express, Adobe’s free photo capture & editing tool that’s been downloaded over 15 million times (!), is now available in enhanced version 1.5 form via Apple’s App Store.
This release reworks the photo capture experience, adding support for batch capture of photos plus a highly useful review mode, and it includes full Retina display support. iOS 4.2 compatibility brings benefits like an improved ability to upload images in the background.
After going a bit quiet (publicly, at least) following the previous release, the Express team is now cooking with gas, and we have other cool enhancements queued up for the near future. In the near term, please let us know what you think of the new release, and what you’d like to see us do going forward. Thanks for your interest & support.

A few interesting iOS apps (video & utility)

  • Video-recording app Precorder takes a cue from the world of reality TV production: rather than recording everything to disk in hopes of getting some good nuggets, it buffers a video stream (a la DVRs).  It’s constantly saving the few seconds of video before you hit record, so if something interesting happens, hit record & capture it.  If not, no worries: there’s nothing to delete.  I tried it with the kids yesterday & it worked nicely.
  • 8mm Vintage Camera brings the trendy retro aesthetic to handheld video, “capturing the beauty and magic of old school vintage movies. By mixing and matching films and lenses, you can recreate the atmosphere of those bygone eras with 25 timeless retro looks.” [Via]
  • Written by Lightroom team vets Troy Gaul and Dustin & Dylan Bruzenak, Handoff “simplifies sending things from your computer’s web browser to your iPhone, iPad, or iPod touch” via a combo of app + desktop browser extensions.  Looks clever and useful.

Illustrations: Fun logos, social commentary, & more

New GuideGuide panel sets columns & grids in Photoshop

Designer Cameron McEfee has created “GuideGuide, a columns, rows and midpoints panel for Photoshop CS4 & CS5.”

The tool sets margins, columns, and midpoints, and it even pays attention to active selections. I’ve only kicked the tires a bit, but the panel seems solid and useful. Do note that because it sets each guide separately, setting numerous guides may fill up your undo stack (meaning that you won’t be able to undo operations prior to creating the guides). I’ll look into whether that’s something that could be addressed in the script.
In any event, nice work & thanks, Cameron. [Via Joel Eby]
[PS: The panel was done in Flash. Just thought the haters would like to know.]

New Adobe TV videos for photographers

As always, good tutorials are making their way onto Adobe TV. Some recent examples:

• Photoshop Basics Series: Creating an image reflection

Presenter Dennis Radeke says, “Many times, I’ve seen great work that was somewhat spoiled by the fact that it employed a reflection as part of the design. Creating a reflection on any image is a fairly easy thing to do and in this episode we’ll look at some techniques to make a convincing and realistic reflection within Adobe Photoshop.”

• Sync Your Photos from Lightroom 3 to Your iDevices

In this episode I’ll show you how to set up the Hard Drive Publish Service to allow you to continue to manage your photos in Lightroom, but also sync them to your iDevices via iTunes without using iPhoto.

• Photographers – Mini Bridge

Every now and then it’s much easier to show someone than to try to explain it to them. After a few emails from Beau about how to use Mini Bridge? I just decided to make it the topic of this week’s Creative Suite Podcast.

Adobe Lightroom 3: Needle in a Haystack

When you need to find a specific image among a huge number of images, filtering can provide an excellent solution. This jump-start will provide you with a sense of the power of filtering to find an image within Lightroom.

Photoshop User TV – Episode 206

The countdown to the new set is winding down. In the meantime, check out this interview with Adobe’s Julieanne Kost.

 

Why would you *want* to create on a tablet?

You need to take a picture, and I put in front of you a smartphone containing a camera. Next to it I put an excellent dedicated camera–say, a 5D Mark II.  Which will you use?

At one time that question would have been absurd: of course you’d use the high-end camera. In many cases that remains true, but increasingly I find myself choosing to use my iPhone instead of my SLR–and not just because it’s handy & the SLR isn’t. I choose the phone because of the slickness, the immediacy of creating (including post-processing), sharing, and getting feedback.

I mention this because I remain deeply interested in building creative tools for tablets, and I see a parallel. Today if you put my iPad next to my MacBook Pro & ask me to create something visual, I’m always going to choose to use the laptop. The precision, the horsepower, the screen size–everything makes it a faster, more satisfying option for me. I rarely use the iPad for creative work, instead doing standard consumer stuff (browsing, email, Netflix, etc.).

But can & should that change? All else being equal (i.e. factoring out size & availability), what would make me want to choose the tablet over the laptop?

I’m frankly uninterested in making a “poor-man’s Photoshop” for tablets. Good thing, too, as customers seem uninterested. We already have Photoshop, and the rationale for putting apps on tablets can’t simply be, “The device is smaller than a laptop.” If you just want a small computer, get a MacBook Air or similarly lightweight device & be happy.

Tablet apps have to be about something else–about a different spirit, a different ethos–to be worth doing. Otherwise it’s just the same stuff dumped onto more feeble hardware. I suspect that transformative apps be more about fun, about speed, and about the unbridled pleasure of creation than what we know today. They’ll certainly take advantage of a tablet’s differentiating hardware (accelerometer, location awareness, and of course multitouch).

I haven’t yet seen the app(s) that’ll make me favor a tablet for creative work–but I know they’re coming. And I’m going to try to be part of flipping that proverbial bit.

