During our epic Illinois-to-California run down Route 66 in March, my son Henry and I had fun capturing all kinds of images, including via my Insta360 One X2 camera. Here are a couple of “bullet time” slow-mo vids I thought were kind of fun. The first comes from the Round Barn in Arcadia, OK…
It’s a bummer that the optical quality here suffers from having the company’s cheap-o lens guards applied. (Without the guards, one errant swipe of the selfie stick can result in permanent scratches to the lens, necessitating shipment back to China for repairs.) They say they’re working on more premium glass ones, for which they’ll likely get yet more of my dough. ¯\_(ツ)_/¯
“People tend to overestimate what can be done in one year and to underestimate what can be done in five or ten years,” as the old saying goes. Similarly, it can be hard to notice one’s own kid’s progress until confronted with an example of that kid from a few years back.
My son Henry has recently taken a shine to photography & has been shooting with my iPhone 7 Plus. While passing through Albuquerque a few weeks back, we ended up shooting side by side—him with the 7, and me with an iPhone 12 Pro Max (four years newer). We share a camera roll, and as I scrolled through I was really struck seeing the output of the two devices placed side by side.
I don’t hold up any of these photos (all unedited besides cropping) as art, but it’s fun to compare them & to appreciate just how far mobile photography has advanced in a few short years. See gallery for more.
“VOGUE: Try-On by StyleGAN,” from my former Google colleague Ira Kemelmacher-Shlizerman & her team, promises to synthesize photorealistic clothing & automatically apply it to a range of body shapes (leveraging the same StyleGAN foundation that my new teammates are using to build images via text):
Artbreeder is a trippy project that lets you “simply keep selecting the most interesting image to discover totally new images. Infinitely new random ‘children’ are made from each image. Artbreeder turns the simple act of exploration into creativity.” Check out interactive remixing:
I’ve long loved the weird mechanical purring of those flappy-letter signs one sees (or at least used to see) in train stations & similar venues, but I haven’t felt like throwing down the better part of three grand to own a Vestaboard. Now maker Scott Bezek is working on an open-source project for making such signs at home, combining simple materials and code. In case you’d never peeked inside such a mechanism (and really, why would you have?) and are curious, here’s how they work:
And here, for some reason, are six oddly satisfying minutes of a sign spelling out four-letter words:
I remain fascinated by what Snap & Facebook are doing with their respective AR platforms, putting highly programmable camera stacks into the hands of hundreds of millions of consumers & hundreds of thousands of creators. If you have thoughts on the subject & want to nerd out some time, drop me a note.
A few months back I wanted to dive into the engine that’s inside Instagram, and I came across the Spark AR masterclass put together & presented by filter creator Eddy Adams. I found it engaging & informative, if even a bit fast for my aging brain 🙃. If you’re tempted to get your feet wet in this emerging space, I recommend giving it a shot.
“Boys,” I DM’d the lads (because somehow that’s a thing now), “I hope you someday find spouses (speece?) cool enough to send you things like Mom just sent me.” And Crom-willing, they will. 😌 Happy Friday.
I find this emerging space so fascinating. Check out how Toonify.photos (which you can use for free, or at high quality for a very modest fee) can turn one’s image into a cartoon character. It leverages training data based on iconic illustration styles:
I also chuckled at this illustration from the video above, as it endeavors to how two networks (the “adversaries” in “Generative Adversarial Network”) attempt, respectively, to fool the other with output & to avoid being fooled. Check out more details in the accompanying article.