I was initially surprised to see VSCO tapping into Flux for generative smarts, but it makes sense: they’re leaning on it to add really good object removal—and not, at least for the moment, to make larger changes. It’ll be interesting to see how their user community responds, and whether they’ll tip some additional toes into these waters (e.g. for creative relighting).
Category Archives: Photography
Snapseed adds automatic object selection & editing
Back when I worked in Google Research, my teammates developed fast models divide images & video into segments (people, animals, sky, etc.). I’m delighted that they’ve now brought this tech to Snapseed:
The new Object Brush in Snapseed on iOS, accessible in the “Adjust” tool, now lets you edit objects intuitively. It allows you to simply draw a stroke on the object you want to edit and then adjust how you want it to look, separate from the rest of the image.
Check out the team blog post for lots of technical details on how the model was trained.
The underlying model powers a wide range of image editing and manipulation tasks and serves as a foundational technology for intuitive selective editing. It has also been shipped in the new Chromebook Plus 14 to power AI image editing in the Gallery app. Next, we plan to integrate it across more image and creative editing products at Google.
Should movies look “fake”?
“Where does the light come from?”
“The same place as the music.”
— Andrew Lesnie, Lord of the Rings cinematographer
why movies should look fake pic.twitter.com/NlKoegORPo
— patrick. (@imPatrickT) August 23, 2025
Ludicrous 100x zoom arrives on Pixel phones
Nearly a decade ago now (good grief), my entree to working with the Google AI team was in collaborating with Peyman Milanfar & team to ship a cool upsampling algorithm in Google+ (double good grief) and related apps. Since then they’ve continued to redefine what’s possible, and on the latest Pixel devices, zoom now extends to an eye-popping 100x. Check out this 7-second demo:
Behind the scenes: Photographing Giuliani
A recent Time Magazine cover featuring Zohran Mamdani made me recall a super interesting customer visit I did years ago with photographer Gregory Heisler. Politics aside, this is a pretty cool peek behind the curtains on the making of an epic image:
As for the Mamdani shoot, it sounds quite memorable unto itself—for incredibly different reasons:
was reading the photogs substack and ive seen a lot of tricks on set but ive got to say i did not see this one coming lmfao pic.twitter.com/9pHbkIe9z0
— h (@ipodmacbook) August 20, 2025
[Via]
Photoshop & the need for (depicting) speed
Given that I’m thinking ahead to photographing air shows this fall, here’s a short, sweet, and relevant little tutorial on creating realistic motion blur on backgrounds:
Safari: Stayin’ Alive
Regarding the last photo: “Narrator: ‘But he did not, in fact, stay alive…'”
Safari: Thick Skin FTW
Safari: Hold Your Head High
Decent advice for a Monday morning, I think.
Google Photos adds GenAI features
The app promises to let you turn static images into short videos and transform them into fun art styles, plus explore a new creation hub.
I’m excited to try it out, but despite the iOS app having been just updated, it’s not yet available—at least for me. Meanwhile, although I just bit the bullet & signed up for the $20/mo. plan, the three video attempts that Gemini allowed me today all failed. ¯\_(ツ)_/¯
Safari: Shake a Tailfeather
To be honest I’ve never taken a more than passing interest in most birds, and certainly in photographing them, but the insane diversity of those in southern Africa was too much to resist. Here are some of my favorites we spied on our journey through Zimbabwe & Botswana:
Meanwhile we enjoyed visiting Painted Dog Conservation and learning about their tireless efforts to preserved & rehabilitate some of the 6,000 or so of these unique animals that remain in the wild—and that often fall prey to poachers’ snares. Tap/click to see a rather charming little vid:
Here’s a bit more about their work:
Safari: “Why friend-shaped?”
You wouldn’t think a hyena might require one of those “Do Not Pet” badges sported by service dogs—but you haven’t met all of our travel companions! :->
Safari: Big Mouths & Small Spots
Hey friends—we’ve made it home to Cali after a whirlwind trip to Zimbabwe & Botswana. I’ll try to post some observations about the state of photo editing these days, and I’d love to hear yours. Meanwhile, while my body still tries to clue into where & when the heck I am, here are a few small galleries I’ve shared so far:
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Gone (lion) fishin’
D’oh—before heading to Zimbabwe & Botswana with my wife to celebrate our 20th anniversary, I neglected to mention that things will be a bit quieter around here than normal. We plan to return to the States next week, and I might share a few posts between now & then. Meanwhile, check out some new friends we made this morning!
Met some fun neighbors this morning: pic.twitter.com/J6gfr0NUEU
— John Nack (@jnack) July 15, 2025
AI brings people to tears—of joy
Several years ago, MyHeritage saw a huge (albeit short-lived) spike in interest from their Deep Nostalgia feature that animated one’s old photos. Everything old is new again, in many senses. Check out Reddit founder Alexis Ohanian talk about how touching he found the tech—as well as tons of blowback from people who find it dystopian.
Damn, I wasn’t ready for how this would feel. We didn’t have a camcorder, so there’s no video of me with my mom. I dropped one of my favorite photos of us in midjourney as ‘starting frame for an AI video’ and wow… This is how she hugged me. I’ve rewatched it 50 times. pic.twitter.com/n2jNwdCkxF
— Alexis Ohanian (@alexisohanian) June 22, 2025
The new Flux rocks for image restoration
Please tell me Adobe is hiding off screen, secretly cooking up magic. Please…
Meanwhile, you can try it yourself here.
Flux Kontext via @replicate
Kontext just put every photo restoration company out of business. This took 6 seconds. pic.twitter.com/a3vT9BhLZY
— Adam Hails (@Clearstory3D) May 30, 2025
It’s remarkable how good kontext is at this, as a general purpose editing model rather than a specialised restoration one. https://t.co/pesZOzmir3 pic.twitter.com/29TnU4U1Zl
— fofr (@fofrAI) May 31, 2025
Microsoft Photos adds interactive relighting
Man, for 18 years (yes, I keep the receipts) I’ve been wanting to ship an interactive relighting experience—and now my team has done it! Check out the quick demo below plus details on DP Review.