Your thoughts are, as always, most welcome.

Painting with lasers & Photoshop (seriously!)

Honest to God, I kind of live for seeing inventive people like Russell Brown combine the tools we make in really novel, unintended ways. Here Russell uses Pixel Bender CS5, a laser etching machine, a printer, and some old-school artistic media to create digital paintings with real depth:

Russell’s also giving away ten copies of his book on the subject, From Reality to Renaissance; see more info if you’re interested.
[Via]

New Lightroom presets from Julieanne Kost

Our friend/Adobe evangelist Julieanne has whipped up some great new Lightroom presets.  You can view the whole list of presets on her blog, or use these links to jump right to those you find most interesting.  Each entry includes an explanation & download links:

Videos: Russell Brown on HDR, iPad portfolios

By very popular demand, Russell Brown has recorded & posted his tutorials on creating tablet-ready portfolios & great-looking (non-cheesy) HDR images. Enjoy.

Mobile portfolios:

HDR

App Idea: Photo Defiler

The other day while using Instagram, it occurred to me: To really do proper retro photos, I need a way to obscure half the image with my dad’s finger.  In that vein, how about an app that would fill your images with cliched errors?  A few ideas:

  • Head Clipper: Use face detection to identify people in an image, then partly lop off their domes.
  • Shadow Caster: Hey, where’s the photographer? Ah, there’s his handy shadow!
  • Back Lighter: Fill light/Shadow-Highlight is passé; we need a way to silhouette subjects into oblivion.
  • Grass Expander: Auto zoom out, then use Content-Aware Fill to surround one’s subject with even more grass & extraneous details.
  • Blink Synthesizer: If society has figured out how to put human eyes onto Muppets, surely we can shut the eyes of at least some people in a group photo.
  • Face Blurrer: A bit o’ witness protection.
  • Digital Intruder: My dad’s finger on millions of handsets around the world. You’re welcome.

Not quitting my day job,
J.

Gimme Pleasure

John Gruber made an interesting remark the other day:

“In hindsight, I think the use cases for the original iPad are simplicity and delight.”

This suggests that delight itself (the beautiful execution) is the feature, rather than merely a characteristic of a feature.  That is, I buy and use the iPad not to do things I couldn’t otherwise do, but for the pleasure involved in doing those things.

I find this point of view intriguing.  It gets at some of what I’ve had in mind for new Adobe mobile apps: that they should be about JOY, about pleasure–more like games, maybe, than very sober, precise desktop tools one associates with Adobe.

In a similar vein, Prerna Gupta, CEO of music startup Khush, writes that Not all Products Need To Be Painkillers:

It’s easy to say today that Twitter solves the problem of dispersed information, or Facebook the problem of dispersed friends. But who thought of these as “pain points” back in 2004? I don’t believe Twitter and Facebook are painkillers. Just ask yourself, Is “acetaminophen” really the drug you feel like you’re on when you’re using Twitter? Or does “methamphetamine” sound more appropriate? […]

If you focus only on painkillers, you’ll likely miss out on a completely different, and potentially much larger, set of opportunities: those that target pleasure. Pornography, sports and coffee are, for example, three insanely lucrative industries, and each of them sells the promise of pleasure.

Your desktop/laptop already offers pain & pain killers. So, in building new mobile apps, can we focus more on aphrodisiacs? What would you like to see?

Video: CMYKilla!

“Please do not watch this video,” writes Scott Kelby, “if you’re one of those really serious types that’s going to post a ‘Mr. Kelby, I am very disappointed in you…’ comment.” I couldn’t put it better myself.
I found this video funny and really well done, but it contains a Bad Word, so please skip it if that sort of thing bothers you.

(Incidentally, Photoshop does have a dedicated red eye tool.) [Via Barkin Aygun]

Come see Russell Brown talk iPad portfolios, HDR Jan. 11

If you’ll be around San Jose next Tuesday, the evening of Jan. 11, come see Russell Brown present a double session to the Photoshop User Group at Adobe HQ:

Using your iPad, iPhone or Galaxy Tab as a Photography Portfolio

In the first part of the evening Dr. Brown will spotlight an incredible collection of useful tips and techniques for publishing your photo portfolio to your favorite portable devices. Learn some techniques for exporting images from Adobe Photoshop CS5 as an album without having to navigate through iPhoto.

Also discover the wonders of PDF export from Adobe Bridge CS5 and learn to publish your own portfolio books that you can share with others.

——-

Creating Natural Toned HDR Images, and the Wonders of Camera RAW & Smart Objects

OK, we have all seen the classic over saturated, and super sharpened HDR techniques, but now it’s time to move to the next level of HDR imaging.

In this presentation, Dr. Brown will discuss some of his favorite new techniques for a more gentle and realistic looking HDR toning. This process may have you revisiting some of your earlier HDR shots and processing them again. All these techniques will be done using HDR Pro in Photoshop CS5.

Also covered in this part of the evening will be Dr. Brown’s  Photoshop techniques for working with Camera Raw images in combination with Smart Objects.

Learn the true art of Photoshop creativity with these nondestructive techniques.

As always we’ll offer free pizza and drinks starting at 6:30, with the session commencing at 7. Please RSVP online if you plan to attend.