Phantom vs. Raptor @ 1000 fps
Good news! You too can capture footage exactly like this. You just need a $100,000 Phantom Flex 4K with a Canon 50-1000mm lens—oh, and you need to be hanging out the side of a Black Hawk helicopter:
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Elliot Erwitt’s Last Laughs
I have to admit, I don’t know Erwitt’s photography nearly as well as I know his name, but this largely humorous new collection makes me want to change that:
Hypersonics throttle up
Here’s just a beautiful little bit of filmmaking (starting at 2:06, in case the link below fails to cue up the right spot). Let’s go Stratolaunch!
New USAF Thunderbirds documentary looks amazing
Having really enjoyed shooting the Thunderbirds over the years, I’m eager to check this out:
From a recent show we saw in Salinas:
VSCO introduces Canvas
Another day, another ~infinite canvas for ideation & synthesis. This time, somewhat to my surprise, the surface comes from VSCO—a company whose users I’d have expected to be precious & doctrinaire in their opposition to any kind of AI-powered image generation. But who knows, “you can just do things.” ¯\_(ツ)_/¯
Sigma BF: Clean AF
Is it for me? Dunno: lately the only thing that justifies shooting with something other than my phone is a big, fast zoom lens, and I don’t know whether pairing such a thing with this slim beauty would kinda defeat the purpose. Still, I must know more…
Here’s a nice early look at the cam plus a couple of newly announced lenses:
SynthLight promises state-of-the-art relighting
Here’s a nice write-up covering this paper. It’ll be interesting to dig into the details of how it compares to previous work (see category). [Update: The work comes in part from Adobe Research—I knew those names looked familiar :-)—so here’s hoping we see it in Photoshop & other tools soon.]
this is wild..
this new AI relighting tool can detect the light source in the 3D environment of your image and relight your character, the shadows look so realistic..
it’s especially helpful for AI images
10 examples: pic.twitter.com/sxNR39YTeT
— el.cine (@EHuanglu) January 18, 2025
New AI-powered upscalers arrive
Check out the latest from Topaz:
Topaz really cooked with their new upscaling model called “redefine” — basically every CSI “enhance” meme you’ve seen IRL.
Settings:
– 4x Upscale
– Creativity: 2
– Texture: 3
– No promptIt’s basically the Topaz take on the magnific style of “creative upscaling” where you use… pic.twitter.com/T7dLoAjFJt
— Bilawal Sidhu (@bilawalsidhu) December 17, 2024
Alternately, you can run InvSR via Gradio:
Image super-resolution model just dropped! Superior results even with a single sampling step.
InvSR: Arbitrary-steps Image Super-resolution via Diffusion Inversion. pic.twitter.com/gS7uoGwnQ8
— Gradio (@Gradio) December 16, 2024
Thunder & The Deep Blue Sea
Everybody needs a good wingman, and when it comes to celebrating the beauty of aviation, I’ve got a great one in my son Henry. Much as we’ve done the last couple of years, this month we first took in the air show in Salinas, featuring the USAF Thunderbirds…

…followed by the Blue Angels buzzing Alcatraz & the Golden Gate at Fleet Week in San Francisco.

In both cases we were treated to some jaw-dropping performances—from a hovering F-35 to choreographed walls of fire—from some of the best aviators in the world. Check ’em out:
And thanks for the nice shootin’, MiniMe!

iPhone goes on safari
Austin Mann puts the new gear through its paces in Kenya:
Last week at the Apple keynote event, the iPhone camera features that stood out the most to me were the new Camera Control button, upgraded 48-megapixel Ultra Wide sensor, improved audio recording features (wind reduction and Audio Mix), and Photographic Styles. […]
Over the past week we’ve traveled over a thousand kilometers across Kenya, capturing more than 10,000 photos and logging over 3TB of ProRes footage with the new iPhone 16 Pro and iPhone 16 Pro Max cameras. Along the way, we’ve gained valuable insights into these camera systems and their features.
iPhone 16 + AI: Quick helpful summaries
Check out my friend Bilawal’s summary thread, which pairs quick demos from Apple with bits of useful context:
Caught the Apple keynote? I’ve distilled down the most intriguing highlights for AI and spatial computing creators and builders—no need to sift through it yourself. Thread: pic.twitter.com/hiLM7iMzi4
— Bilawal Sidhu (@bilawalsidhu) September 10, 2024
There are some great additional details in this thread from Halide Camera as well:
There’s a lot of info to digest from the keynote, so here’s our summary of all the changes and new features of iPhone 16 and 16 Pro cameras in this quick thread pic.twitter.com/z7xB0aekLi
— Halide + Kino (@halidecamera) September 9, 2024
“I Accidentally Became A Meme: Hide The Pain Harold”
Heh: András István Arató—aka Hide The Pain Harold, the wincing king of stock photography—seems like a genuinely good dude. Here he narrates his story in brief:
Photography: Chasing Shreveport Steam
(And no, I’m not just talking oppressive humidity—though after living in California so long, that was quite a handful.) My 14yo MiniMe Henry & I had a ball over the weekend on our first trip to Louisiana, chasing the Empress steam engine as it made its way from Canada down to Mexico City. I’ll try to share a proper photo album soon, but in the meantime here are some great shots from Henry (enhanced with the now-indispensible Generative Fill), plus a bit of fun drone footage:
GenFill comes to Lightroom!
When I surveyed thousands of Photoshop customers waaaaaay back in the Before Times—y’know, summer 2022—I was struck by the fact that beyond wanting to insert things into images, and far beyond wanting to create images from scratch, just about everyone wanted better ways to remove things.
Happily, that capability has now come to Lightroom. It’s a deceptively simple change that, I believe, required a lot of work to evolve Lr’s non-destructive editing pipeline. Traditionally all edits were expressed as simple parameters, and then masks got added—but as far as I know, this is the first time Lr has ventured into transforming pixels in an additive way (that is, modify one bunch, then make subsequent edits that depend on the previous edits). That’s a big deal, and a big step forward for the team.
A few more examples courtesy of Howard Pinsky:
Removing distracting objects just got that much more powerful in @Lightroom. Generative Remove has arrived! pic.twitter.com/CrZ6A3AKOF
— Howard Pinsky (@Pinsky) May 21, 2024
Distraction removal headed to Photoshop, Lightroom
Adobe friends like Eli Shechtman have been publishing research for several years, and Creative Bloq reports that the functionality is due to make its way to the flagship imaging apps in the near future. Check out their post for details.
Automatic selection:

Cleaned-up results:

Object removal in Lightroom:

Lego + GenFill = Yosemite Magic
Or… something like that. Whatever the case, I had fun popping our little Lego family photo (captured this weekend at Yosemite Valley’s iconic Tunnel View viewpoint) into Photoshop, selecting part of the excessively large rock wall, and letting Generative Fill give me some more nature. Click or tap (if needed) to see the before/after animation:
Generative Fill, remaining awesome for family photos. From Yosemite yesterday: pic.twitter.com/GtRP0UCaV6
— John Nack (@jnack) April 1, 2024
Google Research promises better image compositing
Speaking of folks with whom I’ve somehow had the honor of working, some of my old teammates from Google have unveiled ObjectDrop. Check out this video & thread:
Google presents ObjectDrop
Bootstrapping Counterfactuals for Photorealistic Object Removal and Insertion
Diffusion models have revolutionized image editing but often generate images that violate physical laws, particularly the effects of objects on the scene, e.g., pic.twitter.com/j7TMadRhxo
— AK (@_akhaliq) March 28, 2024
A bit more detail, from the project site:
Diffusion models have revolutionized image editing but often generate images that violate physical laws, particularly the effects of objects on the scene, e.g., occlusions, shadows, and reflections. By analyzing the limitations of self-supervised approaches, we propose a practical solution centered on a counterfactual dataset.
Our method involves capturing a scene before and after removing a single object, while minimizing other changes. By fine-tuning a diffusion model on this dataset, we are able to not only remove objects but also their effects on the scene. However, we find that applying this approach for photorealistic object insertion requires an impractically large dataset. To tackle this challenge, we propose bootstrap supervision; leveraging our object removal model trained on a small counterfactual dataset, we synthetically expand this dataset considerably.
Our approach significantly outperforms prior methods in photorealistic object removal and insertion, particularly at modeling the effects of objects on the scene.
Irish blessings
Hey gang—I hope you’ve had a safe & festive St. Patrick’s Day. To mark the occasion, I figured I’d reshare a couple of the videos I captured in the old country with my dad back in August.
Here’s Co. Clare’s wild burren (“rocky district,” hence the choice of Chieftains/Stones banger)…
…my dad’s grandparents’ medieval town in Galway…
…and my mom’s mother’s farm in Mayo:
Creating the creepy infrared world of Dune
I really enjoyed Dolby’s recent podcast on Greig Fraser and the Cinematography of Dune: Part Two, as well as this deep dive with Denis Villeneuve on how they modified an ARRI Alexa LF IMAX camera to create the Harkonnens’ alienating home world.
I love this idea and I tried, for Giedi Prime, the home world of Harkonnen, there’s less information in the book and it’s a world that is disconnected from nature. It’s a plastic world. So, I thought that it could be interesting if the light, the sunlight could give us some insight on their psyche. What if instead of revealing colors, the sunlight was killing them and creating a very eerie black and white world, that will give us information about how these people perceive reality, about their political system, about how that primitive brutalist culture and it was in the screenplay.

Happy birthday to Photoshop, Lightroom, and Camera Raw!
I’m a day late saying it here, but happy birthday to three technologies that changed my life (all our lives, maybe), and to which I’ll be forever grateful to have gotten to contribute. As Jeff Schewe noted:
Happy Birthday Digital Imaging…aka Photoshop, Camera Raw & Lightroom. Photoshop shipped February 19th, 1990. Camera Raw shipped February 19th, 2003 and Lightroom shipped February 19th, 2007. Coincidence? Hum, I wonder…but ya never know when Thomas Knoll is involved…

Check out Jeff’s excellent overview, written for Photoshop’s 30th, as well as his demo of PS 1.0 (which “cost a paltry $895 and could run on home computers like the Macintosh IIfx for under $10,000″—i.e. ~$2,000 & $24,000 today!).
Podcast: The Cinematography of Oppenheimer
I really enjoyed getting some behind-the-scenes info on The Cinematography of Oppenheimer, courtesy of director of photography Hoyte Van Hoytema & Dolby’s Sound + Image Lab podcast. It’s packed with interesting details (e.g. hacking loud & bulky IMAX hardware, dealing with new film emulsions, the impact on color perception of cutting from color to B&W, etc.). I think you’ll dig it.
Six Ways to Spice Up Your Photos in Lightroom
Adding glows & fog, making bokeh balls, and more—lots of nice, bite-sized demos, conveniently navigable by chapter (hover over the progress bar):
FPV Miniatur Wunderland
Insta360 takes us down & not so dirty around Hamburg’s Miniatur Wunderland in this fun 2-minute tour:
Deeply chill photography
(Cue Metallica’s Trapped Under Ice!)
Russell Brown & some of my old Photoshop teammates recently ventured into -40º (!!) weather in Canada, pushing themselves & their gear to the limits to witness & capture the Northern Lights:
Perhaps on future trips they can team up with these folks:
To film an ice hockey match from this new angle of action, Axis Communications used a discrete modular camera — commonly seen in ATM machines, onboard vehicles, and other small spaces where a tiny camera needs to fit — and froze it inside the ice.
Check out the results:
Behind—and under—the scenes:
To the moon! Insta360 makes a satellite
What if your tiny planet—a visual genre I’ve enjoyed beating halfway into the ground—were our actual planet? Insta360, on whom I’ve spent crazy amounts of money buying brilliant-if-maddening gear, has now sent their devices to the edge of space:

“We’re on a mission from God…”
On the off chance you missed me over the last week or so, it’s due to my being off in Illinois with the fam, having fun making silliness like this:
Reflect on this: Project See Through burns through glare
Marc Levoy (professor emeritus at Stanford) was instrumental in delivering the revolutionary Night Sight mode on Pixel 3 phones—and by extension on all the phones that quickly copied their published techniques. After leaving Google for Adobe, he’s been leading a research team that’s just shown off the reflection-zapping Project See Through:
Today, it’s difficult or impossible to manually remove reflections. Project See Through simplifies the process of cleaning up reflections by using artificial intelligence. Reflections are automatically removed, and optionally saved as separate images for editing purposes. This gives users more control over when and how reflections appear in their photos.
New features come to Lightroom Classic
Lens Blur, HDR, Point Color, and more: Katrin Eismann breaks down the update in this overview, and Matt Kloskowski shows the features in action here:
☘️ The Fields of Athenry ☘️
During our Ireland trip a few weeks back, I captured some aerial views of the town from which my great-grandfather emigrated.
As it often does, Luma generated a really nice 3D model from my orbiting footage:
☘️ Air Mayo ☘️
Just me, my dad, our Irish cousins, and 900 of their closest sheep. ☘️😌☘️
Irish panos 🏰🚁☘️
Just a wee bit o’ the droning for ya, overflying our cousins’ ancient neighbors (such show-offs!):
DJI “Spotlight Mode” looks rad
I’ve been flying a bunch here in Ireland this week & can’t wait to share some good stuff soon. (Weren’t transatlantic plane rides meant for video editing?) In the meantime, I’m only now learning of a really promising-looking way to have the drone focus on a subject of interest, leaving the operator free to vary other aspects of flight (height, rotation, etc.). Check it out:

